This study combines in one volume the history of Zimbabwe from the advent of British settlers in 1890 to 2000, including women’s rights and human rights in Zimbabwe. It is a political, social and economic history. The Postscript examines the major developments in Zimbabwe from 2001 to 2008. The two previous major studies on the history of Zimbabwe, The Past Is Another Country by Martin Meredith (London, Andre Deutsch, 1979) and The Road to Zimbabwe, 1890–1980 by Anthony Verrier (London, Jonathan Cape, 1986) are now out of date. This volume brings the historical study of Zimbabwe almost up to the present day.

This study combines in one volume the history of Zimbabwe from the advent of British settlers in 1890 to 2000, including womens rights and human rights in Zimbabwe. It is a political, social and economic history. The Postscript examines the major developments in Zimbabwe from 2001 to 2008. The two previous major studies on the history of Zimbabwe, The Past Is Another Country by Martin Meredith (London, Andre Deutsch, 1979) and The Road to Zimbabwe, 18901980 by Anthony Verrier (London, Jonathan Cape, 1986) are now out of date. This volume brings the historical study of Zimbabwe almost up to the present day.

This book is the first major work to explore the utility of the border as a theoretical, methodological, and interpretive construct for understanding colonial public health by considering African experiences in the Zimbabwe-Mozambique borderland. It examines the impact of colonial public health measures such as medical examinations/inspections, vaccinations, and border surveillance on African villagers in this borderland. The book asks whether the conjunction of a particular colonized society, a distinctive kind of colonialism, and a particular territorial border generated reluctance to embrace public health because of certain colonial circumstances which impeded the acceptance of therapeutic alternatives that were embraced by colonized people elsewhere. It asks historians to look elsewhere for similar kinds of histories involving racialized application of public health policies in colonial borderlands.

Bringing together a group of international scholars, The Handbook of African Intelligence Cultures provides the first review of intelligence cultures in every African country. It explores how intelligence cultures are influenced by a range of factors, including past and present societal, governmental and international dynamics. In doing so, the book examines the state’s role, civil society and foreign relations in shaping African countries’ intelligence norms, activities and oversight. It also explores the role intelligence services and cultures play in government and civil society.

This book is a pioneering study of Joshua Mqabuko Nkomo, a Zimbabwean nationalist whose crucial role in the country’s anti-colonial struggle has largely gone unrecognized. These essays trace his early influence on Zimbabwean nationalism in the late 1950s and his leadership in the armed liberation movement and postcolonial national-building processes, as well as his denigration by the winners of the 1980 elections, Mugabe’s Zimbabwe African National Union-Patriotic Front. The Nkomo that emerges is complex and contested, the embodiment of Zimbabwe’s tortured trajectory from colony to independent postcolonial state. This is an essential corrective to the standard history of twentieth-century Zimbabwe, and an invaluable resource for scholars of African nationalist liberation movements and nation-building.

This study focuses on the corporate governance initiatives, laws and regulations aimed at enhancing the effectiveness of boards of public entities in Zimbabwe. The key question addressed is whether or not the corporate governance initiatives and legal and regulatory reforms in Zimbabwe are sufficient to enable boards of public entities to effectively discharge their duties and meet internationally accepted corporate governance standards. A comparative analysis of Zimbabwe’s public entities corporate governance framework to that of South Africa (a developing country like Zimbabwe) and Australia (a developed country with similar common law heritage) is also conducted. Recommendations are made on how best to enhance the effectiveness of boards of public entities in order to promote good corporate governance practices in Zimbabwean public entities.

This book presents a snapshot of a major challenge, and shares subjective views on various areas of conflict in Africa and the diverse – theoretical and practical – efforts to achieve peace. Following an essential review of several real-world conflict contexts on the African continent and attempts to come to terms with them critically as a first step, the book explores the lessons learned to date with regard to peace studies in Africa.

This book examines state-business relations in semi-peripheral South Africa and peripheral Zimbabwe after each country’s transition to majority rule. Baran examines the implementation of liberalisation and indigenisation policies by the majority governments of South Africa and Zimbabwe used to complete the states’ economic transformations.

In Black and White Agnieszka Piotrowska presents a unique insight into the contemporary arts scene in Zimbabwe – an area that has received very limited coverage in research and the media. The book combines theory with literature, film, politics and culture and takes a psychosocial and psychoanalytic perspective to achieve a truly interdisciplinary analysis. Piotrowska focuses in particular on the Harare International Festival of the Arts (HIFA) as well as the cinema, featuring the work of Rumbi Katedza and Joe Njagu. Her personal experience of time spent in Harare, working in collaborative relationships with Zimbabwean artists and filmmakers, informs the book throughout. It features examples of their creative work on the ground and examines the impact it has had on the community and the local media. Piotrowska uses her experiences to analyse concepts of trauma and post-colonialism in Zimbabwe and interrogates her position as a stranger there, questioning patriarchal notions of belonging and authority. Black and White also presents a different perspective on convergences in the work of Doris Lessing and iconic Zimbabwean writer Dambudzo Marechera, and how it might be relevant to contemporary race relations. Black and White will be intriguing reading for psychoanalysts, psychotherapists and psychotherapeutically engaged scholars, film makers, academics and students of post-colonial studies, film studies, cultural studies, psychosocial studies and applied philosophy.

It is said that everyone has a story to tell. But not every biography gets under your skin like the life of Shumba, who was born Alasdair on a farm of British immigrants in Rhodesia, now Zimbabwe. It is a happy childhood in the grandiose nature of Africa, which is abruptly overshadowed by the violence of the civil war in Rhodesia at the end of the 1970s. These are experiences that will shape Shumba. Shumba experiences what a life of peace can mean when he goes to London to study dance. But even there, there is light and shadow. His later career as a ballet dancer takes him to the world's great stages. It is the pain and grief over what he has experienced that make his style of dancing something extraordinary. But years pass before Shumba, by now a physiotherapist in Schleswig-Holstein, consciously confronts his past for the first time in connection with a cancer illness.