This book, first published in 1969, builds on the authors’ first selection and contains a selection of Chinese lyrics (tz’u) mainly from Sung Dynasty poets who made this verse-form lastingly popular. Two of these poets, Su Shih and Hsin Ch’i Chi, add a fresh and robust note to the traditional theme of nostalgia and separation. As in the previous volume, the Chinese original, written with a scholar’s brush, faces the English translation.

Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.

Foreword by Ezra F. Vogel, Director of the East Asia Research Center. Introduction. Includes sources, studies of modern Chinese literature, studies and translations of individual authors, and unidentified authors. Some titles shown in Chinese characters. Three appendices. Index.

"A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.

Some guides to a subject could more or less be written by any expert in that field, but a small minority are unique creations of a rare individual who has their own view. Unfortunately most of the latter types of guides fail to be good general guides. Verity's genius makes him the exception. This book is arranged in chronological chapters that trace the evolution of poetry as an art form. At the same time, each chapter gives a most practical explanation of how that aspect of poetry that it covers works and why. The book is immensely readable, hugely informative, and adds to the ability of the reader to enjoy and to create poetry. It is a classic.' "Epictetus" (Amazon review) 'The great merit of Verity's approach is that he quotes lavishly throughout, not only from the poems themselves, but also from a variety of critics' LIBRARY REVIEWS 'Of his first book of sonnets Kingsley Amis wrote 'They belong within the corpus of English poetry' Excerpts of Interview with Kenneth Verity on The Vanessa Phelps BBC Radio programme on June 2009 on the News Page (off the Home page) 'The amount of reading which underpins this book is breathtaking. The great merit of Verity's approach is that he quotes lavishly throughout, not only from the poems themselves, but also from a variety of critics ... The chapter on poetry's figurative element is a model of lucid definition and telling illustration, showing how many layers of meaning may lie behind a single word' LIBRARY REVIEWS The author writes:'The intention of this book is to examine and analyse the essential nature of the phenomenon we call poetry; to seek an understanding of the power this art form exerts over mind and heart; to comprehend its potency; and to explain its perennial ability to command the respect of mankind'. Almost a library in one volume, this unusual book, written by an accomplished poet, examines the 4000 years old phenomenon of poetry.

The poems of two of China’s most influential classical poets: Tu Fu, called “China’s Shakespeare” (BBC), and Li Po, the subject of Ha Jin’s The Banished Immortal and “China’s most beloved poet” (The New Yorker) A Penguin Classic Li Po (AD 701–62) and Tu Fu (AD 712–70) were devoted friends who are traditionally considered to be among China's greatest poets. Li Po, a legendary carouser, was an itinerant poet whose writing, often dream poems or spirit-journeys, soars to sublime heights in its descriptions of natural scenes and powerful emotions. His sheer escapism and joy is balanced by Tu Fu, who expresses the Confucian virtues of humanity and humility in more autobiographical works that are imbued with great compassion and earthy reality, and shot through with humour. Together these two poets of the T'ang dynasty complement each other so well that they often came to be spoken of as one – 'Li-Tu' – who covers the whole spectrum of human life, experience and feeling. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In this pioneering book, Cecile Chu-chin Sun establishes a sound and effective comparative methodology by using a multifaceted understanding of the concept of repetitionùnot merely a recurrence of words and imagesùas a key perspective from which to compare the poetry and poetics from these two traditions. --