This is a guide for both beginner collectors and those who have already started on how, where and what to buy in contemporary studio ceramics as a collector. It looks at the best venues, from galleries and auctions to craft fairs and even car boot sales, and explains what to look for, or alternatively, to avoid. It discusses the various types of studio pottery for the uninitiated, as well as looking at the way people can collect items - only buying pieces from a few specific potters, or collecting just teapots from hundreds of places. Collecting Contemporary Ceramics examines the pros and cons of collecting for investment or for pleasure, and how to go about doing both. It also discusses more abstract angles such as: Why do people collect? With interviews from a few noted collectors and makers, this will open up a whole new world to those interested in collecting ceramics but without the knowledge of where to go and what to look for.

This new edition of Eric Yates-Owen and Robert Fournier's classic book on British studio potters' marks contains new and revised entries for many potters, with up-to-date information about the artists' styles, marks and addresses. Entries are arranged alphabetically, with each entry giving biographical data, information on the type of ceramics produced, the location of the pottery and dates indicating when marks have changed, as well as images of the different marks used. Three useful indexes enable the reader to search by mark rather than maker, in various categories such as creatures, monograms and signs. Revised by expert collector James Hazlewood, British Studio Potters' Marks, third edition, is the essential reference guide for collectors of British studio pottery.

This detailed and comprehensive survey charts the entire history of British studio ceramics from the emergence of modern ceramics from the Victorian factories around 1900 to the wide variety of extraordinary work being produced today. All the best-known potters such as Leach, Hamada, Cardew, Rie, and Coper are examined in depth in terms of their different areas of interest and influence. An extensive appendix gives information on 200 leading makers with their identifying marks and cross-references with a list of museums where their work can be seen. Lavishly illustrated throughout with some 250 color photographs, this is a book for the collector needing in-depth information or for those who just want an introduction to this important and beautiful work.

Published to coincide with the opening at the Barbican Art Gallery, this book compares the careers of two of the world's most famous potters and assesses their impact on modern ceramics

"A book of advances wheel techniques and inspiration for potters who have basic skills but would like to learn more about throwing large forms, lids, handles, darting, and more"--

For more than 30 years, Dr. Anneliese and Dr. Wulf Crueger--guided by Saeko It�--have devoted themselves to studying, understanding, and collecting Japanese ceramics. Today, they share the rich fruits of their knowledge with this lavishly illustrated volume based on their own collection. The equivalent of Roberts Museum Guide, devotees of beautiful ceramics can pick it up and use it to select and visit potters as they undertake an artistic tour of the country. Organized geographically, it goes from kiln to kiln--which in Japan may refer to a lone site or an entire ceramics region that contains hundreds of workshops. Along the way, they outline the history, development, and unique stylistic characteristics of each area’s work, and the traditions that inspired it.

From the 1930s to the 1960s, numerous potteries in California turned out some of the finest figural pottery ever made in America. Here they are illustrated in over 800 color photographs covering more than 75 companies such as Brayton Laguna, Kay Finch, Hedi Scoop, DeLee Art, Robert Simmons, Walker-Renaker, and others. Provides information about the potteries, tips for collectors, and Price Guide.