The Old West has had a powerful impact on the concept of gentlemanly masculinity among Americans. To behave like a gentleman may mean little or much. To spend large sums of money like a gentleman may be of no great praise, but to conduct ones self like a gentleman implies a high standard even for those without financial means. For almost two centuries, the frontiersman has been a standard of rugged individualism and stoic bravery for the American male. Provider, protector, counselor, and knight errant to the weak or helpless, men on the frontier stood apart. Newspapers, Dime Novels, and Wild West Shows helped to form the popular view of Old West masculinity in the later 19th century. Novels and short stories served this purpose in the first half of the 20th century, but it was films and TV that cemented the image of the Old west that most post WWII Baby Boomers have today. The study of film and other media representations has been a particularly energetic field for masculinity research. However, western films are not so much about the West as they are about the Westerner. He stands alone, heroic, powerful, and seeking justice and order. The Westerner is the "last gentleman" and Westerns are "probably the last art form in which the concept of honor retains its strength." Directors and screenwriters, ultimately having overcome the simplistic shoot-em-up, used the genre to explore the pressing subjects of their day like racism, nationalism, capitalism, family, and honor, issues more deeply meshed with the concept of manliness than simply wearing a gun belt and Stetson hat. Fear not, Old West purists! For those traditionalists among you, these pages are filled with authentic designs, facts, weapons, and tales from the mid 1800s to the turn of the century and slightly beyond. Here are some of the roots of the most popular holsters, fashions, weapons, cartridges, and myths preferred by collectors and reenactors. So-called Cowboy Action enthusiasts, NRA members, and armchair generals will find sections of this work devoted to their hobbies, and while stodgy academics might cringe, Old West historians will have their obsessions somewhat mollified. Nonetheless, the current author grew up in the days of Shoot'em-up Saturdays at the movies, prime time TV Westerns, and those wondrous sights and sounds of Cowboy gunfights with cap guns on a hillside and Indian encounters on the pavement during a childhood when neither activity was considered politically incorrect. Few other authors in this genre have a resume that includes formal training in science, weapons, and horsemanship; nor have they actually been a horse wrangler, ridden in a troop of cavalry, and reenacted a mounted charge with dozens of others, Hollywood cameras running, revolvers or swords in hand. Nonetheless, there comes a time when we are all "too old and too fat to jump rail fences with horses" (True Grit) and must retire to our easy chairs to write. What follows is a serious (if a bit nostalgic) effort at history by a critically noted author and widely published historian with the proper credentials and practical experience to attempt to carry it off. Cling to your Bibles and to your guns, partner! Dudes need not apply.

A southern black community's struggle to defend itself against racist groups.

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

"Excellent . . . readable and persuasive. . . . One of the most refreshing and rewarding approaches to be applied to western history topics in many years."-American Historical Review

"A funny, raucous, eye-opening, wholly non-partisan trip in search of Americans who love their guns"--

This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.

For the past three decades, many history professors have allowed their biases to distort the way America’s past is taught. These intellectuals have searched for instances of racism, sexism, and bigotry in our history while downplaying the greatness of America’s patriots and the achievements of “dead white men.” As a result, more emphasis is placed on Harriet Tubman than on George Washington; more about the internment of Japanese Americans during World War II than about D-Day or Iwo Jima; more on the dangers we faced from Joseph McCarthy than those we faced from Josef Stalin. A Patriot’s History of the United States corrects those doctrinaire biases. In this groundbreaking book, America’s discovery, founding, and development are reexamined with an appreciation for the elements of public virtue, personal liberty, and private property that make this nation uniquely successful. This book offers a long-overdue acknowledgment of America’s true and proud history.

This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom.