Front Porches. Once they were a vital part of American society. Whether you had a large verandah that circled the house, or little more than a front stoop, you adorned it with comfortable chairs and spent hours there, talking with friends and relatives, watching what was going on in the neighborhood, looking out for others, and keeping in touch with your world. Front porches symbolized relationships and being involved with life beyond your front door.Today, life has changed. Few new homes offer a place to nestle as twilight sets in and few people have the leisure time for this lifestyle, or even for the relationships that it represents. We’ve moved ahead and left front porch attitudes behind as quaint relics.But in recent years, as the nation has reeled from tragedies such as the Oklahoma City bombing, Columbine, and the September 11 terrorist attacks, Americans are again scurrying to regain that closeness, care, and compassion we found in communities that sat on front porches. Perhaps, we’re finding, we need the stability of those front porch attitudes in our lives. In No More Front Porches, sociologist Linda Wilcox looks at how and why communities, churches, and lifestyles have changed. She evaluates the nostalgia for the ’good old days,’ and explores the offerings of today. Though we can never regain the idealized past, she gives us help and hope for building emotional and community ’front porches’ in the frantic society we now zoom through. She helps us learn how to avoid isolation and refocus our methods for building those close, front porch relationships.Let No More Front Porches help you discover a little bit more about this society in which we live. And in the process, you’re bound to learn how to better enjoy people in your home, neighborhood, church and world.

A fascinating look at an American institution-a place where public life meets private.

This book offers inspirational guidance for any reader who yearns to live in a sustainable mixed-income community—and cares enough to do something about it. Rev. John Edgar, the founder of the United Methodist Church for All People and Community Development for All People, tells the story of laboring alongside low-income residents across two decades to transform the South Side of Columbus into an opportunity-rich community where everyone may thrive. Starting with an outreach ministry called the Free Store, people came together and launched the Church for All People, the most diverse United Methodist congregation in the nation in terms of the intersection of race and social class. Each year, direct service ministries provide over 35,000 individuals opportunities to touch grace and experience positive transformation in their lives. Having developed over 100 million dollars of affordable housing, Church and Community Development for All People is forging a radically inclusive neighborhood, where everyone can dwell in unity on a front porch for all people. The chapters in this book set forth key principles which shaped this journey, beginning with the affirmation that scarcity is a myth and all of us dwell inside a divine economy of abundance.

"An on-the-ground history of ordinary Americans who took to the streets when political issues became personal. It is widely believed that Americans of the 1970s and '80s were exhausted by the upheavals of the '60s and eager to retreat to the private realm. When they did take action, it was mainly to express their disillusionment with government by supporting the right. In fact, as Michael Stewart Foley shows, neither of these assumptions is correct. On the community level, the 1970s and '80s saw vibrant new forms of political activity emerge. Tenants challenged landlords, farmers practiced civil disobedience to protect their land, and laid-off workers asserted a right to own their idled factories. Activists fought to defend the traditional family or to expand the rights of women, while entire towns organized to protest the toxic sludge in their basements. In all these arenas, Americans were propelled by their own experiences into the public sphere. Disregarding conventional ideas of "left" and "right," they turned to political action when they perceived an immediate threat to the safety and security of their families, homes, or dreams. Front Porch Politics is a people's history told through on-the-ground experiences. Recalling crusades famous and forgotten, Foley shows how Americans followed their outrage into the streets. Their distinctive style of visceral, local, and highly personal activism remains a vital resource for the renewal of American democracy"--

Acclaimed as a "gifted, courageous writer"(The New York Times), Chris Adrian brings all his extraordinary talents to bear in The Great Night—a brilliant and mesmerizing retelling of Shakespeare's "A Midsummer Night's Dream." On Midsummer Eve 2008, three people, each on the run from a failed relationship, become trapped in San Francisco's Buena Vista Park, the secret home of Titania, Oberon, and their court. On this night, something awful is happening in the faerie kingdom: in a fit of sadness over the end of her marriage, which broke up in the wake of the death of her adopted son, Titania has set loose an ancient menace, and the chaos that ensues will threaten the lives of immortals and mortals alike. Selected by The New Yorker as one the best young writers in America, Adrian has created a singularly playful, heartbreaking, and humorous novel—a story that charts the borders between reality and dreams, love and magic, and mortality and immortality.

