Winner of the Missouri History Book Award, from the State Historical Society of Missouri Winner of the Arkansiana Award, from the Arkansas Library Association Geologic forces raised the Ozarks. Myth enshrouds these hills. Human beings shaped them and were shaped by them. The Ozarks reflect the epic tableau of the American people—the native Osage and would-be colonial conquerors, the determined settlers and on-the-make speculators, the endless labors of hardscrabble farmers and capitalism of visionary entrepreneurs. The Old Ozarks is the first volume of a monumental three-part history of the region and its inhabitants. Brooks Blevins begins in deep prehistory, charting how these highlands of granite, dolomite, and limestone came to exist. From there he turns to the political and economic motivations behind the eagerness of many peoples to possess the Ozarks. Blevins places these early proto-Ozarkers within the context of larger American history and the economic, social, and political forces that drove it forward. But he also tells the varied and colorful human stories that fill the region's storied past—and contribute to the powerful myths and misunderstandings that even today distort our views of the Ozarks' places and people. A sweeping history in the grand tradition, A History of the Ozarks, Volume 1: The Old Ozarks is essential reading for anyone who cares about the highland heart of America.

In the first comprehensive social history of the Arkansas Ozarks from the early 19th century through the end of the 20th century, Blevins examines settlement patterns, farming, economics, class, and tourism. He also explores the development of conflicting images of the Ozarks as a timeless arcadia peopled by quaint, homespun characters or a backward region filled with hillbillies.

In 1929, in a remote county of the Arkansas Ozarks, the gruesome murder of harmonica-playing drifter Connie Franklin and the brutal rape of his teenaged fiancée captured the attention of a nation on the cusp of the Great Depression. National press from coast to coast ran stories of the sensational exploits of night-riding moonshiners, powerful "Barons of the Hills," and a world of feudal oppression in the isolation of the rugged Ozarks. The ensuing arrest of five local men for both crimes and the confusion and superstition surrounding the trial and conviction gave Stone County a dubious and short-lived notoriety. Closely examining how the story and its regional setting were interpreted by the media, Brooks Blevins recounts the gripping events of the murder investigation and trial, where a man claiming to be the murder victim--the "Ghost" of the Ozarks--appeared to testify. Local conditions in Stone County, which had no electricity and only one long-distance telephone line, frustrated the dozen or more reporters who found their way to the rural Ozarks, and the developments following the arrests often prompted reporters' caricatures of the region: accusations of imposture and insanity, revelations of hidden pasts and assumed names, and threats of widespread violence. Locating the past squarely within the major currents of American history, Ghost of the Ozarks: Murder and Memory in the Upland South paints a convincing backdrop to a story that, more than 80 years later, remains riddled with mystery.

Describes the Ozark Mountains region in Missouri, Arkansas, and Oklahoma, discusses the history and culture of the region, and identifies points of interest in each area

Published just days before America’s entry into World War II, Ozark Country is Otto Ernest Rayburn’s love letter to his adopted region. One of several chronicles of the Ozarks that garnered national attention during the Depression and war years, when many Americans craved stories about people and places seemingly untouched by the difficulties of the times, Rayburn’s colorful tour takes readers from the fictional village of Woodville into the backcountry of a region teeming with storytellers, ballad singers, superstitions, and home remedies. Rayburn’s tales—fantastical, fun, and unapologetically romantic—portray a world that had already nearly disappeared by the time they were written. Yet Rayburn’s depiction of the Ozarks resonates with notions of the region that have persisted in the American consciousness ever since.

