Previously published histories and primary source collections on the Iraqi experience tend to be topically focused or dedicated to presenting a top-down approach. By contrast, Stacy Holden's A Documentary History of Modern Iraq gives voice to ordinary Iraqis, clarifying the experience of the Shiites, Sunnis, Kurds, Jews, and women over the past century. Through varied documents ranging from short stories to treaties, political speeches to memoirs, and newspaper articles to book excerpts, the work synthesizes previously marginalized perspectives of minorities and women with the voices of the political elite to provide an integrated picture of political change from the Ottoman Empire in 1903 to the end of the second Bush administration in 2008. Covering a broad range of topics, this bottom-up approach allows readers to fully immerse themselves in the lives of everyday Iraqis as they navigate regime shifts from the British to the Hashemite monarchy, the political upheaval of the Persian Gulf wars, and beyond. Brief introductions to each excerpt provide context and suggest questions for classroom discussion. This collection offers raw history, untainted and unfiltered by modern political framework and thought, representing a refreshing new approach to the study of Iraq.

The modern history of Iraq is punctuated by a series of successive and radical ruptures (coups d'etat, changes of regime, military adventures and foreign invasions) whose chronological markers are relatively easy to identify. Although researchers cannot ignore these ruptures, they should also be encouraged to establish links between the moments when the breaks occur and the longue durée, in order to gain a better understanding of the period.Combining a variety of different disciplinary and methodological perspectives, this collection of essays seeks to establish some new markers which will open fresh perspectives on the history of Iraq in the twentieth and twenty-first centuries, and suggest a narrative that fits into new paradigms. The book covers the various different periods of the modern state (the British occupation and mandate, the monarchy, the first revolutions and the decades of Ba'thist rule) through the lens of significant groups in Iraq society, including artists, film-makers, political and opposition groups, members of ethnic and religious groups, and tribes.

In war, there is no easy victory. When troops invaded Iraq in 2003 to topple Saddam Hussein’s regime, most people expected an easy victory. Instead, the gamble we took was a grave mistake, and its ramifications continue to reverberate through the lives of millions, in Iraq and the West. As we gain more distance from those events, it can be argued that many of the issues facing us today – the rise of the Islamic State, increased Islamic terrorism, intensified violence in the Middle East, mass migration, and more – can be traced back to the decision to invade Iraq. In The Iraq War, award-winning documentary maker James Bluemel collects first-hand testimony from those who lived through the horrors of the invasion and whose actions were dictated by such extreme circumstances. It takes in all sides of the conflict – working class Iraqi families watching their country erupt into civil war; soldiers and journalists on the ground; American families dealing with the grief of losing their son or daughter; parents of a suicide bomber coming to terms with unfathomable events – to create the most in-depth and multi-faceted portrait of the Iraq War to date. Accompanying a major BBC series, James Bluemel’s book is an essential account of a conflict that continues to shape our world, and a startling reminder of the consequences of our past decisions.

This timely book analyzes the political events in Iraq that gave rise to one of the most brutal and sophisticated regimes of the modern era. Analyzing the country's history from 1941 to the Ba'ath Party's takeover of the government in 1968, Michael Eppel re-creates the domestic, social, and ideological climate that led to the establishment of Saddam Hussein's despotic control of Iraq in 1979.

One of the Best Books of the Year: The Christian Science Monitor NPR The Seattle Times St. Louis Post-Dispatch Chicago Tribune A New York Times Notable Book Finalist for the National Book Critics Circle Award in Biography The Arab Revolt against the Turks in World War I was, in the words of T. E. Lawrence, “a sideshow of a sideshow.” As a result, the conflict was shaped to a remarkable degree by a small handful of adventurers and low-level officers far removed from the corridors of power. At the center of it all was Lawrence himself. In early 1914 he was an archaeologist excavating ruins in Syria; by 1917 he was riding into legend at the head of an Arab army as he fought a rearguard action against his own government and its imperial ambitions. Based on four years of intensive primary document research, Lawrence in Arabia definitively overturns received wisdom on how the modern Middle East was formed.

The real story behind the investigation of Iraq, and the basis for the MSNBC documentary of the same name hosted by Rachel Maddow Filled with news-making revelations that made it a New York Times bestseller, Hubris takes us behind the scenes at the White House, CIA, Pentagon, State Department, and Congress to show how George W. Bush came to invade Iraq--and how his administration struggled with the devastating fallout. Hubris connects the dots between Bush's expletive-laden outbursts at Saddam Hussein, the bitter battles between the CIA and the White House, the fights within the intelligence community over Saddam's supposed weapons of mass destruction, the outing of an undercover CIA officer, and the Bush administration's misleading sales campaign for war. Written by veteran reporters Michael Isikoff and David Corn, this is an inside look at how a president took the nation to war using faulty and fraudulent intelligence. It's a dramatic page-turner and an intriguing account of conspiracy, backstabbing, bureaucratic ineptitude, journalistic malfeasance, and arrogance.

An investigative history of Western complicity in Saddam Hussein’s crimes reveals the story his trial never will. In February 1991, the Shia of southern Iraq rose against Saddam Hussein. Barry M. Lando, a former investigative producer for 60 Minutes, argues compellingly that this ill-fated uprising represents one instance among many of Western complicity in Saddam Hussein’s crimes against humanity. The Shia were responding to the call for rebellion from President George H.W. Bush that was broadcast repeatedly across Iraq by clandestine CIA stations. But, just as the revolution was on the brink of success, the United States and its allies turned their backs. In the end, tens of thousands were massacred. Because of restrictions imposed by the Special Tribunal prosecuting Saddam Hussein, the extensive role of the U.S. and its allies in his crimes will never be explored at his trial. But as Web of Deceit demonstrates, the nations that now denounce Saddam most prominently secretly backed the dictator from his rise to power in the 1960s and ‘70s to his offensives in Iran and, despite warnings, took no action to stop his invasion of Kuwait. They also turned their backs when he used chemical weapons against the Iraqi people and persisted in international sanctions long after they had proved ineffective and, for hundreds of thousands of Iraqi civilians, lethal. Web of Deceit draws on a wide range of journalism and scholarship to present a complete picture of what really happened in Iraq under Saddam, detailing – for the first time – the complicity of the West in its full and alarming extent.

When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence." In Radical Documentary and Global Crises, Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate.

Modeled after CQ Presss popular documentary histories, this primary-source rich volume offers researchers an invaluable look into the key events that have shaped this dynamic region since World War I. Organized thematically and loaded with both full-text and excerpted primary source documents, The Contemporary Middle East is designed to be an accessible support for courses in Middle Eastern history, international affairs, and comparative politics. Researchers in high school and undergraduate libraries will want this online resource for their patrons.

An expertly curated and annotated collection of declassified records, revealing the inner workings of US-Iran relations after 1978.