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Danish Architecture and Society offers a fascinating architectural history of the institutions and public buildings that have helped shape the everyday lives of Danes since the eighteenth century. The book charts the emergence and development as well as the grandeur and ultimate demise of these institutions, tracing the underlying--and changing--architectural and societal ideals that have been influential in terms of design, organization, and furnishing. The individual contributions detail the often dramatic historical developments of buildings from industrialism's heyday, such as train stations, post offices and customs houses. Although some of these still exist, a great many have today either been adapted to other functions or demolished. The contributing authors examine the significance of the buildings at the time they were constructed and attending understandings of sustainable building, contrasting these with present-day notions of architecture and construction as a more makeshift phenomenon. Through more than two hundred illustrations--drawings, sketches, plans and photos, much of it never before published--the authors provide a vivid and compelling account of Danish architectural history and its influence in framing the Danish welfare state as we know it today.

Kay Fisker (1893-1965) is considered one of the most influential Danish architects of the twentieth century, and yet there has existed until now no in-depth English-language study of his works and writing. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines Fisker's key projects – from his early railway stations and innovative housing projects to the Danish Academy in Rome – and analyses his work as a historian and writer. Fisker's output is closely associated with the functional tradition, a hybridization of international modernism and regional architectural typologies, and this book shows how his architectural poetics can be understood as an amalgamation of an ideal order with the contingent conditions of landscapes and urban sites. Hybridization is not only a valuable notion for understanding Fisker, the book argues, it can also be applied to an understanding of modernist architecture as a whole, with its various expressions, agendas and tensions both regionally and internationally.

Denmark s many manors are a treasure trove of natural and cultural riches. In addition to the scenic beauty and magnificent architecture they have to offer, they also stand as monuments to more than five centuries of Danish history. The landscapes and buildings of Denmark s manors offer an enchanting foray into a fascinating universe, animating the country s cultural heritage. Denmark s famous fairytale author Hans Christian Andersen and the internationally renowned storyteller Isak Dinesen were both fascinated by the unique atmosphere of the Danish country house, which as their fairytales and stories reveal was a lasting source of inspiration in their writings. Also today, the cultural and natural environment of the manor continues to appeal to the heart and soul, opening the eyes of the readers to the multifaceted splendours. This beautifully designed book provides the reader with the key to understanding and experiencing this cultural heritage. More than one hundred of Denmark s seven hundred manors are now partially or wholly open to the public. This book is your guide to them all. Two hundred beautiful photographs, many of them by the acclaimed photographer Roberto Fortuna, accompany the texts on the manors. The work is prefaced by H.R.H. the Prince Consort of Denmark and also includes a chapter on the Danish nobility by the Historian Ditlev Tamm. "

RESIDENTIAL BUILDINGS, DOMESTIC BUILDINGS. The human being was at the center of Danish modernism. Traditional craftsmanship and a high degree of quality influenced both its design and its architecture. Alongside the construction of numerous groundbreaking public buildings, the 1950s and 60s saw the design of many single-family homes based on an aesthetic that focused on truth to materials, honesty in construction and the reduction of form. Built of wood and brick and with practical, informal floor plans and large glass surfaces that opened up the interior of the house to nature, the best of these homes still fulfill their tasks to this day. The Modern House in Denmark is a compendium of selected buildings examined in detail, including icons such as Utzon House by Jorn Utzon, Arne Jacobsen's Siesby House and the Bogh Andersen House by Jorgen Bo and Vilhelm Wohlert.

Presents 110 Danish chairs and charts their success at home and abroad from the mid-20th century until the present day In the mid-20th century design became a cultural phenomenon that placed Denmark on the world map. Danish Design emerged in 1949 as a real brand, when American journalists started to write about Danish furniture in relation to a furniture exhibition by Snedkerlauget in Copenhagen. 'Den runde stol' made by Hans. J. Wegner was given the name 'The Chair'. This was not only the beginning of a great export adventure but also a challenge for the Danish designers, who became world recognized for their obsession with creating the perfect chair. The chair has always been the touchstone of designers and the design historians' favourite object. It touches and reflects the body it carries with arms, legs, seat and back. Besides this point, the chair is one of our most culture-bearing design objects and it tells a story about the period and the society from which it was created. In a very unique way this book shows, not just in words but also with drawings and photos how Danish chairs are built on historical furniture types, which are then refined into the infinite. The message and the explanation for the international success of Danish furniture is this; Danish furniture design is based on foreign culture and the best creations of former times.

This is the first book on the architecture of Kay Fisker (1893-1965), a leading exponent of Danish Functionalism. Influenced by Louis Sullivan, Fisker had a strong belief in continuity, putting modernism in perspective, and identifying precedents. He built many large scale housing schemes, mostly for non-profit workers' housing associations, and developed innovative, high-density, low-rise block schemes, which have proven useful and influential to the growing number of contemporary architects who have examined his designs. Beautifully illustrated with photographs and architectural drawings, this book documents and critically analyses three of Kay Fisker's seminal housing projects in Copehagen: Hornbaekhus (1923), Vestersohus (1935-39), and Dronningegarden (1943- 58). These projects reflect how Fisker's work contains valuable lessons for contemporary architects in economy, precision, and generosity in housing design. An introduction sets Fisker's work within their historical, social, and architectural context. A final section includes in-depth case studies of the three award-winning contemporary architects: Tony Fretton, Clancy Moore, and Job Floris. The architects explain their projects and how these have been influenced by Fisker.