In the 1880s, the Ozark hills around Taney County, Missouri, echoed with the sound of Winchester rifles. Men were lynched from tree limbs by masked night riders. Bundles of switches were tossed on the porches of "loose" men and women as a grim warning to reform or leave the area. In this action-filled saga of the notorious eight-year career of the vigilantes, journalist Mary Hartman and historian Elmo Ingenthron have produced the most comprehensive account of the Bald Knobber era. They trace the roots of the group in the region's border struggles during the Civil War, and examine the organization of anti-Bald Knobbers which sprang up to oppose them. Giant Nat Kinney founded the Bald Knobbers, and led them in their violent campaign for law and order. Andrew Coggburn wrote satirical songs to infuriate Kinney and the other vigilantes. Seventeen-year-old Billy Walker murdered an innocent family and was hanged by the beleaguered authorities. Five opponents of the Bald Knobbers vowed to kill Nat Kinney, and played cards to decide who would do the deed. Elmo Ingenthron was an Ozarks historian, and collected Bald Knobbers lore for more than thirty-five years. Mary Hartman is a veteran journalist and freelance writer.

Between the world wars, America embraced an image of the Ozarks as a remote land of hills and hollers. The popular imagination stereotyped Ozarkers as ridge runners, hillbillies, and pioneers—a cast of colorful throwbacks hostile to change. But the real Ozarks reflected a more complex reality. Brooks Blevins tells the cultural history of the Ozarks as a regional variation of an American story. As he shows, the experiences of the Ozarkers have not diverged from the currents of mainstream life as sharply or consistently as the mythmakers would have it. If much of the region seemed to trail behind by a generation, the time lag was rooted more in poverty and geographic barriers than a conscious rejection of the modern world and its progressive spirit. In fact, the minority who clung to the old days seemed exotic largely because their anachronistic ways clashed against the backdrop of the evolving region around them. Blevins explores how these people’s disproportionate influence affected the creation of the idea of the Ozarks, and reveals the truer idea that exists at the intersection of myth and reality. The conclusion to the acclaimed trilogy, The History of the Ozarks, Volume 3: The Ozarkers offers an authoritative appraisal of the modern Ozarks and its people.

The Ozark Mountains in Missouri and Arkansas have had a long history of foraging since indigenous tribes such as the Osage, Quapaw, and Kickapoo sporadically inhabited the area and utilized the rich natural resources. Settlers from the Appalachians came later and survived on what they could find, trap, and hunt. Foraging remains a major activity among the Ozarks’ outdoor community, supported in large part by established local restaurateurs and other buyers of wild herbs, berries, and nuts. Foraging the Ozarks, written by local wilderness expert Bo Brown, highlights about a hundred commonly found edibles in the Interior Highlands, from ubiquitous herbs to endemic species. With sidebars, recipes, helpful tips, and toxin warnings throughout, Foraging the Ozarks is the only guidebook the Ozark outdoor enthusiast will need to pick it, cook it, and eat it.

For tourists, the beautiful Lake of the Ozarks must seem in complete harmony with the natural order of its surroundings. Even lifelong natives can struggle to imagine a time when the reservoir created by the Bagnell Dam didn't exist. But beneath the placid waters of the lake that draws bustling visitors to its shores lies the drama of a remote Ozark community suddenly thrust into an urban world. True locals Dan William Peek and Kent Van Landuyt piece together the fascinating story of how that community adapted to the lake that redefined their home.

"Vance Randolph was perfectly constituted for his role as the chronicler of Ozark folkways. As a self-described "hack writer," who first visited the region as a child with his middle-class parents, he was as much a figure of the margins as his chosen subjects. And his essentially romantic identification with the Ozarks--encouraged by the editors of the era--was always tempered by his scientific training and his contrarian nature. In The Ozarks, originally published in 1931, we have Randolph's first book-length portrait of the people he would spend the next half-century studying. The full range of Randolph's interests--in language, in hunting and fishing, in folksongs and play parties, in moonshining--is on view in this book that made his name; forever after he was "Mr. Ozark," the region's preeminent expert who would, in collection after collection, enlarge and deepen his debut effort. With a new introduction by Robert Cochran, The Ozarks , an image shaper in its day, a cultural artifact for decades to come, this wonderful book is as entertaining as ever." --Back cover.