Dark secrets, a devastating mystery and the games people play: the gripping new novel from the bestselling author of The House We Grew Up In and The Third Wife. You live on a picturesque communal garden square, an oasis in urban London where your children run free, in and out of other people's houses. You've known your neighbours for years and you trust them. Implicitly. You think your children are safe. But are they really? Midsummer night: a thirteen-year-old girl is found unconscious in a dark corner of the garden square. What really happened to her? And who is responsible? Utterly believable characters, a gripping story and a dark secret buried at its core: this is Lisa Jewell at her heart-stopping best.

The Namesake meets The Secret Garden in this enchanting debut novel that is a dark, grown-up fairytale. The redemptive journey of a young woman unsure of her engagement, who revisits in memory the events of one scorching childhood summer when her beautiful yet troubled mother spirits her away from her home to an Indian village untouched by time, where she discovers in the jungle behind her ancestral house a spellbinding garden that harbors a terrifying secret.

Reproduction of the original.

An extraordinary new writer makes her literary debut with this suspenseful novel of desire, obsession, power and vulnerability, in which a crisis of inheritance leads to the downfall of a wealthy family of Persian Jews in early twentieth-century Iran. For all his wealth and success, Asher Malacouti—the head of a prosperous Jewish family living in the Iranian town of Kermanshah—cannot have the one thing he desires above all: a male son. His young wife Rakhel, trapped in an oppressive marriage at a time when a woman’s worth is measured by her fertility, is made desperate by her failure to conceive, and grows jealous and vindictive. Her despair is compounded by her sister-in-law Khorsheed’s pregnancy and her husband’s growing desire for Kokab, his cousin’s wife. Frustrated by his wife’s inability to bear him an heir, Asher makes a fateful choice that will shatter the household and drive Rakhel to dark extremes to save herself and preserve her status within the family. Witnessed through the memories of the family’s only surviving daughter, Mahboubeh, now an elderly woman living in Los Angeles, The Girl from the Garden unfolds the complex, tragic history of her family in a long-lost Iran of generations past. Haunting, suspenseful and inspired by events in the author’s own family, it is an evocative and poignant exploration of sacrifice, betrayal, and the indelible legacy of the families that forge us.

Along the trails of endless pines, I search for truth and follow signs. How’s your summer going? Mine is ruined. Hi. My name is Ri. I’m the kind of delinquent teenage girl you hear horror stories about. My parents thought they could reform my “bad” attitude and get me away from my “troublemaking” friends in the city by shipping me off to my grandparents’ house in the countryside for the summer. I’m supposed to stay clear of the “forbidden” forest and piss away my days in my grandparents’ stupid rose garden alongside a boy named Avery. Avery is seventeen, but he chooses to work for my grandparents because he likes roses. Well, the joke’s on them. I’m getting the hell out of here, and I won’t let anyone stop me—especially not some weirdo boy. — Awash with Summer Roses is a young adult contemporary coming-of-age story and romance with a splash of magic. All books have been published; this series is complete.

While living with her estranged mother at mysterious Mallory Estate, twelve-year-old Piper Peavey must undergo three trials to obtain from the enchanted garden an elixir that might save her dying father.

Garden Party is a collection of charming sketches and quotes from artist Helen Dardik. Dardik's pen-and-ink drawings are replicated from her sketchbooks and interspersed with quotes from classic novels such as Alice in Wonderland and The Secret Garden. Dardik's illustrations of girl-fairies, flora, and fauna create a magical, dreamy world. Many of her characters are hybrid girl/plant creatures whose friends include a menagerie of cats, dogs, and other critters. • Her illustrations are predominantly black-and-white, with a limited palette of accent colors. • Aesthetic feels equal parts vintage Scandinavian modern folk art and Japanese Kawaii culture, • Girl-powered and nature themed This is a charming, girl-centric book that is perfect for all occasions, whether it's a graduation or Mother's Day or simply for yourself. The book's design is also a delight—it looks and feels like an actual sketchbook. • A perfect book for teens, young adult women, and moms • Dardik's unique illustration style is at once elegant and whimsical. • Great for those who loved In the Garden of My Dreams: The Art of Nathalie Lété by Nathalie Lété. and How to Be a Wildflower by Katie Daisy

According to one of Julia Margaret Cameron’s great-nieces, “we never knew what Aunt Julia was going to do next, nor did anyone else.” This is an accurate summation of the life of the British photographer (1815–1879), who took up the camera at age forty-eight and made more than twelve hundred images during a fourteen-year career. Living at the height of the Victorian era, Cameron was anything but conventional, experimenting with the relatively new medium of photography, promoting her own art though exhibition and sale, and pursuing the eminent personalities of her age—Alfred Tennyson, Charles Darwin, Thomas Carlyle, and others—as subjects for her lens. For the first time, all known images by Cameron, one of the most important nineteenth-century artists in any medium, are gathered together in a catalogue raisonné. In addition to a complete catalogue of Cameron’s photographs, there is information on her life and times, initial experiments, artistic aspirations, techniques, small-format images, albums, commercial strategies, sitters, and sources of inspiration. Also provided are a selected bibliography of publications on Cameron, a list of exhibitions of her work held both in her time as well as our own, and a summary of important collections where her pictures can be found.

Poetry. Christine Shan Shan Hou's newest collection of poems, COMMUNITY GARDEN FOR LONELY GIRLS depicts a journey that traverses imagined histories and various states of consciousness. In Hou's poems, "the now moves with such glacial intensity"--folkloric myth and cultural detail are weaved together in animated modulation. These poems assert that desire for the unknown is pertinent to understanding one's identity and survival: "I know I could die, but if / I could be anything // I would be an aquarium full of / colorful fish and deep // breathing, / You know // like nude and / without age." Like a feminist spiritual quest or the act of a messenger delivering consequential information to a participant community, Hou's poems shape shift while simultaneously evoking its changeability: "I open my legs and a saint comes out / like a tiny blessing." Here, the subtle, gross, and causal body get in alignment despite the complexities and controversies of living a life. "Enough dilly-dallying. The love is coming."

“Riveting! Camilla, high-five! Amazing work!”—Karen Kilgariff and Georgia Hardstark, #1 New York Times bestselling authors of Stay Sexy & Don't Get Murdered An audacious novel of feminine rage about one of the most prolific female serial killers in American history--and the men who drove her to it. They whisper about her in Chicago. Men come to her with their hopes, their dreams--their fortunes. But no one sees them leave. No one sees them at all after they come to call on the Widow of La Porte. The good people of Indiana may have their suspicions, but if those fools knew what she'd given up, what was taken from her, how she'd suffered, surely they'd understand. Belle Gunness learned a long time ago that a woman has to make her own way in this world. That's all it is. A bloody means to an end. A glorious enterprise meant to raise her from the bleak, colorless drudgery of her childhood to the life she deserves. After all, vermin always survive.