A History of Screen Printing How an Art Evolved into an Industry, the book chronicles the rapid advancements in the ancient art of stenciling that took place during the late 1800s, and how it turned into screen printing as we know it today. With help from the families of the pioneers, industry supporters and over 15 years of research, author Guido Lengwiler has rescued an almost lost history that covers the period up to and including WWII. It tells the interconnected stories of how a relatively small group of people, many of them artists, signwriters, and entrepreneurs working in the dawn of the advertising age in the USA, helped create entire industries that continue to exist globally today, all using screen printing in the production of an unbelievably wide range of products. It includes beautiful full color illustrations from the Selectasine Booklet provided to original patent licensees, and the main vehicle that spread the process around the world. Hundreds of never before seen product photos, machine designs, and some of the first art prints done in the 1920 s in California are included, plus special chapters on fine art printmaking, along with the ceramic and textile industries. Screen printing was a hybrid process that provided both graphic and manufacturing advantages over other methods, and was perfect for the times. Industry, especially in the USA, was transitioning from hand craft into mass production, creating a need to decorate products, or advertise them with signage. Most times a closely guarded industrial secret, screen printing bridged gaps between hand production and the more expensive automated printing of the time, which included lithography and letterpress. It introduced cheap short run color capabilities, and virtually created the whole Point of Purchase (POP) and Specialty Advertising industries, along with the billboard and t-shirt printing sectors. An ability to print directly on a wide variety of materials led to use decorating metal, ceramics, textiles, and plastics, spurring record growth, better designs, and lowered costs in any industry that adopted it, from fashion to fine china. Experiments prior to WWII led to printed circuits, which in turn revolutionized the electronics industries. All these and more are legacies of the pioneers of screen printing featured in the book. The history of the process is really the history of so many things we take for granted in today s and tomorrow s society.

This book gives a clear and complete picture of every aspect of press operation and silk screen technique — from individually operated manual presses to modern automatic presses capable of turning out 2,000–3,000 impressions an hour — and indicates its great versatility and range of applications. Extremely thorough in its coverage of the subject, this volume includes practically everything of importance known about the silk screen process. After a brief historical account, which shows how screen process has become one of the most important of the graphic arts, the author provides detailed information on basic tools and equipment, stencil making and photo stencil methods, multicolor work, facts about paints, lacquers, and other compounds, and tips on matching colors and mixing the right colors for specific jobs. There are chapters on printing of decalcomanias, characteristics of different surfaces, textile and wallpaper printing, appliqué materials, printing on cylindrical and unusual surfaces, silk screen as a fine art (serigraphy), die cutting and finishing, automation in the industry, and other topics. Completely serviceable to the commercial operator, the book also contains discussions of estimating procedures, relative costs and selling prices, and plant layout and shop management. The various steps in the process are all illustrated by numerous photographs and drawings. Other illustrations show modern plants and machines, presses and other equipment, and examples of printing on containers, glassware, fabrics, etc. In addition to a brief bibliography of books and publications on the subject, there is a list of major manufacturers and dealers in screen process materials for convenient reference. A fully practical manual, and for anyone working in the graphic arts, this book was written by an expert with over 25 years' experience in the field. As a man who has worked in every phase of silk screen work (from printing, paint mixing, layout, and lettering to managing, consulting, and teaching) and as the author of a number of other books on screen process, Mr. Biegeleisen is notably qualified to discuss all techniques, problems, and situations; in this book, he has produced the best and most authoritative guide to a rapidly growing field.

Quickly master techniques for both art prints and textile designs. 193 illustrations, including 19 in full color.

Offers the step-by-step process to making screen prints with an informative overview of the equipment and tools needed, instructions on printing on diverse surfaces, sample images, tips on fixing common mistakes, and the history of screen-printing itself.

Although the technique of screen printing dates back to first-century China, it became the preferred printing method of choice for musical and political counterculture movements of the 1960s, thanks to its ease, cost, and flexibility. It moved into the mainstream with Andy Warhol's iconic screen print of Marilyn Monroe, and was quickly adopted by artists such as Roy Lichtenstein and Robert Rauschenberg. Screen printing has become even more widespread with the many demonstrations, marches, and grassroots protests in the wake of the American presidential election of 2016. Screen Printing: The Ultimate Studio Guide is a definitive, fully illustrated manual on the techniques, materials, and processes of screen printing. An essential and highly practical reference, this book is equally suited for beginning and experienced printers, with step-by-step tutorials on basic and advanced techniques, as well as "workshops" by several of the world's best-known screen printers, including Ben Eine and Bob Gill.

This text explores the entire screen printing process. It covers, with in-depth explanations, each stage of the process as well as technological advances and latest industry trends. Photographs, charts, diagrams and graphics illustrate the procedures and c

A wide-ranging and authoritative history of SOGAT, which provides a valuable insight into the paper and printing industries during a period of great change, and an examination of crucial moments in recent UK industrial relations history.

The celebrated text on the history of the book, completely revised, updated and expanded The revised and updated edition of The Companion to the History of the Book offers a global survey of the book’s history, through print and electronic text. Already well established as a standard survey of the historiography of the book, this new, expanded edition draws on a decade of advanced scholarship to present current research on paper, printing, binding, scientific publishing, the history of maps, music and print, the profession of authorship and lexicography. The text explores the many approaches to the book from the early clay tablets of Sumer, Assyria and Babylonia to today’s burgeoning electronic devices. The expert contributions delve into such fascinating topics as archives and paperwork, and present new chapters on Arabic script, the Slavic, Canadian, African and Australasian book, new textual technologies, and much more. Containing a wealth of illustrative examples and case studies to dramatize the exciting history of the book, the text is designed for academics, students and anyone interested in the subject.

Exhibition catalog published in conjunction with the exhibition held at the Harvard Art Museums, Cambridge, Massachusetts, September 3, 2015-January 3, 2016 and at the San Antonio Museum of Art, San Antonio, Texas, February 13-May 8, 2016.