The wicked exploits of an assortment of louts and losers occupy Melvin Jules Bukiet's profligate imagination in these delectable stories. The title of Melvin Jules Bukiet's latest collection hints at the deceitful nature of its multiple protagonists. An aspiring writer stalks Vladmir Nabokov across midtown Manhattan one afternoon in the summer of Watergate. A young co-ed's seduction of her elderly philosophy professor delivers her an A and him lasting happiness. Max, "a liar and a voyeur, like any true artist," wanders the East Village taking photographs of murder victims. A famous Holocaust survivor "with the big eyes and the big prize" conducts an impromptu circumcision. Ranging from 1895 Prague to the site of a Central American rebellion to the home of a certain Seattle software magnate to the roof of an urban skyscraper, each of these outrageous (though occasionally tender) stories offers keen insight into human nature.

A COMPANION TO THE AMERICAN SHORT STORY A Companion to the American Short Story traces the development of this versatile literary genre over the past two centuries. Written by leading critics in the field, and edited by two major scholars, it explores a wide range of writers, from Edgar Allen Poe and Edith Wharton, at the end of the nineteenth century to important modern writers such as Ernest Hemingway, William Faulkner, F. Scott Fitzgerald, and Richard Wright. Contributions with a broader focus address groups of multiethnic, Asian, and Jewish writers. Each chapter places the short story into context, focusing on the interaction of cultural forces and aesthetic principles. The Companion takes account of cutting edge approaches to literary studies and contributes to the ongoing redefinition of the American canon, embracing genres such as ghost and detective fiction, cycles of interrelated short fiction, and comic, social and political stories. The volume also reflects the diverse communities that have adopted this literary form and made it their own, featuring entries on a variety of feminist and multicultural traditions. This volume presents an important new consideration of the role of the short story in the literary history of American literature.

Readers of contemporary American fiction and Jewish cultural history will find The New Diaspora enlightening and deeply engaging.

Writing Short Stories: A Writers' and Artists' Companion is an essential guide to writing short fiction successfully. PART 1 explores the nature and history of the form, personal reflections by the editors, and help getting started with ideas, planning and research. PART 2 includes tips by leading short story writers, including: Alison Moore, Jane Rogers, Edith Pearlman, David Vann, Anthony Doerr, Vanessa Gebbie, Alexander MacLeod, Adam Thorpe and Elspeth Sandys. PART 3 contains practical advice - from shaping plots and exploring your characters to beating writers' block, rewriting and publishing your stories.

This look at careless journalism—from hilarious mistakes to egregious ethical lapses—is “chock-full of amusing historical anecdotes” (Publishers Weekly). Winner of the National Press Club’s Arthur Rowse Award for Press Criticism We regret the error: it’s a phrase that appears in newspapers almost daily, the standard notice that something went terribly wrong in the reporting, editing, or printing of an article. From Craig Silverman, the proprietor of www.RegretTheError.com, one of the Internet’s most popular media-related websites, comes a collection of funny, shocking, and sometimes disturbing journalistic slip-ups and corrections. On display are all types of media inaccuracy—from typos to “fuzzy math” to “obiticide” (printing the obituary of a person very much alive and well) to complete and utter ethical lapses. While some of the errors can be laugh-out-loud funny, the book also serves as a sobering journey through the history of media mistakes (including the outrageous hoaxes that dominated newspapers during the circulation wars of the nineteenth century) and a serious muckraking investigation of contemporary journalism’s lack of accountability to the public. Regret the Error shines a spotlight on the media’s carelessness and the sometimes tragic and calamitous consequences of weak or non-existent fact checking. “Mixing humorous corrections taken from large and small newspapers alike, Silverman gives historical context to the current problems . . . and then proposes solutions for busy newsrooms.” —Variety

