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This is a history of the French which tries to explain their idiosyncrasies, enthusiasms and prejudices. It goes beyond the recital of events to investigate their attitudes and behaviour over an unusually wide range of activities. Volume I scrutinizes the peculiar way of thinking and of talking adopted by the French, their powerful sense of national identity, their ambivalent feelings about foreigners. It shows what it meant to be a Breton or a Provencal, an Alsation or an Auvergnat. Volume II analyses French taste and the role of the artist. It enquires into the quality of life, the French view of happiness, friendship and comfort, humour, reactions to scientific progress, compromises with corruption and superstition. This major reinterpretation of France's achievement as a nation and of the individual experience of the French has taken its place as one of the great works of scholarship on modern France, and now re-appears in two paperback volumes.

'The book that changed my life... a constant companion' Bill Bailey 'Extraordinary and beautiful...the most exciting and ambitious work of non-fiction I have read in more than a decade' The Daily Telegraph This extraordinarily wide-ranging study looks at the dilemmas of life today and shows how they need not have arisen. Portraits of living people and historical figures are placed alongside each other as Zeldin discusses how men and women have lost and regained hope; how they have learnt to have interesting conversations; how some have acquired an immunity to loneliness; how new forms of love and desire have been invented; how respect has become more valued than power; how the art of escaping from one's troubles has developed; why even the privileged are often gloomy; and why parents and children are changing their minds about what they want from each other.

This is a guide to France intended for the traveller who wants to get to know French people as individuals, for the negotiating businessman and for students who wishes to discover in-depth aspects of their lives. It looks at what makes up the national character of France.

This Very Short Introduction provides a concise and insightful history of the Great War--from the state of Europe in 1914, to the role of the US, the collapse of Russia, and the eventual surrender of the Central Powers. Examining how and why the war was fought, as well as the historical controversies that still surround the war, Michael Howard also looks at how peace was ultimately made, and describes the potent legacy of resentment left to Germany.

When Victorine Laurent joins the chorus of the grand Paris Opera ballet, she expects to become the mistress of a wealthy man; this is how young women without family survive in the decadent City of Light. Yet when the artist Degas introduces her to Edouard Manet, her life changes dramatically. She agrees to pose for him, and the result is a painting that shocks Paris. Overnight, Victorine becomes the city’s most sought after courtesan. When she becomes the favorite of the Duke de Lyon, the power behind the shaky government of Emperor Louis-Napoléon, her continued attraction to Manet becomes dangerous for them both. And when an astonishing secret from Victorine’s past comes to light, her carefully constructed world may come crashing down around her. Mademoiselle Victorine transports readers back to nineteenth-century Paris, a time when art, love, and commerce blended seamlessly together.

Situating the French Revolution in the context of early modern globalization for the first time, this book offers a new approach to understanding its international origins and worldwide effects. A distinguished group of contributors shows that the political culture of the Revolution emerged out of a long history of global commerce, imperial competition, and the movement of people and ideas in places as far flung as India, Egypt, Guiana, and the Caribbean. This international approach helps to explain how the Revolution fused immense idealism with territorial ambition and combined the drive for human rights with various forms of exclusion. The essays examine topics including the role of smuggling and free trade in the origins of the French Revolution, the entwined nature of feminism and abolitionism, and the influence of the French revolutionary wars on the shape of American empire. The French Revolution in Global Perspective illuminates the dense connections among the cultural, social, and economic aspects of the French Revolution, revealing how new political forms-at once democratic and imperial, anticolonial and centralizing-were generated in and through continual transnational exchanges and dialogues. Contributors: Rafe Blaufarb, Florida State University; Ian Coller, La Trobe University; Denise Davidson, Georgia State University; Suzanne Desan, University of Wisconsin-Madison; Lynn Hunt, University of California, Los Angeles; Andrew Jainchill, Queen's University; Michael Kwass, The Johns Hopkins University; William Max Nelson, University of Toronto; Pierre Serna, Université Paris I Panthéon-Sorbonne; Miranda Spieler, University of Arizona; Charles Walton, Yale University

Finalist for the Pulitzer Prize • Winner of the Council on Foreign Relations Arthur Ross Book Award • One of the New York Times' Ten Best Books of the Year “Impressive . . . Mr. Judt writes with enormous authority.” —The Wall Street Journal “Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history.” —The Boston Globe Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy. Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates.

Georges Vigarello maps the evolution of Western ideas about fat and fat people from the Middle Ages to the present, paying particular attention to the role of science, fashion, fitness crazes, and public health campaigns in shaping these views. While hefty bodies were once a sign of power, today those who struggle to lose weight are considered poor in character and weak in mind. Vigarello traces the eventual equation of fatness with infirmity and the way we have come to define ourselves and others in terms of body type. Vigarello begins with the medieval artists and intellectuals who treated heavy bodies as symbols of force and prosperity. He then follows the shift during the Renaissance and early modern period to courtly, medical, and religious codes that increasingly favored moderation and discouraged excess. Scientific advances in the eighteenth century also brought greater knowledge of food and the body's processes, recasting fatness as the "relaxed" antithesis of health. The body-as-mechanism metaphor intensified in the early nineteenth century, with the chemistry revolution and heightened attention to food-as-fuel, which turned the body into a kind of furnace or engine. During this period, social attitudes toward fat became conflicted, with the bourgeois male belly operating as a sign of prestige but also as a symbol of greed and exploitation, while the overweight female was admired only if she was working class. Vigarello concludes with the fitness and body-conscious movements of the twentieth century and the proliferation of personal confessions about obesity, which tied fat more closely to notions of personality, politics, taste, and class.

At a crucial moment in the Second World War, an obscure French general reaches a fateful personal decision: to fight on alone after his government’s flight from Paris and its capitulation to Nazi Germany. Amid the ravages of a world war, three men — a general, a president, and a prime minister — are locked in a rivalry that threatens their partnership and puts the world’s most celebrated city at risk of destruction before it can be liberated. This is the setting of The Paris Game, a dramatic recounting of how an obscure French general under sentence of death by his government launches on the most enormous gamble of his life: to fight on alone after his country’s capitulation to Nazi Germany. In a game of intrigue and double-dealing, Charles de Gaulle must struggle to retain the loyalty of Winston Churchill against the unforgiving opposition of Franklin Roosevelt and the traitorous manoeuvring of a collaborationist Vichy France. How he succeeds in restoring the honour of France and securing its place as a world power is the stuff of raw history, both stirring and engrossing.