A Guidebook to Contemporary Architecture in Vancouver explores buildings constructed as the city experienced unprecedented growth, beginning with Expo ‘86 and continuing through the 2010 Olympic Winter Games. The guidebook features buildings and public spaces grouped by areas, with maps so that a visitor can create walking tours, including ones through downtown Vancouver, Richmond, the North Shore, and Kitsilano. The convenient size and format, including an index, allows visitors to put this guidebook in a pocket and go.

A Guidebook to Contemporary Architecture of Montreal showcases 65 important, and in some cases award-winning, buildings in this vibrant city. These are structures that have changed how architecture is thought of in Montreal, inpired transformations in neighborhoods around them, used materials innovatively, or been built with notable economy. A two-page spread covers each project, with a concise descriptive text alongside photos, drawings, and floor plans. Each building is presented by quarter or neighborhood, encouraging readers to develop their own self-guided walking tours. The front and back flaps fold out into maps to guide visitors through the highlighted quartiers.

Vancouver's streetscapes and neighbourhoods have changed drastically in recent years. New buildings representing current architectural trends are mixing with and often replacing those of earlier eras and tastes, and a maturing architectrual melange is emerging. This book invites the reader to explore the city's continually evolving urban landscape in a highly readable, yet authoritative, guide to its architecture. In this completely updated edition of Exploring Vancouver, with brand-new entries and accompanying photographs, Harold Kalman and Robin Ward have divided the city (including the North Shore, Richmond, Burnaby and New Westminster) into fourteen areas, selecting buildings and structures in these neighbourhoods that represent the best exakmples of the new and old architecture. Each area is preceded by an informative introduction that provides historical context for the entries that follow. There are over 400 entries, each featuring a short description that combines architectural, historical and social commentary. The prose is lively as the authors consider the new and the old, the modest and the grand, the attractive and the not-so-attractive in a wide-ranging work that encompasses everything from heritage to "monster" homes. This book is designed as a walking tour guide, with a map of each area showing the location of every entry.

The first comprehensive study of the acclaimed Modernist architecture of Vancouver. The Modernist architecture of the two post-war decades established Vancouver's reputation as a center for progressive design and culture, a city where architects pursued their desire "to make of architecture a great humanistic experience." With an introduction by Adele Freedman discussing Modernism in Canadian architecture as a whole, Rhodri Windsor Liscombe's The New Spirit is the first comprehensive study of the acclaimed Modernist architecture of Vancouver. Modernism in Vancouver had many facets: it was a synthesis of expressions driven by a sense of social responsibility; it emphasized concerns such as economy of form, human uses, relation to site, affordability, and the effective employment of new technology. The author explores 25 years of sophisticated and distinctive architectureal innovation, examining both the conditions that brought this movement about and the forces that led to its decline. Given the eventual debasement of Modernism and the demolition of many of these Vancouver buildings, this account of the ambition of Modernist Canadian architects "to enhance the physical environment for human well-being" -- in homes, community centers, libraries and universities, churches, office towers, and apartment buildings -- serves as a reminder of how high ideals and a lively architectural culture can shape a better city.

Vancouver's streetscapes have changed drastically in recent years. New buildings representing current architectural trends are mixing with and often replacing those of earlier eras and tastes. Exploring Vancouver invites the reader to experience the city's continually evolving landscape in a readable, yet authoritative, guide.

Royal Architectural Institute of Canada (RAIC) President's Medal Award (multi-media representation of architecture). Canada's most distinguished architectural critics and scholars offer fresh insights into the country's unique modern and contemporary architecture. Beginning with the nation's centennial and Expo 67 in Montreal, this fifty-year retrospective covers the defining of national institutions and movements: • How Canadian architects interpreted major external trends • Regional and indigenous architectural tendencies • The influence of architects in Canada's three largest cities: Toronto, Montreal, and Vancouver Co-published with Canadian Architect, this comprehensive reference book is extensively illustrated and includes fifteen specially commissioned essays.

Canada is a country of massive size, of diverse geographical features and an equally diverse population—all features that are magnificently reflected in its architecture. In this book, Rhodri Windsor Liscombe and Michelangelo Sabatino offer a richly informative history of Canadian architecture that celebrates and explores the country’s many contributions to the spread of architectural modernity in the Americas. A distinct Canadian design attitude coalesced during the twentieth century, one informed by a liberal, hybrid, and pragmatic mindset intent less upon the dogma of architectural language and more on thinking about the formation of inclusive spaces and places. Taking a fresh perspective on design production, they map the unfolding of architectural modernity across the country, from the completion of the transcontinental railway in the late 1880s through to the present. Along the way they discuss architecture within the broader contexts of political, industrial, and sociocultural evolution; the urban-suburban expansion; and new building technologies. Examining the works of architects and firms such as ARCOP, Eric Arthur, Ernest Cormier, Brigitte Shim, and Howard Sutcliffe, this book brings Canadian architecture chronologically and thematically to life.

Toronto has been hailed as “a city in the making” and “the city that works.” It’s an ongoing project: in recent years Canada’s largest city has experienced transformative, exciting change. But just what does contemporary Toronto look like? This authoritative architectural guide, newly updated and expanded, leads readers on 26 walking tours—revealing the evolution of the place from a quiet Georgian town to a dynamic global city. More than 1,000 designs are featured: from modest Victorian houses to shimmering downtown towers and cultural landmarks. Over 300 photographs, 29 maps, a description of architectural styles, a glossary of architectural terms, and indexes of architects and buildings pilot readers through Toronto’s diverse cityscape. New sections illustrate the swiftly changing face of Toronto’s waterfront and design highlights across the region. Originally written by architectural journalist Patricia McHugh and enhanced with new material and insights by Globe and Mail architecture critic Alex Bozikovic, this definitive guide offers a revealing exploration of Toronto’s past and future, for the city’s visitors and locals alike.

Cornelia Hahn Oberlander is one of the most important landscape architects of the twentieth century, yet despite her lasting influence, few outside the field know her name. Her work has been instrumental in the development of the late-twentieth-century design ethic, and her early years working with architectural luminaries such as Louis Kahn and Dan Kiley prepared her to bring a truly modern—and audaciously abstract—sensibility to the landscape design tradition. In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University’s Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes, including the 1970s design of the Robson Square landscape and its adjoining Provincial Law Courts—one of Vancouver’s most famous spaces. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal. Oberlander is a progenitor of some of the most significant currents informing landscape architecture today, particularly in the area of ecological focus. In her thorough biography, Herrington draws much-deserved attention to one of the truly important figures in landscape architecture.