A fascinating read about fakes, forgeries, and frauds. What’s real? What’s fake? Why do we care? In this time of false news and fake science, these questions are more important than ever. Fakes, Forgeries, and Frauds goes beyond the headlines, tweets, and blogs to explore the true nature of authenticity and why it means so much today. This book delivers nine fascinating true stories that introduce the fakers, forgers, art authenticators, and others that populate this dark world. Examples include: Shakespeare—How an enterprising teenager in the 1790s faked Shakespeare and duped Literary London. Rembrandt—How art history, connoisseurship, and science are re-shaping our view of what Rembrandt painted and how the canvas changed over time. Relics—Was Saint Cecilia, the patron saint of music, a real Roman teenager who was martyred 1,800 years ago in the same place where her church stands today? Jackson Pollock—How do experts pick out the real Pollocks from the thousands of fakes? Nuremberg—How repeated reconstructions of medieval Nuremburg—including one by Adolf Hitler—show how historic preservation became a tool for propaganda. Fakes, Forgeries, and Frauds also raises provocative questions about the meaning of reality. What happens when spiritual truth conflicts with historic fact? Can an object retain its essence when most of it was replaced? Why did some art patrons value an excellent copy more than the original? Why do we find fakes so eternally fascinating, and forgers such appealing con artists? Fakes, Forgeries, and Frauds is a full-color book with 30 color photos. It shows that reality, exemplified by discrete physical objects, is actually mutable, unsettling, and plainly weird. Readers discover things that are less than meets the eye—and might even reconsider what’s real, what’s fake, and why they should care.

An anthology of previously-unpublished stories by leading young Jewish writers that explore the idea of the Promised Land

"Putman's legal expertise shines in this compelling and intricately plotted romantic suspense. Highly recommended!" —Colleen Coble, USA Today best-selling author Janae Simmons left the small town of Kedgewick, Virginia, ten years ago to pursue her legal career and never looked back—until a professional mistake leads her to her grandmother's historic carriage house and to the town where her past threatens to find her. The quiet streets echo with her grandfather's sterling reputation, one that conflicts with fresh questions that claw at Janae, launching her on a reluctant journey to unearth his secrets. When her new job at a local law firm doesn't live up to expectations, she wonders if coming home was the right decision. Carter Montgomery starts his art preservation career with the only job he can get—director at the Elliott Museum of Art. At least Kedgewick is a nice enough town to provide him and his nephew with a safe place to grieve the loss of Carter's sister. But Carter's calm days disappear when an elderly woman claims two paintings in the museum's collection were stolen from her family during World War II. Carter enlists Janae's help to unravel the legal labyrinth of art ownership, and the peaceful facade of Kedgewick morphs into a hot bed of secrets. When an attorney turns up dead and Janae uncovers another painting, what began as a simple legal issue spirals into a race against time. As the web of intrigue tightens, the duo must confront a looming question: What dark truths lie beneath the surface, waiting to be exposed? "Cara Putman has once again created an exciting cast of characters. I was immediately drawn in by Janae and Carter's unique chemistry. This is one story you don't want to miss." —Rebecca Hemlock, award-winning author of Fury in the Shadows

This timely book spotlights how various entities are using the Internet to shape people's perceptions and decision-making. It also describes detailed case studies as well as the tools and methods used to identify automated, fake accounts. This book brings together three important dimensions of our everyday lives. First is digital-the online ecosystem of information providers and tools, from websites, blogs, discussion forums, and targeted email campaigns to social media, video streaming, and virtual reality. Second, influence-the most effective ways people can be persuaded, in order to shape their beliefs in ways that lead them to embrace one set of beliefs and reject others. And finally, warfare-wars won by the information and disinformation providers who are able to influence behavior in ways they find beneficial to their political, social, and other goals. The book provides a wide range of specific examples that illustrate the ways people are being targeted by digital influencers. There is much more to digital influence warfare than terrorist propaganda, "fake news," or Russian efforts to manipulate elections: chapters examine post-truth narratives, fabricated "alternate facts," and brainwashing and disinformation within the context of various political, scientific, security, and societal debates. The final chapters examine how new technical tools, critical thinking, and resilience can help thwart digital influence warfare efforts.