"Mazel Tov!!" A HinJew is born. In this book, we explore the stories of a HinJew couple. HinJew couples face the same issues as every couple, in addition to those related to their different ethnic backgrounds. This is a story that illuminates the true spirit of love, which reaches beyond cultural differences and shows us just how similar we are. We live in an integrated world: When there is unrest in the Middle East, global oil prices rise. When Silicon Valley downsizes, engineers in India lose their jobs. Multicultural families face similar challenges; they must balance multiple moving variables to keep the peace.

During the fall leading up to her bat mitzvah, Tara (Hindi for “star”) Feinstein has a lot more than her Torah portion on her mind. Between Hebrew school and study sessions with the rabbi, there doesn’t seem to be enough time to hang out with her best friend Ben-O—who might also be her boyfriend—and her other best friend, Rebecca, who’s getting a little too cozy with the snotty Sheila Rosenberg. Not to mention working on her robotics project with the class clown Ryan Berger, or figuring out what to do with a priceless heirloom sari that she accidentally ruined. Amid all this drama, Tara considers how to balance her Indian and Jewish identities and what it means to have a bat mitzvah while questioning her faith. With the cross-cultural charm of Bend It Like Beckham, this delightful debut novel is a classic coming-of-age story and young romance with universal appeal. Praise for My Basmati Bat Mitzvah "In my opinion, My Basmati Bat Mitzvah shows that everyone is different in their own way and some get the advantage of being culturally diverse. I rate the book 5 stars!" —Shivani Desai, age 13 STARRED REVIEW "The latest spunky heroine of South Asian–Jewish heritage to grace middle-grade fiction, Tara Feinstein, 12, charms readers from the get-go in this strong, funny debut." —Kirkus Reviews, starred review "Tara’s inquisitiveness, openness, and determination to chart her own path stand out in this warm story of family, faith and the ways people are unique yet intertwined." —Publishers Weekly "With a conversational and authentic tween voice, Tara invites readers into her world as she explores the larger issues of faith, compassion, and tradition while confronting the awkwardness that is puberty—her questions regarding God are poignant and relatable while her opinions on training bras are simply spot-on..." —The Bulletin of The Center for Children’s Books "Authors often mention but then shrink from exploring in depth their characters’ mixed religious heritage; it’s a sensitive subject that demands close scrutiny. Freedman bucks that trend, avoiding didacticism by portraying broader issues through Tara’s personality and unique circumstances. As Tara learns in this skillful exploration, an important source of her special strengths—questioning spirit, empathy and strong ethical compass—is her mixed heritage." —The Jewish Daily Forward "This story will have resonance for many children of many faiths at the cusp of religious adulthood." —Booklist "As she makes her way through these challenges, she learns a great deal about friendship, family, and heritage. Freedman handles the ethnic and religious diversity of Tara’s family and friends with a light touch, but doesn’t shrink from exploring some of the complexities of a dual heritage." —School Library Journal "This book’s well-drawn characters bring two colorful cultures to vibrant life. The contemporary urban setting, cast with touches of humor and romance, frame mature ideas of peer and self-acceptance in a familiar, lighthearted world. Middle grade girls will readily befriend Tara and pick up new cultural understanding." —Library Media Connection

Literary, lyrical, and cuttingly satiric, Mother India is a brilliantly original novel about Jews who go to India to find transformation and eternal release from the sufferings of life. Narrated in luminous prose by Meena, a Jewish American lesbian who has claimed India as her home, the novel is vividly populated by the darkly comic universe of three generations of women along with other family members, as well as by the Indians whose world they seek to penetrate. There is Meena’s religiously observant mother, Ma, whose desire to remove herself from the wheel of life plays out in a Faulknerian funeral procession and cremation on the banks of the holy river Ganges; Meena’s daughter, Maya, a misunderstood child coming of age in an emotionally treacherous household; her ex-wife, Geeta, a privileged and hedonistic Indian woman who enters their world with devastating consequences; Meena's twin brother, Shmelke, a charismatic rabbi turned guru and international fugitive; and the Indian servant, Manika, whose loyalty to the family both sustains and shackles them. Identifying with the humanity of its characters, the reader is drawn into a vast, tragicomic, and fascinating epic, Homeric in scope, drama, discovery, and surprise. Universal yet intimate, brutal yet tender, satiric yet sympathetic, Mother India evokes reactions—intellectual, emotional, visceral—that are complex, even contradictory, containing the might and bite that our current cultural hubris and self-involvement deserve. In Mother India, Reich offers us her most poignant and astonishing novel to date.

