Two Amish stories of faith and love A Groom for Ruby by Emma Miller Arriving in Seven Poplars to find a husband, Ruby Plank stumbles into the arms of an eligible bachelor! To her amazement, Joseph Brenneman doesn’t care if Ruby is clumsy or outspoken. The shy mason thinks she’s wonderful. If only others felt the same! Joseph’s mother insists Ruby isn’t good enough. When Ruby’s family secret is revealed, it could divide the couple forever…unless pride gives way to love and trust. The Amish Witness by Diane Burke After witnessing her best friend’s murder, Elizabeth Lapp flees to the Amish community she left years ago. But the killer follows Elizabeth, trapping her in a barn, until Thomas King saves her. The handsome Amish farmer she left behind vows to keep her safe. Suddenly, the man who’s not yet ready to forgive her is all that’s standing between her and a cold-blooded killer.

This pathbreaking collection of thirteen original essays examines the moral rights of the subjects of documentary film, photography, and television. Image makers--photographers and filmmakers--are coming under increasing criticism for presenting images of people that are considered intrusive and embarrassing to the subject. Portraying subjects in a "false light," appropriating their images, and failing to secure "informed consent" are all practices that intensify the debate between advocates of the right to privacy and the public's right to know. Discussing these questions from a variety of perspectives, the authors here explore such issues as informed consent, the "right" of individuals and minority groups to be represented fairly and accurately, the right of individuals to profit from their own image, and the peculiar moral obligations of minorities who image themselves and the producers of autobiographical documentaries. The book includes a series of provocative case studies on: the documentaries of Frederick Wiseman, particularly Titicut Follies; British documentaries of the 1930s; the libel suit of General Westmoreland against CBS News; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television. The first book to explore the moral issues peculiar to the production of visual images, Image Ethics will interest a wide range of general readers and students and specialists in film and television production, photography, communications, media, and the social sciences.

A Match at First Sight After arriving from Lancaster County in hopes of finding a husband, Ruby Plank stumbles—literally—into the arms of one of Seven Poplars’s most eligible bachelors. To her amazement, Joseph Brenneman doesn’t care if Ruby is clumsy or outspoken. The shy, handsome mason thinks she’s wonderful exactly as she is. If only others felt the same! Though Joseph’s mother hired the matchmaker to find her son a wife, she insists Ruby isn’t good enough. When Ruby’s family secret is revealed, it could divide the couple forever…unless pride gives way to love and trust.

A Match at First Sight After arriving from Lancaster County in hopes of finding a husband, Ruby Plank stumbles--literally--into the arms of one of Seven Poplars's most eligible bachelors. To her amazement, Joseph Brenneman doesn't care if Ruby is clumsy or outspoken. The shy, handsome mason thinks she's wonderful exactly as she is. If only others felt the same! Though Joseph's mother hired the matchmaker to find her son a wife, she insists Ruby isn't good enough. When Ruby's family secret is revealed, it could divide the couple forever...unless pride gives way to love and trust.

A Match at First Sight