It's June's first day at Huey House, and as if losing her home weren't enough, she also can't bring her cherished viola inside. Before the accident last year, her dad saved tip money for a year to buy her viola, and she's not about to give it up now.

From the New York Times best-selling creator of the Vanderbeekers series comes a triumphant tale of friendship, healing, and the power of believing in ourselves, told from the perspectives of two biracial sixth graders living in a homeless shelter. At first, June can’t believe it: their new home is a homeless shelter? When she’s told she can’t bring her cherished viola inside, she’s convinced the worst luck in the world landed her at Huey House. But Tyrell has lived at Huey House for three years, and he knows all the good things about it: friendship, hot meals, and the music from next door drifting through the windows. With his help, June begins to see things differently. Just as she’s starting to understand how Huey House can be a home, a new government policy threatens all the residents. Can June and Tyrell work together to find a way to save Huey House as they know it?

Reprint of the original, first published in 1881.

Biography of country singer Blake Shelton. Blue Banner Biographies are up-to-date, well-written, and colorful. Series titles include people in the news from sports, entertainment, movies, and music. Students read with sufficient accuracy and fluency to support comprehension and read on-level text with purpose and understanding. Series titles have been developed to address many of the Common Core specific goals, higher level thinking skills, and progressive learning strategies for middle grade and junior high level students.

Johannes Brahms was a consummate professional musician, and a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making.

In 2005 Annapolis County marked 400 years of European settlement. While towns and villages held pageants and events, Paradise did something unique. With lots of volunteer help, we refurbished the hall itself to make room for a rolling story of our village, as told by its homes.