THE SUNDAY TIMES BESTSELLER Join national treasure Gary Barlow as he opens the curtains on his remarkable life in this stunning autobiography, from his fascinating early life to his star-studded music career 'Warm, wise . . . A never-before-seen insight into one of Britain's greatest songwriters' Woman's Own 'I just wanted to share my personal journey through the last five decades - the highs and lows, the ups and downs. So in A Different Stage, this is me opening the curtains and sharing moments nobody has heard or seen before . . .' __________ In this warm, intimate and humorous book, rich with nostalgia and unexpected intimate detail, Gary Barlow unpacks the people, music, places, things and cultural phenomena that have made him the man that he is. From the working men's club where it all began through to the sold out stadium tours, this is the story of Gary's life told through music. Filled with a mixture of brand new photography from Gary's current one-man show and incredibly personal unseen photos and notebooks, A Different Stage is a beautiful book about the man we've spent our lives listening to. __________ 'Refreshingly honest . . . Think you know everything there is to know about the Take That megastar? Think again' Woman & Home

A top-ranking director sets out his rehearsal techniques in this invaluable handbook for actors/directors.

"This book focuses on the performance of classical music, but the basic principles are the same for all kinds of music. Musicians need to make their audiences receptive and to give them a lasting, positive impression. Just as classical training lays a foundation for the performance of other kinds of music, the basics of stage presence outlines here may be adopted to all kinds of performances, by all kinds of musicians." - page xiii.

"... powerfully renders what it’s like to live life to the fullest." Publishers Weekly Starred Review My name is Mickey Rowe. I am an actor, a theatre director, a father, and a husband. I am also a man with autism. You think those things don’t go together? Let me show you that they do. Growing up, Mickey Rowe was told that he couldn’t enter the mainstream world. He was iced out by classmates and colleagues, infantilized by well-meaning theatre directors, barred from even earning a minimum wage. Why? Because he is autistic. Fearlessly Different: An Autistic Actor's Journey to Broadway's Biggest Stage is Mickey Rowe’s story of growing up autistic and pushing beyond the restrictions of a special education classroom to shine on the stage. As an autistic and legally blind person, living in a society designed by and for non-disabled people, it was always made clear to Mickey the many things he was apparently incapable of doing. But Mickey did them all anyway—and he succeeded because of, not in spite of, his autism. He became the first autistic actor to play the lead role in the play The Curious Incident of the Dog in the Night-Time, landed the title role in the play Amadeus, co-created the theatre/philanthropy company Arts on the Waterfront, and founded the National Disability Theatre. Mickey faced untold obstacles along the way, but his story ends in triumph. Many people feel they are locked out of the world of autism—that it’s impossible to even begin to understand. In Fearlessly Different, Mickey guides readers to that world while also helping those with autism to feel seen and understood. And he shows all people—autistic and non-autistic alike—that the things that make us different are often our biggest strengths.

Based on fact, this coming-of-age story offers a vivid picture of life behind the curtain at Shakespeare's theater. Illustrations.

"Stage to Stage captures Josh's perspective on the notable events that illuminated his extraordinary journey to Broadway. Starting with his Stages album, which featured Broadway classics, the book chronicles the past two + years. Also included are behind the scenes photos and key moments from the making of the Stages Live Television special and the On Stage world tour, culminating in his experiences surrounding his first-ever Broadway performances and his first Tony Nomination."--Publisher

This is the little book that started a revolution, making women's voices heard, in their own right and with their own integrity, for virtually the first time in social scientific theorizing about women. Its impact was immediate and continues to this day, in the academic world and beyond. Translated into sixteen languages, with more than 700,000 copies sold around the world, In a Different Voice has inspired new research, new educational initiatives, and political debate—and helped many women and men to see themselves and each other in a different light.Carol Gilligan believes that psychology has persistently and systematically misunderstood women—their motives, their moral commitments, the course of their psychological growth, and their special view of what is important in life. Here she sets out to correct psychology's misperceptions and refocus its view of female personality. The result is truly a tour de force, which may well reshape much of what psychology now has to say about female experience.

This intriguing, authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day and examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Le Roi Jones, and Joe Orton.

Learn how to be comfortable in the spotlight--whether as a speaker or performer--with tips from singer-songwriter Livingston Taylor, a teacher at the renowned Berklee College of Music.

Why do actors get stage fright? What is so embarrassing about joining in? Why not work with animals and children, and why is it so hard not to collapse into helpless laughter when things go wrong? In trying to answer these questions - usually ignored by theatre scholarship but of enduring interest to theatre professionals and audiences alike - Nicholas Ridout attempts to explain the relationship between these apparently unwanted and anomalous phenomena and the wider social and political meanings of the modern theatre. This book focuses on the theatrical encounter - those events in which actor and audience come face to face in a strangely compromised and alienated intimacy - arguing that the modern theatre has become a place where we entertain ourselves by experimenting with our feelings about work, social relations and about feelings themselves.