Several books have been written about the history of the Coachella Valley, most of which focus on the efforts of white settlers to develop the valley's agriculture and tourism industries.But while some scholars have written extensively about the history of the Cahuilla Indians and ancient Lake Cahuilla, relatively little has been written about the immigrants from Mexico, Japan and other countries who have fueled the Coachella Valley's economic growth since the early 1900s, let alone the people who have come to this valley from other states.The Palm Springs Historical Society published a book in 2005 titled, We Were Here Too: The History and Contributions of the Original Mexican Families to the Palm Springs Village. But aside from a self-published book titled Coachella Valley Mexican American Pioneer Roots, which was produced by the Mexican American Pioneers in December 2009, and a commemorative yearbook, Coachella Valley Union High School: The First 50 Years 1910-1960, relatively little has been written about the immigrant history of Coachella and the eastern Coachella Valley.This book is an attempt to fill the void by highlighting some of the more interesting aspects of the eastern Coachella Valley's immigrant history, as told by several of the valley's pioneering immigrants and their descendants, in an effort to better inform our youth and everyone else, for that matter, about the significant economic and social contributions of immigrants in our community.This book includes many direct quotes from heretofore unpublished accounts of Mexican American pioneers who were interviewed in 2007 by Dr. Sarah McCormick-Seekatz as part of an oral history project organized by the Coachella Valley History Museum and Cultural Center in Indio. Dr. McCormick-Seekatz is one of a handful of historians who have taken an interest in researching various aspects of the Coachella Valley's immigrant history.

Located halfway between Los Angeles and Yuma, Arizona, Indio came into being as a railroad town in 1876 when the Southern Pacific Railroad completed this last link in its southern transcontinental route. Settling this arid land took ingenuity and courage, and Indio's early residents had both. In the 1930s, Indio became a mining town when 92 miles of tunnel were dug through its eastern mountains for the Los Angeles Aqueduct, the largest construction project in the United States during the Depression. World War II brought Gen. George Patton's Desert Tank Corps to train nearby and crowd into Indio for rest and relaxation. The completion of the Coachella Branch of the All-American Canal brought Colorado River water to the desert in the late 1940s, and a land boom ensued. Today Indio's reputation as the "Date Capital of the United States" and "City of Festivals" is long held and well deserved.

From baby boomers to millennials, attending a big music festival has basically become a cultural rite of passage in America. In Half a Million Strong, music writer and scholar Gina Arnold explores the history of large music festivals in America and examines their impact on American culture. Studying literature, films, journalism, and other archival detritus of the countercultural era, Arnold looks closely at a number of large and well-known festivals, including the Newport Folk Festival, Woodstock, Altamont, Wattstax, the New Orleans Jazz and Heritage Festival, Hardly Strictly Bluegrass, and others to map their cultural significance in the American experience. She finds that—far from being the utopian and communal spaces of spiritual regeneration that they claim for themselves— these large music festivals serve mostly to display the free market to consumers in its very best light.

Three twenty-something young adults, working at low-paying, no-future jobs, tell one another modern tales of love and death.

A play about the imagined fault line between black and white lives by Claudia Rankine, the author of Citizen The White Card stages a conversation that is both informed and derailed by the black/white American drama. The scenes in this one-act play, for all the characters’ disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond. —from the introduction by Claudia Rankine Claudia Rankine’s first published play, The White Card, poses the essential question: Can American society progress if whiteness remains invisible? Composed of two scenes, the play opens with a dinner party thrown by Virginia and Charles, an influential Manhattan couple, for the up-and-coming artist Charlotte. Their conversation about art and representations of race spirals toward the devastation of Virginia and Charles’s intentions. One year later, the second scene brings Charlotte and Charles into the artist’s studio, and their confrontation raises both the stakes and the questions of what—and who—is actually on display. Rankine’s The White Card is a moving and revelatory distillation of racial divisions as experienced in the white spaces of the living room, the art gallery, the theater, and the imagination itself.

The subprime crash of 2008 revealed a fragile, unjust, and unsustainable economy built on retail consumption, low-wage jobs, and fictitious capital. Economic crisis, finance capital, and global commodity chains transformed Southern California just as Latinxs and immigrants were turning California into a majority-nonwhite state. In Inland Shift, Juan D. De Lara uses the growth of Southern California’s logistics economy, which controls the movement of goods, to examine how modern capitalism was shaped by and helped to transform the region’s geographies of race and class. While logistics provided a roadmap for capital and the state to transform Southern California, it also created pockets of resistance among labor, community, and environmental groups who argued that commodity distribution exposed them to economic and environmental precarity.

Winner of the 2022 Edgar Award for Best Novel “War, imprisonment, torture, romance…The novel has an almost operatic symmetry, and Kestrel turns a beautiful phrase.” New York Times Five Decembers is a gripping thriller, a staggering portrait of war, and a heartbreaking love story, as unforgettable as All the Light We Cannot See. nominated for Best Novel in the 2022 EDGAR AWARDS NOMINATED FOR BEST THRILLER IN THE 2022 BARRY AWARDS FINALIST FOR THE HAMMETT PRIZE 2021 "Read this book for its palpitating story, its perfect emotional and physical detailing and, most of all, for its unforgettable conjuring of a steamy quicksilver world that will be new to almost every reader." Pico Iyer December 1941. America teeters on the brink of war, and in Honolulu, Hawaii, police detective Joe McGrady is assigned to investigate a homicide that will change his life forever. Because the trail of murder he uncovers will lead him across the Pacific, far from home and the woman he loves; and though the U.S. doesn't know it yet, a Japanese fleet is already steaming toward Pearl Harbor. This extraordinary novel is so much more than just a gripping crime story—it's a story of survival against all odds, of love and loss and the human cost of war. Spanning the entirety of World War II, FIVE DECEMBERS is a beautiful, masterful, powerful novel that will live in your memory forever.

Examines the culture, history, and changing fortunes of the Cahuilla Indians.

*Discover the important history of California’s migrant workers and their strike for fair wages during the Delano grape strike in the 1960’s *Learn about Latino civil rights activist César Chávez and Filipino-American labor organizer Larry Itliong *From Sibert award-winning author Larry Dane Brimner Here is the gripping story of the Grape Strike that stirred a nation, as well as the rise of Latino civil rights activist César Chávez and the United Farm Workers of America. In the 1960’s, while the United States was at war and racial tensions were boiling over, Filipino-American workers were demanding fair wages and decent living conditions in California’s vineyards. When the workers walked off the fields in September 1965, the great Delano grape strike began. Did the signing of labor contracts with growers in 1970 mean an end to the problems of the American field laborers, or was it a short-lived truce? This nonfiction book for young readers follows the five-year long strike and also provides details about César Chávez and the United Farm Workers. Award-winning author Larry Dane Brimner’s riveting text, complemented by black-and-white archival photographs and the words of workers, organizers, and growers, tells the powerful history.