This book reprints The Savage Dragon #s 1-6, but with some pages in arearranged order. New pages are included, featuring scenes where The Dragonfirst meets Rapture, where he battles WildStar, and where Debbie Harris' motheris brought to the Police Department for questioning. It also includes numerouspages and notes from Erik Larsen's personal sketchbook.

Cable has taken over the New Mutants and molded them into a precision strike force! With new members Shatterstar, Warpath, Domino, Siryn and Feral, the group is ready to face any threat, and is determined to shut down Stryfe and his Mutant Liberation Front once and for all! And when the Juggernaut and Black Tom take a building full of hostages, X-Force needs Spider-Man's help to stop them! Featuring the first appearance of Deadpool! Collecting: New Mutants #98-100, X-Force #1-4, Spider-Man #16

Everyone knows three things about the Women's Institute: that they spent the war making jam; the sensational Calendar Girls were WI; and, more recently, that slow-handclapping of Tony Blair. But there's so much more to this remarkable Movement. Over 200,000 women in the UK belong to the WI and their membership is growing. They cross class and religion,include all ages -from students and metropolitan young professionals, such as the Shoreditch Sisters,to rural centenarians -with passions that range from supporting the 1920s Bastardy Bill (in response to a wartime legacy of illegitimate babies) to the current SOS for Honey Bees campaign. It was founded in 1915, not by worthy ladies in tweeds but by the feistiest women in the country, including suffragettes, academics and social crusaders who discovered the heady power of sisterhood, changing women's lives and their world in the process. Certainly its members boiled jam and sang ' Jerusalem ', but they also made history. This fascinating book reveals for the first time how they are - and always were - a force to be reckoned with.

The award-winning “radically original” (The Atlantic) restorative justice leader, whose work the Washington Post has called “totally sensible and totally revolutionary,” grapples with the problem of violent crime in the movement for prison abolition A National Book Foundation Literature for Justice honoree A Kirkus “Best Book of 2019 to Fight Racism and Xenophobia” Winner of the National Association of Community and Restorative Justice Journalism Award Finalist for the Goddard Riverside Stephan Russo Book Prize for Social Justice In a book Democracy Now! calls a “complete overhaul of the way we’ve been taught to think about crime, punishment, and justice,” Danielle Sered, the executive director of Common Justice and renowned expert on violence, offers pragmatic solutions that take the place of prison, meeting the needs of survivors and creating pathways for people who have committed violence to repair harm. Critically, Sered argues that reckoning is owed not only on the part of individuals who have caused violence, but also by our nation for its overreliance on incarceration to produce safety—at a great cost to communities, survivors, racial equity, and the very fabric of our democracy. Although over half the people incarcerated in America today have committed violent offenses, the focus of reformers has been almost entirely on nonviolent and drug offenses. Called “innovative” and “truly remarkable” by The Atlantic and “a top-notch entry into the burgeoning incarceration debate” by Kirkus Reviews, Sered’s Until We Reckon argues with searing force and clarity that our communities are safer the less we rely on prisons and jails as a solution for wrongdoing. Sered asks us to reconsider the purposes of incarceration and argues persuasively that the needs of survivors of violent crime are better met by asking people who commit violence to accept responsibility for their actions and make amends in ways that are meaningful to those they have hurt—none of which happens in the context of a criminal trial or a prison sentence.

PULITZER PRIZE FINALIST • The gripping true story of a murder on an Indian reservation, and the unforgettable Arikara woman who becomes obsessed with solving it—an urgent work of literary journalism. “I don’t know a more complicated, original protagonist in literature than Lissa Yellow Bird, or a more dogged reporter in American journalism than Sierra Crane Murdoch.”—William Finnegan, Pulitzer Prize–winning author of Barbarian Days In development as a Paramount+ original series WINNER OF THE OREGON BOOK AWARD • NOMINATED FOR THE EDGAR® AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Publishers Weekly When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher “KC” Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone, and few people were actively looking for him. Yellow Bird traces Lissa’s steps as she obsessively hunts for clues to Clarke’s disappearance. She navigates two worlds—that of her own tribe, changed by its newfound wealth, and that of the non-Native oilmen, down on their luck, who have come to find work on the heels of the economic recession. Her pursuit of Clarke is also a pursuit of redemption, as Lissa atones for her own crimes and reckons with generations of trauma. Yellow Bird is an exquisitely written, masterfully reported story about a search for justice and a remarkable portrait of a complex woman who is smart, funny, eloquent, compassionate, and—when it serves her cause—manipulative. Drawing on eight years of immersive investigation, Sierra Crane Murdoch has produced a profound examination of the legacy of systematic violence inflicted on a tribal nation and a tale of extraordinary healing.