Maple is in fifth grade—again. Now everyone will find out she struggles with reading—or will they? An engaging read for anyone who has ever felt different. Maple Mehta-Cohen has been keeping a secret: she can’t read all that well. She has an impressive vocabulary and loves dictating stories into her recorder—especially the adventures of a daring sleuth who’s half Indian and half Jewish like Maple herself—but words on the page just don’t seem to make sense to her. Despite all Maple’s clever tricks to hide her troubles with reading, her teacher is on to her, and now Maple has to repeat fifth grade. Maple is devastated—what will her friends think? Will they forget about her? She uses her storytelling skills to convince her classmates that she's staying back as a special teacher’s assistant (because of budget cuts, you know). But as Maple navigates the loss of old friendships, the possibility of new ones, and facing her reading challenges head-on, her deception becomes harder to keep up. Can Maple begin to recognize her own strengths, and to love herself—and her brain—just the way she is? Readers who have faced their own trials with school and friendships will enjoy this heartwarming story and its bright, creative heroine.

The intimate and sometime startling account of Fischman's spiritual journey and the encounter that changed his life forever.

No longer controlled by a handful of institutional leaders based in remote headquarters and rabbinical seminaries, American Judaism is being transformed by the spiritual decisions of tens of thousands of Jews living all over the United States. A pulpit rabbi and himself an American Jew, Dana Evan Kaplan follows this religious individualism from its postwar suburban roots to the hippie revolution of the 1960s and the multiple postmodern identities of today. From Hebrew tattooing to Jewish Buddhist meditation, Kaplan describes the remaking of historical tradition in ways that channel multiple ethnic and national identities. While pessimists worry about the vanishing American Jew, Kaplan focuses on creative responses to contemporary spiritual trends that have made a Jewish religious renaissance possible. He believes that the reorientation of American Judaism has been a "bottom up" process, resisted by elites who have reluctantly responded to the demands of the "spiritual marketplace." The American Jewish denominational structure is therefore weakening at the same time that religious experimentation is rising, leading to the innovative approaches supplanting existing institutions. The result is an exciting transformation of what it means to be a religious American Jew in the twenty-first century.

The Oxford History of the Novel in English is a twelve-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction, written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. This book offers an account of US fiction during a period demarcated by two traumatic moments: the eve of the entry of the United States into the Second World War and the onset of the Covid-19 pandemic. The aftermath of the Second World War was arguably the high point of US nationalism, but in the years that followed, US writers would increasingly explore the possibility that US democracy was a failure, both at home and abroad. For so many of the writers whose work this volume explores, the idea of "nation" became suspect as did the idea of "national literature" as the foundation for US writing. Looking at post-1940s writing, the literary historian might well chart a movement within literary cultures away from nationalism and toward what we would call "cosmopolitanism," a perspective that fosters conversations between the occupants of different cultural spaces and that regards difference as an opportunity to be embraced rather than a problem to be solved. During this period, the novel has had significant competition for the US public's attention from other forms of narrative and media: film, television, comic books, videogames, and the internet and the various forms of social media that it spawned. If, however, the novel becomes a "residual" form during this period, it is by no means archaic. The novel has been reinvigorated over the past eighty years by its encounters with both emergent forms (such as film, television, comic books, and digital media) and the emergent voices typically associated with multiculturalism in the United States.

"An examination of intersecting racial, ethnic, and religious identities among couples where one partner is Jewish American and the other is Asian American"--

One Religion Too Many is a Hindu pilgrim's progress through the world's religious traditions. An eminent scholar of comparative religion, Arvind Sharma provides a first-hand account of how he came to be a party to the dialogue of religions—first with his own religion, then with the comparative study of religion, and finally with the religious universalism he has come to espouse because of this heritage. Starting with an account of the Hinduism of his family in Varanasi, India, Sharma then heads west, finding himself dumbfounded by the Christian Eucharist, wondering if there is a "Hinjew Connection," grappling with Zen in Massachusetts, and pressed into service to teach about Islam. Sharma writes with a light touch, but even when his encounters and perceptions are amusing, they are always insightful and thought-provoking. Western readers, in particular, will enjoy seeing their own traditions through the eyes of an Easterner who has come to know them well. Sharma's ultimate perspective on religious universalism is a welcoming vision for the globalizing world of the twenty-first century.

Maple is in fifth grade--again. Now everyone will find out she struggles with reading--or will they? An engaging read for anyone who has ever felt different. Maple Mehta-Cohen has been keeping a secret: she can't read all that well. She has an impressive vocabulary and loves dictating stories into her recorder--especially the adventures of a daring sleuth who's half Indian and half Jewish like Maple herself--but words on the page just don't seem to make sense to her. Despite all Maple's clever tricks to hide her troubles with reading, her teacher is on to her, and now Maple has to repeat fifth grade. Maple is devastated--what will her friends think? Will they forget about her? She uses her storytelling skills to convince her classmates that she's staying back as a special teacher's assistant (because of budget cuts, you know). But as Maple navigates the loss of old friendships, the possibility of new ones, and facing her reading challenges head-on, her deception becomes harder to keep up. Can Maple begin to recognize her own strengths, and to love herself--and her brain--just the way she is? Readers who have faced their own trials with school and friendships will enjoy this heartwarming story and its bright, creative heroine.