Written by two artists, each with more than 20 years of teaching experience in London art schools, A Foundation Course In Drawing is an exciting and carefully designed drawing course for artists of all levels. The book's five parts cover life drawing, still-life drawing, landscape drawing, abstract drawing and drawing systems. Each part is further broken down into sections, which progress from the most basic skills, such as how to hold a drawing implement, to more advanced concepts,such as capturing the folds and textures of drapery and creating harmony in abstract compositions. Throughout the book, detailed explanations and a structured series of practice exercises introduce each subject, which is looked at in different ways, through such elements as shape, form, space, light, texture, movement and time. Procedures, techniques and practical tips are also provided for describing each way of analyzing the subject. As each of the five parts stands alone, novice artists can work through them in any order, or can take a broader approach, moving through the first section of each part, followed by the next section, and so on. More advanced artists can turn directly to sections on problem areas for supplementary instruction and practice. A Foundation Course In Drawing offers an innovative, comprehensive approach to the experience of drawing, and will help artists of all abilities discover ways to confidently express their ideas, feelings and responses.

For an all-encompassing introduction to drawing, aspiring artists need look no further than this user-friendly, sequential course. Acquaint yourself with the various media, from charcoals to brush-drawing. Follow along with illustrated examples and draw inspiration from the work of masters. Experiment with different drawing techniques, including digital. Whether pencil sketching landscapes or creating pen and ink portraits, you’ll benefit from professional tips.

The projects in this teaching guide not only offer drawing exercises, but are also designed to instill good working methods in artists of all levels. Readers are shown different ways to look at a subject by studying shape, form, space, light, texture, and movement as applied to figure drawing, still life, landscape, and abstract subjects. 600 illustrations.

The latest in the superb Foundation Course series brings artists the best possible practical instruction on the practice and application of graphic design, which is one of the most popular art-based classes. With this visually striking handbook, students can take lessons right at home. Everything a would-be designer needs to know is covered, from fundamental techniques to business procedures, such as examining a client brief and planning a presentation. Novices will learn how to choose the right tools for the job, develop concepts, create logos, choose effective typefaces, develop their drawing skills, produce a good layout, and execute final projects with flair.

Everything budding artists need to know to paint or draw confidently in their own style is in this essential and inspirational A-Z reference, filled with 600 full-color illustrations. From cave paintings to Picasso, technical drawings to cartoons, here is the history of these two art forms, with stunning examples of work by famous masters and practicing professionals. Experienced, respected tutors pass on their practical know-how and technical skills-illustrated in detail-including what tools and equipment to buy and the fundamentals of working in watercolor, oils, and acrylics. Beginners are gently guided through the basics of shape, light, composition, color theory, and perspective; more accomplished artists tackle advanced techniques. Includes master classes in life drawing, still life, landscape, and portraiture.

Drawing is not a talent, it's a skill anyone can learn. This is the philosophy of drawing instructor Brent Eviston based on his more than twenty years of teaching. He has tested numerous types of drawing instruction from centuries old classical techniques to contemporary practices and designed an approach that combines tried and true techniques with innovative methods of his own. Now, he shares his secrets with this book that provides the most accessible, streamlined, and effective methods for learning to draw.

Taking the reader through the entire process, beginning with the most basic skills to more advanced such as volumetric drawing, shading, and figure sketching, this book contains numerous projects and guidance on what and how to practice. It also features instructional images and diagrams as well as finished drawings. With this book and a dedication to practice, anyone can learn to draw!

Serious visual artists can now easily understand and apply the secret geometry that masters used to create remarkable art. Superior mathematical skills aren’t required because there are hundreds of excellent step-by-step diagrams to explain everything with simplicity. Learn how the ancient and modern masters used dynamic symmetry to promote unity, movement, rhythm, and strength. These qualities, along with many others, allowed their art to have visual clarity, impact, and stand the test of time. This is an essential book for painters, photographers, sculptors, and cinematographers that hold composition and design with a high priority. For far too long, artists have been stuck with the basic tools of artistic composition, like the rule of thirds and leading lines. Unfortunately, we’re incapable of reaching the master level if all we know are the basics. Powerful tools like dynamic symmetry and other composition techniques have been kept a secret from all of us. It’s time to learn of them, push past any plateau that stands in our way, and finally unlock our true potential!

"Almost a hundred years have passed since Johannes Itten developed the Bauhaus's pioneering preliminary course -- the model and inspiration for what later came to be called the Foundation Course in Art and Design. This book comes from a desire to understand the Foundation courses as they exist today. 72 short assignments from around the world offer a reflection of current concerns, experiments, and ideas from artists, designers, educators and historians -- the methods, skills, approaches, and key insights that working artists and teachers consider crucial to teaching in the twenty-first century. This book brings together exercises related to a two-part conference called 'A History Uncovered; A Future Imagined: The Foundation Course in Art and Design,' a collaboration between 'Art School Educated,' Tate Research and Paris College of Art held in London and Paris in June 2013. Intended as a practical source book for teachers, students, and anyone curious to try."--Book jacket.

The 35th anniversary edition of the classic how-to book that has helped millions of artists learn to draw. When it was originally published in 1970, How to Draw What You See zoomed to the top of Watson-Guptill’s best-seller list—and it has remained there ever since. “I believe that you must be able to draw things as you see them—realistically,” wrote Rudy de Reyna in his introduction. Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna’s methods. How to Draw What You See shows artists how to recognize the basic shape of an object—cube, cylinder, cone, or sphere—and use that shape to draw the object, no matter how much detail it contains.