"Gravity Is a Force to Be Reckoned With" is an installation consisting of a glass house based on Mies van der Rohe's (unbuilt) 1951 House With Four Columns. This house becomes the stage for a narrative based on the 1921 sci-fi novel We.

“Unflinching and honest…both timely and timeless” (Houston Chronicle), this extraordinary collection of essays by the award-winning writer of The Other Side—rooted in her own experience with sexual assault—pursues questions that strike at the heart of our national conversation about the justness of society. In 2014, Lacy Johnson was giving a reading from The Other Side, her “instant classic” (Kirkus Reviews) memoir of kidnapping and rape, when a woman asked her what she would like to happen to her rapist. This collection “attempts to parcel out several knotted problems and suggests forms of meaningful justice” (Booklist, starred review). Drawing from philosophy, art, literature, mythology, anthropology, film, and her own experience of violence, Johnson considers how our ideas about justice might be expanded beyond vengeance and retribution to include acts of compassion, patience, mercy, and grace. “The Reckonings is not a book about changing the world. It’s philosophy in disguise, equal parts memoir, criticism, and ethics…The twelve essays deserve great consideration, while you read it and long after” (NPR). From “Speak Truth to Power,” about the condition of not being believed about rape and assault; to “Goliath,” about the ways evil is used as a form of social control; to “The Fallout,” about ecological and generational violence, Johnson creates masterful, elaborate, gorgeously written essays that speak incisively about our current era. She grapples with justice and retribution, truth and fairness, and sexual assault and workplace harassment, as well as the broadest societal wrongs: the BP Oil Spill, government malfeasance, police killings. The Reckonings is a powerful and necessary work, ambitious in its scope, which “challenges our culture’s expectations of justice and expose the limits of vengeance and mercy” (Ms. Magazine).

The journal of Frances E. Willard nineteenth-century America's most renowned and influential Woman had been hidden away in a cupboard at the National WCTU headquarters, and its importance eluded Willard's biographers. Writing Out My Heart publishes for the first time substantial portions of the forty-nine volumes rediscovered in 1982. They open a window on the remarkable inner life of this great public figure and cast her in a new light. No other female political leader of the period left a private record like this. Best known for her powerful leadership of the Woman's Christian Temperance Union (WCTU), at that time the nation's largest organized body of women, Willard was a world-class reform leader and feminist. How she achieved this stature has been documented. This compelling journal reveals why. Written during her teens, twenties, and fifties, the journal documents the creation of Frances Willard's self. At the same time, it often reads like a good novel. It stands as one of the most explicit and painful records in the nineteenth century of one woman's coming to terms with her love for women in a heterosexual world. Other sections reveal what impelled Willard to reform the nature and depth of the religious dimension of her life a dimension not yet adequately explored by any biographer. Here we see her growing commitment to the "cause of woman." The volumes written in her late middle age give insight into the years when, world famous, she was part of the transatlantic network of reform, battling ill health, dealing with controversy in the WCTU, and grieving for her mother, a lifelong figure of emotional support. This finale concludes one of the most fascinating of the journal's themes: the nineteenth-century confrontation with sickness and death. Drawn from one of the richest sources in documentary history, knowledgeably introduced and annotated, Writing Out My Heart is a biographical goldmine, rich in the themes and institutions central to women's lives in nineteenth-century America.

This first book in a new dystopian trilogy begins the story of one girl's determination to survive the whims of a cruel king whom she has been chosen to serve.