As if convinced that all divination of the future is somehow a re-visioning of the past, Kwame Dawes reminds us of the clairvoyance of haunting. The lyric poems in City of Bones: A Testament constitute a restless jeremiad for our times, and Dawes’s inimitable voice peoples this collection with multitudes of souls urgently and forcefully singing, shouting, groaning, and dreaming about the African diasporic present and future. As the twentieth collection in the poet’s hallmarked career, City of Bones reaches a pinnacle, adding another chapter to the grand narrative of invention and discovery cradled in the art of empathy that has defined his prodigious body of work. Dawes’s formal mastery is matched only by the precision of his insights into what is at stake in our lives today. These poems are shot through with music from the drum to reggae to the blues to jazz to gospel, proving that Dawes is the ambassador of words and worlds.

"Dao Strom's Instrument continues the author's virtuosic exploration of identity, selfhood and refusal-of stasis, of forgetting, of falsity. The book furthers creative and historical material Strom first explored in her books You Will Always Be Someone From Somewhere Else and We Were Meant To Be a Gentle People while simultaneously exploring new directions, modes and fragments... ."--Publisher's website (viewed March 23, 2021).

“Gorgeous, ferocious, lacerating, sexy, and profoundly compassionate.”—Michael Cunningham Magdalene imagines the biblical figure of Mary Magdalene as a woman who embodies the spiritual and sensual, alive in a contemporary landscape—hailing a cab, raising a child, listening to news on the radio. Between facing the traumas of her past and navigating daily life, the narrator of Magdalene yearns for the guidance of her spiritual teacher, a Christ figure, whose death she continues to grieve. Erotic, spirited, and searching for meaning, she is a woman striving to be the subject of her own life, fully human and alive to the sacred in the mortal world.

A resonant new collection of poetry from Adrian Matejka, author of The Big Smoke, a finalist for The Pulitzer Prize and the National Book Award Map to the Stars, the fourth poetry collection from National Book Award and Pulitzer Prize finalist Adrian Matejka, navigates the tensions between race, geography, and poverty in America during the Reagan Era. In the time of space shuttles and the Strategic Defense Initiative, outer space is the only place equality seems possible, even as the stars serve to both guide and obscure the earthly complexities of masculinity and migration. In Matejka's poems, hope is the link between the convoluted realities of being poor and the inspiring possibilities of transcendence and escape—whether it comes from Star Trek, the dream of being one of the first black astronauts, or Sun Ra's cosmic jazz.

Poetry, Performance, and Art is the first transcribed and translated collection and study of the udje poetry of Nigeria's Urhobo people. Udje is an integrative performance of song and dance by specially costumed performers at annual festivals. Udje dance songs were used to establish and maintain social norms. In addition to being an important compilation and study of African indigenous poetry, this book profiles three of the greatest udje poets and performers. Ojaide also explores the history of udje, including its development and the modern factors threatening its survival. Poetry, Performance, and Art will be of great interest not only to students and scholars of African oral traditions, African literature, and African studies, but also to poets in general and scholars of comparative anthropology, cultural studies, folklore, literature, performance arts, and sociology. "His translations are among the best that have ever been attempted in African oral literature." -- Ode S. Ogede, Research in African Literature