A Glimpse Inside The Shell takes the reader on a journey of self discovery through the lens of a 20-year-old, reclusive woman. She invites readers behind her elusive shell which shockingly unmasks loneliness, depression, isolation & despair. Although she is known for being bubbly, chipper, and happy go lucky, her pain has been her best kept secret: until she couldn't hide it anymore. This collection of poems colorfully depict an outcry of frustration, as the author fights through feeling alone, only to discover a surprising ally in Jesus; who has been there all along.

One thing about a new day--you really never know where it will go, even if you know where it starts. Marcel the Shell with Shoes On is walking on the blanket when he is unexpectedly launched high into the air. Tumbling through space, the bird's-eye view offers our small friend not only a glimpse of the important things in life--his beloved Nana who sleeps in a fancy French bread, a stinky shoe, and a monstrous baby--but also a much bigger picture. Sometimes the most wonderful discoveries are the ones we least expect.

Exchanging their bodies for machines, these teens will defy expectations, brave danger, and defend civilization. They are The Six. Adam's muscular dystrophy has stolen his mobility, his friends, and in less than a year it will take his life. Virtual reality games are Adam's only escape from his wheelchair. In his alternate world, he can defeat anyone. Running, jumping, scoring touchdowns: Adam is always the hero. Then an artificial intelligence program hacks into Adam's game. Created by Adam's computer-genius father, Sigma has gone rogue, threatening to kill Adam—and the entire human race. Their one chance to stop Sigma is using the technology Adam's dad developed to digitally preserve the mind of his dying son. Along with a select group of other terminally ill teens, Adam becomes one of the Six who have forfeited their failing bodies to inhabit weaponized robots. But with time running short, the Six must learn to manipulate their new mechanical forms and work together to train for epic combat...before Sigma destroys humanity. "Adam is an unusual hero—and he faces a frightening question: Computers can't kill—CAN they? I'm still shaken by the answer. Will the near-future really be this terrifying?"—R.L. Stine, bestselling author of the Fear Street series. Visit Mark at markalpert.com.

Reprint of the original, first published in 1857. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Environmental Criticism for the Twenty-First Century showcases the recent explosive expansion of environmental criticism, which is actively transforming three areas of broad interest in contemporary literary and cultural studies: history, scale, and science. With contributors engaging texts from the medieval period through the twenty-first century, the collection brings into focus recent ecocritical concern for the long durations through which environmental imaginations have been shaped. Contributors also address problems of scale, including environmental institutions and imaginations that complicate conventional rubrics such as the national, local, and global. Finally, this collection brings together a set of scholars who are interested in drawing on both the sciences and the humanities in order to find compelling stories for engaging ecological processes such as global climate change, peak oil production, nuclear proliferation, and food scarcity. Environmental Criticism for the Twenty-First Century offers powerful proof that cultural criticism is itself ecologically resilient, evolving to meet the imaginative challenges of twenty-first-century environmental crises.

An irresistibly cute story about finding the confidence to be yourself, starring a turtle in search of the perfect shell. Terrance the turtle was born without a shell, so he uses a cardboard box instead. Terrance loves his box. It keeps him dry on soggy days, safe from snooping strangers, and is big enough to cozy up with a friend. But when another turtle points out that Terrance's shell is, well, weird, he begins to wonder whether there might be a better shell out there... Eventually, and through much trial and error, Terrance learns that there's nothing wrong with being different--especially when it comes to being yourself.

With the volume's global perspective and comparative framework, this collection contributes to the ongoing scholarly examination of consumption by taking the topic of women, material culture, and consumption into new arenas. The essays explore the connections between consumption and subjectivity; they build upon and complicate the idea that consumption, as a form of meaning making, is key to the construction of gendered, classed, and national identities. Providing a cross-cultural perspective on consumption, the essays are historically specific case studies. While some essays examine women's consumption in a range of Anglophone and Francophone locations, primarily in Britain, France, Australia, Canada, and the US, other essays on Chinese, Senegalese, Indian, and Mexican women's consumption, particularly as it relates to fashion and design, provide a comparative framework that will recalibrate ongoing discussions about consumption and domesticity, dress and identity, and desire and subjectivity. In addition to its focus on gender and consumption, this volume addresses gender and collecting, exploring the tensions between accumulation and systematic collecting. Also examined is the way in which the display of collected objects?in Impressionists' paintings, in mass-produced illustrations, in the glass cases of museums and department stores?participates in the construction of particular identities as well as serving as a kind of value-producing material practice.