In the twenty years since this book was first published, our nation's communities - from urban centers to rural and small communities dotting our landscape - have had their foundations rocked to the core. Yet, despite the economic, social, and cultural challenges they have experienced, communities all across our country are showing their resilience by reinventing themselves. This is especially true for many of rural and small communities whose persistence and self-determination show the same creativity, the same grit, the same shared values that brought them into existence. One of the ways these communities are doing this is by engaging in community making through the arts. The arts invite us to tell our story and listen to the story of others. As we work together and celebrate our community creativity, the arts bring people of all ages, genders, races, religions, and economic backgrounds together for the common good of reconnecting with each other and celebrating who we are as individuals and communities. Community arts provide a new gathering place, a cultural and spiritual touchstone that is a source of community revitalization and neighborhood revival. I believe our rural and small communities are creating the map our nation is searching for that will help us navigate the challenges awaiting all of us as we work together rebuilding the front porch of America.

"Many of Alabama's finest stories used to begin with a reference to 'the night the stars fell,' and even now there is an inclination among some residents to divide local history into two segments: before the stars fell and after the stars fell. That would make November 13, 1833, the dividing line. "Thousands of Alabamians, thinking the end of the world was at hand when they saw the heavenly spectacle, fell to their knees to plead for mercy and forgiveness. Others promised eternal renunciation of sin (card playing, dancing, whiskey drinking, cursing, and associated vices) if they were spared whatever catastrophes were in the offing. Still others jumped upon horses and tried to outrace the fearful menace they believed was pursuing them.

From gentleman callers to big men on campus, from Coke dates to "parking," From Front Porch to Back Seat is the vivid history of dating in America. In chronicling a dramatic shift in patterns of courtship between the 1920s and the 1960s, Beth Bailey offers a provocative view of how we sought out mates-and of what accounted for our behavior. More than a quarter-century has passed since the dating system Bailey describes here lost its coherence and dominance. Yet the legacy of the system remains a strong part of our culture's attempt to define female and male roles alike.

Little Cliff's grandmother sends him off to get a pound of butter, but all the front porches he must pass are full today--of neighbors who want to help him with his errand. Full color. Copyright © Libri GmbH. All rights reserved.

In ways that are highly individual, says Harris, yet still within a shared oral tradition, Zora Neale Hurston, Gloria Naylor, and Randall Kenan skillfully use storytelling techniques to define their audiences, reach out and draw them in, and fill them with anticipation. Considering how such dynamics come into play in Hurston's Mules and Men, Naylor's Mama Day, and Kenan's Let the Dead Bury Their Dead, Harris shows how the "power of the porch" resides in readers as well, who, in giving themselves over to a story, confer it on the writer. Against this background of give and take, anticipation and fulfillment, Harris considers Zora Neale Hurston's special challenges as a black woman writer in the thirties, and how her various roles as an anthropologist, folklorist, and novelist intermingle in her work. In Gloria Naylor's writing, Harris finds particularly satisfying themes and characters. A New York native, Naylor came to a knowledge of the South through her parents and during her stay on the Sea Islands she wrote Mama Day. A southerner by birth, Randall Kenan is particularly adept in getting his readers to accept aspects of African American culture that their rational minds might have wanted to reject. Although Kenan is set apart from Hurston and Naylor by his alliances with a new generation of writers intent upon broaching certain taboo subjects (in his case gay life in small southern towns), Kenan's Tims Creek is as rife with the otherworldly and the fantastic as Hurston's New Orleans and Naylor's Willow Springs.