Imagine being born into a world where fitting in was never an option. Michele Sullivan, one of the most powerful women in philanthropy, was born with a rare form of dwarfism. Meaning she has spent her entire life looking up. As the first female president of the Caterpillar Foundation, she has used her unique point of view to impact countless lives around the world. As a child, Michele decided to life a life of meaning, by: Tailoring her differences into something more suitable for the world. Hiding from the world and live on the fringe. Embracing her differences to turn them into assets. Recognize that there was a strength within her that could help others. Looking Up is the story of how Michele became the smallest woman at the largest earth-moving manufacturer in the world. While her height has presented challenges that are different from most, it has allowed her to see things that others do not, literally and figuratively. Embedded in this narrative are unique (and often hilarious) takeaways for individuals about the importance of making the first move, being wrong at first, choosing intimacy over influence, and learning that asking for help is a strength, not a weakness.

Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."

Erwin Panofsky’s Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art-historical and philosophical discussions on the topic of perspective in this century. Finally available in English, this unrivaled example of Panofsky’s early method places him within broader developments in theories of knowledge and cultural change. Here, drawing on a massive body of learning that ranges over ancient philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of “archaeology” of Western representation that far surpasses the usual scope of art historical studies. Perspective in Panofsky’s hands becomes a central component of a Western “will to form,” the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. He demonstrates how the perceptual schema of each historical culture or epoch is unique and how each gives rise to a different but equally full vision of the world. Panofsky articulates these distinct spatial systems, explicating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is inseparable from its peculiarly mathematical expression of the concept of the infinite, within a space that is both continuous and homogenous.

Out-of-this-world antics in this hysterical middle-grade adventure! Sixth-grader Jacob Wonderbar is a master when it comes to disarming and annihilating substitute teachers. But when he and his best friends, Sarah and Dexter, swap a spaceship for a corn dog, they embark on an outer space adventure. And between breaking the universe with an epic explosion, being kidnapped by a space pirate, and surviving a planet that reeks of burp breath, Jacob and his friends are in way over their heads. Action packed with an added dose of heart, Jacob Wonderbar and the Cosmic Space Kapow is sure to captivate middlegrade readers all over the universe.

NAMED A TOP 10 BOOK OF 2018 BY NPR and THE WASHINGTON POST WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN CURRENT INTEREST FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE NONFICTION AWARD The instant New York Times bestseller, "A must-read for anyone who thinks 'build a wall' is the answer to anything." --Esquire For Francisco Cantú, the border is in the blood: his mother, a park ranger and daughter of a Mexican immigrant, raised him in the scrublands of the Southwest. Driven to understand the hard realities of the landscape he loves, Cantú joins the Border Patrol. He and his partners learn to track other humans under blistering sun and through frigid nights. They haul in the dead and deliver to detention those they find alive. Plagued by a growing awareness of his complicity in a dehumanizing enterprise, he abandons the Patrol for civilian life. But when an immigrant friend travels to Mexico to visit his dying mother and does not return, Cantú discovers that the border has migrated with him, and now he must know the full extent of the violence it wreaks, on both sides of the line.

"The book presents the high-resolution digital orthographic photomosaics of the faocades of the city blocks along the street [via d'Abbondanza], provides historical and factual information about the buildings, and describes the process used to create the images."--page 2.

Atonement has been described as the central doctrine of Christianity and yet, surprisingly, the church has never insisted on a particular understanding of how redemption in Christ was achieved. Instead, a miscellany of metaphors has been employed, each picturing "something" of Christ's work. Recent debate within Reformed Evangelicalism has been characterized by claims for hegemony to be granted to penal substitution versus counter-arguments for a kaleidoscopic, multi-model understanding. Notably absent in these discussions, however, are two considerations. One is any common nexus to draw atonement thought together. The other is any positive theological contribution deriving from God's preexisting relationship with Israel (the presumed role of which has rather been to provide a negative contrast of law-versus-grace and works-versus-faith, as the dark background against which the light of Christ may shine more brightly). Recent scholarship, however--particularly the "new perspective on Paul"--has comprehensively dismantled the old stereotypes concerning first-century Judaism. This book asks how differently we might think about the atonement once it is brought into conversation with the new scholarship. It concludes by proposing a "new perspective" on atonement in which Christ is central, Israel and Torah are affirmed, and the traditional metaphors continue to find their place.

Ranks the Apostle Paul as "one of the most powerful and seminal minds of the first or any century," and argues that we can now sketch with confidence a new and more nuanced picture of Paul and the radical way in which his encounter with Jesus redefined his life, his mission and his expectations for a world made new in Christ. Reprint.