Stefano Zamblera, 2018: ""A Dongba Pictographs Dictionary with Iconographic Index Plates"" Dictionary of Dongba pictographs implemented in categories sorted by iconographic index plates of BASIC pictographs. Iconographic and graphic study of such corpus of glyphs evinced two distinguished sets of pictographs which could be named BASIC and COMPLEX. BASIC PICTOGRAPHS are those glyphs made by one and just one iconographic unit (signifier) that conveys its meaning through its pictorial resemblance to the physical object meant. BASIC PICTOGRAPHS are assembled together making COMPLEX PICTOGRAPHS, alias COMPLEX UNITS OF SIGNIFIERS. As any BASIC PICTOGRAPH consists in a signifier written by a minimal graphic unit, identification of BASIC PICTOGRAPHS categories to gather them coincides with the study and identification of a set of ICONOGRAPHIC PRIMES into Dongba pictographs corpus. ICONOGRAPHIC PRIME is then used in the making of iconographic index plates for BASIC PICTOGRAPHS.

This Open Access book, building on research initiated by scholars from the Leiden-Delft-Erasmus Centre for Global Heritage and Development (CHGD) and ICOMOS Netherlands, presents multidisciplinary research that connects water to heritage. Through twenty-one chapters it explores landscapes, cities, engineering structures and buildings from around the world. It describes how people have actively shaped the course, form and function of water for human settlement and the development of civilizations, establishing socio-economic structures, policies and cultures; a rich world of narratives, laws and practices; and an extensive network of infrastructure, buildings and urban form. The book is organized in five thematic sections that link practices of the past to the design of the present and visions of the future: part I discusses drinking water management; part II addresses water use in agriculture; part III explores water management for land reclamation and defense; part IV examines river and coastal planning; and part V focuses on port cities and waterfront regeneration. Today, the many complex systems of the past are necessarily the basis for new systems that both preserve the past and manage water today: policy makers and designers can work together to recognize and build on the traditional knowledge and skills that old structure embody. This book argues that there is a need for a common agenda and an integrated policy that addresses the preservation, transformation and adaptive reuse of historic water-related structures. Throughout, it imagines how such efforts will help us develop sustainable futures for cities, landscapes and bodies of water.

The Origins of Mountains approaches mountains from facts about mountain landscapes rather than theory. The book illustrates that almost everywhere, mountains arose by vertical uplift of a former plain, and by a mixture of cracking and warping by earth movements, and erosion by rivers and glaciers, the present mountainous landscapes were created. It also gives evidence that this uplift only occured in the last few million years, a time scale which does not fit the plate tectonics theory. Another fascinating part of the evidence, shows that mountain uplift correlates very well with climatic change. Mountain building could have been responsible for the onset of the ice age. It certainly resulted in the creation of new environments. Fossil plants and animals are used in places to work out the time of mountain uplift, which in turn helps to explain biogeographical distributions.

This book is the first comprehensive documentation of Rongorongo, Easter Island's enigmatic script and Oceania's only known pre-twentieth-century writing system. The author tells the full history of rongorongo's exciting discovery and the many attempts at a decipherment and provides full transcriptions of all the 25 surviving rongorongo inscriptions along with detailed photographs of nearly every incised artifact.

This catalog is published in conjunction with an exhibition organized and presented by the Rubin Museum of Art, New York, March 2 through July 30, 2012, and curated by Karl Debreczeny.

"DeFrancis's book is first rate. It entertains. It teaches. It demystifies. It counteracts popular ignorance as well as sophisticated (cocktail party) ignorance. Who could ask for anything more? There is no other book like it. ... It is one of a kind, a first, and I would not only buy it but I would recommend it to friends and colleagues, many of whom are visiting China now and are adding 'two-week-expert' ignorance to the two kinds that existed before. This is a book for everyone." --Joshua A. Fishman, research professor of social sciences, Yeshiva University, New York "Professor De Francis has produced a work of great effectiveness that should appeal to a wide-ranging audience. It is at once instructive and entertaining. While being delighted by the flair of his novel approach, the reader will also be led to ponder on some of the most fundamental problems concerning the relations between written languages and spoken languages. Specifically, he will be served a variety of information on the languages of East Asia, not as dry pedantic facts, but as appealing tidbits that whet the intellectual appetite. The expert will find much to reflect on in this book, for Professor DeFrancis takes nothing for granted." --William S.Y. Wang, professor of linguistics, University of California at Berkeley

Pocket-size visual guide for remembering the Japanese syllabaries--perfect for beginners!

“An absolutely breathtaking book -- in its thoughtfulness and imaginativeness, in the breadth and depth of the research which it entailed, in its geographical, cultural, and historical situatedness, and in its profound critical empathy for all of the key players. Beautifully and skillfully written.” – Sydney White, Associate Professor of Anthropology, Asian Studies, and Women's Studies at Temple University "The Paper Road is an eloquent, even haunting narrative of the relationships between colonial explorers/scientists and their native collaborators that makes vivid the theme of 'colonial intimacy.' It speaks to scholars working on Chinese minorities and frontier relations, to historians of comparative colonialism, to experts on Tibet and Buddhism, and probably also simply to lovers of tales of mountains and exploration." –Charlotte Furth, Professor Emerita of Chinese History , University of Southern California.