This collection of poetry about Mark Twain explores a neglected dimension in his critical and popular reception during a period of over seventy years. The three hundred and fifty published ballads, sonnets, limericks, lyrics, couplets, and quatrains, including some in dialect, run the gamut from the banal and piquant to the eloquent, from rhymes by anonymous poetasters to highbrow tributes. Organized chronologically by topic, the sections also indicate the frequency with which the poems were reprinted and the venues in which they appeared. Though they were pitched to entertain general readers, this gathering should also prove useful to teachers and scholars of American literature. In all, they trace the crests in Twain’s fame and contemporary popular reputation over the decades and silhouette his pervasive presence in literary circles around the world during the late-nineteenth and early-twentieth centuries.

Western conceptions of objectivity and individuality have resulted in a readier appreciation of the worth of the animals and nature than has been recognized. This provocative book takes issue with the popular view that the Western cultural tradition, in contrast to Eastern and Aboriginal traditions, has encouraged attitudes of domination and exploitation towards nature, particularly animals. Preece argues that the Western tradition has much to commend it, and that descriptions of Aboriginal and Oriental orientations have often been misleadingly rosy, simplified and codified according to current fashionable concepts. Animals and Nature is the result of six years' intensive study into comparative religion, literature, philosophy, anthropology, mythology and animal welfare science.

Mark Twain In Context provides the fullest introduction in one volume to the multifaceted life and times of one of the most celebrated American writers. It is a collection of short, lively contributions covering a wide range of topics on Twain's life and works. Twain lived during a time of great change, upheaval, progress, and challenge. He rose from obscurity to become what some have called 'the most recognizable person on the planet'. Beyond his contributions to literature, which were hugely important and influential, he was a businessman, an inventor, an advocate for social and political change, and ultimately a cultural icon. Placing his life and work in the context of his age reveals much about both Mark Twain and America in the last half of the nineteenth century, the twentieth century, and the first decades of the twenty-first century.

This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.

Article abstracts and citations of reviews and dissertations covering the United States and Canada.

This study focuses on the complex relations between author, publisher and contemporary reading public in 19th-century America; in particular, the emergence of Irving and Cooper as America's first successful literary entrepreneurs, how Poe's and Melville's successes and failures affected their writing, the popularization of poetry in the 1830s and 1840s, the role of the literary magazine in the 1840s and 1850s, and the beginnings of book promotion. It pays particular attention to the way social and economic forces helped to shape literary works.

A brief, simplified retelling of the episode in "Tom Sawyer" in which Tom cheats during the spelling bee, but later realizes he must make things right.

The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.