Genius. With hints of madness and mystery, moral license and visionary force, the word suggests an almost otherworldly power: the power to create, to divine the secrets of the universe, even to destroy. Yet the notion of genius has been diluted in recent times. Today, rock stars, football coaches, and entrepreneurs are labeled 'geniuses,' and the word is applied so widely that it has obscured the sense of special election and superhuman authority that long accompanied it. As acclaimed historian Darrin M. McMahon explains, the concept of genius has roots in antiquity, when men of prodigious insight were thought to possess -- or to be possessed by -- demons and gods. Adapted in the centuries that followed and applied to a variety of religious figures, including prophets, apostles, sorcerers, and saints, abiding notions of transcendent human power were invoked at the time of the Renaissance to explain the miraculous creativity of men like Leonardo and Michelangelo. Yet it was only in the eighteenth century that the genius was truly born, idolized as a new model of the highest human type. Assuming prominence in figures as varied as Newton and Napoleon, the modern genius emerged in tension with a growing belief in human equality. Contesting the notion that all are created equal, geniuses served to dramatize the exception of extraordinary individuals not governed by ordinary laws. The phenomenon of genius drew scientific scrutiny and extensive public commentary into the 20th century, but it also drew religious and political longings that could be abused. In the genius cult of the Nazis and the outpouring of reverence for the redemptive figure of Einstein, genius achieved both its apotheosis and its Armageddon. The first comprehensive history of this elusive concept, Divine Fury follows the fortunes of genius and geniuses through the ages down to the present day, showing how -- despite its many permutations and recent democratization -- genius remains a potent force in our lives, reflecting modern needs, hopes, and fears.

The Crime Writers' Association Historical Dagger Winning Author A religious serial killer is haunting Florence and only Cesare Aldo can stop them. A Divine Fury is an atmospheric historical thriller by D. V. Bishop, set in Renaissance Italy. 'Full of dash and atmosphere' - The Times 'Fast becoming a serious rival to C. J. Sansom and S. J. Parris' – Historical Novel Society Florence. Autumn, 1539. Cesare Aldo was once an officer for the city’s most feared criminal court. Following a period of exile, he is back – but demoted to night patrol, when only the drunk and the dangerous roam the streets. Chasing a suspect in the rain, Aldo discovers a horrifying scene beneath Michelangelo’s statue of David. Lifeless eyes gaze from the face of a man whose body has been posed as if crucified. It’s clear the killer had religious motives. When more bodies appear, Aldo believes an unholy murderer is stalking the citizens of Florence. Watching. Hunting. Waiting for the perfect moment to strike again . . . A Divine Fury is the fourth Cesare Aldo mystery, preceded by City of Vengeance, The Darkest Sin and Ritual of Fire.

The Crime Writers' Association Historical Dagger Winning Author 'Fast becoming a serious rival to C. J. Sansom and S. J. Parris' – Historical Novel Society Florence. Autumn, 1539. Cesare Aldo was once an officer for the city’s most feared criminal court. Following a period of exile, he is back but demoted to night patrol when only the drunk and the dangerous roam the streets. Chasing a suspect in the rain, Aldo discovers a horrifying scene beneath Michelangelo’s statue of David. Lifeless eyes gaze from the face of a man whose body has been posed as if crucified. It’s clear the killer had religious motives. When more bodies appear, Aldo believes an unholy murderer is stalking the citizens of Florence. Watching. Hunting. Waiting for the perfect moment to strike again . . . A religious serial killer is haunting Florence and only Cesare Aldo can stop them. A Divine Fury is an atmospheric historical thriller by D. V. Bishop, set in Renaissance Italy. A Divine Fury is the fourth Cesare Aldo mystery, preceded by City of Vengeance, The Darkest Sin and Ritual of Fire.

When nurse Ellie discovers that her employer is creating human/animal hybrids for experiments, she saves one of them from a sadistic doctor and promises to set him free. When the experiment, codenamed Fury, manages to escape, he kidnaps Ellie and brings her to a secret compound called Homeland with other escaped hybrids, intending to use her as part of his plan of vengeance.

From ISIS attacks to the conflict between Israel and Palestine, Sacred Fury explores the connections between faith and violence in world religions. Author Charles Selengut looks at religion as both a force for peace and for violence, and he asks key questions such as how “religious” is this violence and what drives the faithful to attack in the names of their beliefs? Revised throughout, the third edition features new material on violence in Buddhism and Hinduism, the rise of ISIS, “lone wolf terrorists,” and more. This up-to-date edition draws on a variety of disciplines to comprehend forms of religious violence both historically and in the present day. The third edition of Sacred Fury is an essential resource for understanding the connections between faith and violence.

Explore a story told across the millennia that delves deep into a pair of fascinating necron characters, their relationship and their plans for the galaxy. Before the being called the Emperor revealed Himself, before the rise of the aeldari, before the necrontyr traded their flesh for immortal metal, the world was born in violence.Even when they inhabited bodies of flesh, Trazyn the Infinite and Orikan the Diviner were polar opposites. Trazyn, a collector of historical oddities, presides over a gallery full of the most dangerous artefacts – and people – of the galactic past. Orikan, a chronomancer without peer, draws zodiacs that predict and manipulate the future. But when an artefact emerges that may hold the key to the necrons’ next evolution, these two obsessives enter a multi-millennia game of cat and mouse that ends civilisations, reshapes timelines, and changes both forever. As riddles unwind and ancient secrets are revealed, the question remains: will their feud save the necron race or destroy it?

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The first major book to examine ancient Christian literature on hell through the lenses of gender and disability studies Throughout the Christian tradition, descriptions of hell’s fiery torments have shaped contemporary notions of the afterlife, divine justice, and physical suffering. But rarely do we consider the roots of such conceptions, which originate in a group of understudied ancient texts: the early Christian apocalypses. In this pioneering study, Meghan Henning illuminates how the bodies that populate hell in early Christian literature—largely those of women, enslaved persons, and individuals with disabilities—are punished after death in spaces that mirror real carceral spaces, effectually criminalizing those bodies on earth. Contextualizing the apocalypses alongside ancient medical texts, inscriptions, philosophy, and patristic writings, this book demonstrates the ways that Christian depictions of hell intensified and preserved ancient notions of gender and bodily normativity that continue to inform Christian identity.

To many readers the book of Ezekiel is a hopeless riddle. We still find many features of the man and his message difficult and sometimes even shocking, if not offensive. The bizarre opening vision catches us off guard and tempts us to stop reading. However, if we persist, and if we meditate long and hard on individual utterances and sign actions, we will discover that despite the strangeness of the man and his utterances, this is the most clearly organized of the major prophetic books. Individual prophecies are clearly marked by headings and often by conclusions. If we persist, we will also discover that from a rhetorical perspective, this priestly prophet knew his audience; he recognized in Judah's rebellion against YHWH the underlying cause of the divine fury that resulted in the exile of his people and the fall of Jerusalem to the Babylonians in 586 BCE. But he also recognized that YHWH's judgment could not be the last word. Because his covenant was eternal and irrevocable he looked forward to a day of spiritual renewal and national restoration. This is the first of two volumes of essays on Ezekiel and his book. The seven general essays and two studies of particular texts in this collection explore the times, the message, and the methods of the prophetic priest.

This anthology of literary criticism is no simple collection of fragments from great critics. It is, in a way, a documentary history of literary taste, or better, a documentary history of the taste of literary critics ... It contains material that is inaccessible in many university libraries and an index which ties together the various selections and gives the book a unity which most anthologies unfortunately lack ..." [Cover].