In a continuation of Dave Jordano's critically-acclaimed Detroit: Unbroken Down (powerHouse Books, 2015), which documented the lives of residents, Detroit Nocturne is an artist's book not of people this time, but instead the places within which they live and work: structures, dwellings, and storefronts. Made at night, these photographs speak to the quiet resolve of Detroit's neighborhoods and its stewards: independent shop proprietors and home owners who have survived the long and difficult path of living in a post-industrial city stripped of economic prosperity and opportunity. In many rust-belt cities like Detroit, people's lives often hang in the balance as neighborhoods support and provide for each other through job creation, ad-hoc community involvement, moral and spiritual support, and a well-honed Do-It-Yourself attitude. With all the media attention about Detroit's rebirth and revival, it is important to note that many neighborhoods throughout the city have managed to survive against the odds for years, relying on local merchants and businesses that operate on a cash only basis who have stuck it out through decades of economic decline. Determination and a strong sense of self-preservation: Detroit's citizens manage to survive by maintaining a healthy sense of connection without the fear of giving up. All of these places of business and residences, whether large or small, are in many ways symbols representing the ongoing story that is Detroit, and a testament to the tenacity of those who are trying desperately to hold on to what is left of the social and economic fabric of the city. These photographs speak to that truth without casting an overly sentimental gaze. These nocturnal images offer a chance to view the locations in an unfamiliar light, and offer a moment of quiet and calm reflection.

Dave Jordano returned to his hometown of Detroit to document the people who still live in what has become one of the country's most economically challenging cities. Against a backdrop of mass abandonment through years of white flight, unemployment hovering at almost three times the national average, city services cut to the bone, a real estate collapse of massive proportions, and ultimately filing the largest municipal bankruptcy in U.S. history, Jordano searches for the hope and perseverance of those who have had to endure the hardship of living in a post-industrial city that has fallen on the hardest of times. From the lower Southeast Side where urban renewal and government programs slowly became the benchmark of civic failure, to the dwindling enclaves of neighborhoods like Delray and Poletown (onceblue-collar neighborhoods that have all but vanished),Jordano seeks to dispel the popular myth perpetrated through the media that Detroit is an empty wasteland devoid of people. He encounters resolute individuals determined to make this city a place to live,from a homeless man who decided to build his own one-room structure on an abandoned industrial lot because he was tired of sleeping on public benches, to a group of squatters who repurposed long-abandoned houses on a street called Goldengate. Jordano discovers and rebroadcastsa message of hope and endurance to an otherwise greatly misunderstood and misrepresented city.Detroit: Unbroken Downis not a document solely about what's been destroyed, but even more critically, about all that has been left behind and those who remain to cope with it.

Actress Jessica Lange's career spans more than 30 years and 30 films - the winner of two Academy Awards, she is one of the most acclaimed performers of both screen and stage. 50 Photographs finds her on the other side of the camera. Originally drawn to photography as a medium by which to document her children, Lange has been taking pictures for more than 15 years, approaching the art as an antidote to the constant fervour of Hollywood. A 2007 feature in Aperture presented her work to the public for the first time. This book presents some of her portfolio.

The first book in the thrilling fantasy series about arson investigator Anya Kalinczyk, the fires she fights and the demons she hunts. Truth burns. Unemployment, despair, anger—visible and invisible unrest feed the undercurrent of Detroit’s unease. A city increasingly invaded by phantoms now faces a malevolent force that further stokes fear and chaos throughout the city. Anya Kalinczyk spends her days as an arson investigator with the Detroit Fire Department, and her nights pursuing malicious spirits with a team of eccentric ghost hunters. Anya—who is the rarest type of psychic medium, a Lantern—suspects a supernatural arsonist is setting blazes to summon a fiery ancient entity that will leave the city in cinders. By Devil’s Night, the spell will be complete, unless Anya—with the help of her salamander familiar and the paranormal investigating team—can stop it. Anya’s accustomed to danger and believes herself inured to loneliness and loss. But this time she’s risking everything: her city, her soul, and a man who sees and accepts her for everything she is. Keeping all three safe will be the biggest challenge she’s ever faced.

In modern-day Havana, the remnants of the glamorous past are everywhere—old hotel-casinos, vintage American cars & flickering neon signs speak of a bygone era that is widely familiar & often romanticized, but little understood. In Havana Nocturne, T.J. English offers a multifaceted true tale of organized crime, political corruption, roaring nightlife, revolution & international conflict that interweaves the dual stories of the Mob in Havana & the event that would overshadow it, the Cuban Revolution. As the Cuban people labored under a violently repressive regime throughout the 50s, Mob leaders Meyer Lansky & Charles "Lucky" Luciano turned their eye to Havana. To them, Cuba was the ultimate dream, the greatest hope for the future of the US Mob in the post-Prohibition years of intensified government crackdowns. But when it came time to make their move, it was Lansky, the brilliant Jewish mobster, who reigned supreme. Having cultivated strong ties with the Cuban government & in particular the brutal dictator Fulgencio Batista, Lansky brought key mobsters to Havana to put his ambitious business plans in motion. Before long, the Mob, with Batista's corrupt government in its pocket, owned the biggest luxury hotels & casinos in Havana, launching an unprecedented tourism boom complete with the most lavish entertainment, the world's biggest celebrities, the most beautiful women & gambling galore. But their dreams collided with those of Fidel Castro, Che Guevara & others who would lead the country's disenfranchised to overthrow their corrupt government & its foreign partners—an epic cultural battle that English captures in all its sexy, decadent, ugly glory. Bringing together long-buried historical information with English's own research in Havana—including interviews with the era's key survivors—Havana Nocturne takes readers back to Cuba in the years when it was a veritable devil's playground for mob leaders. English deftly weaves together the parallel stories of the Havana Mob—featuring notorious criminals such as Santo Trafficante Jr & Albert Anastasia—& Castro's 26th of July Movement in a riveting, up-close look at how the Mob nearly attained its biggest dream in Havana—& how Fidel Castro trumped it all with the revolution.

In preparation for the 1944 Olympic Games, canceled due to W.W.II, Mussolini commissioned 60 eighteen-foot Herculean statues of white marble to surround his new arena. Hauntingly erotic, these statues were once relegated to the category of political kitsch, but have in recent times been recognised as objects of poetic beauty and merit. For twenty years Mott's b/w images of these statues have been sought by collectors and used by fashion and art directors. Now, they are available together at last in this deluxe edition, featuring an introduction by Giorgio Armani.

The KKK remains one of the US's most secretive organisations but photojournalist Anthony S. Karen transcended that secrecy when he got the opprtunity to photograph a KKK ceremony. Since then, he has documented the organisation throughout the US. Taken with unrestricted access, the reader is drawn deep inside this private white nationalist organisation and introduced to a detailed visual account of modern day Klan life. Included are candid shots of rallies, portraits of Klansmen and a look at the naturalisation process for new members.

“Tarfia Faizullah is a poet of brave and unflinching vision.” —Natasha Trethewey Somebody is always singing. Songs were not allowed. Mother said, Dance and the bells will sing with you. I slithered. Glass beneath my feet. I locked the door. I did not die. I shaved my head. Until the horns I knew were there were visible. Until the doorknob went silent. —from “100 Bells” Registers of Illuminated Villages is Tarfia Faizullah’s highly anticipated second collection, following her award-winning debut, Seam. Faizullah’s new work extends and transforms her powerful accounts of violence, war, and loss into poems of many forms and voices—elegies, outcries, self-portraits, and larger-scale confrontations with discrimination, family, and memory. One poem steps down the page like a Slinky; another poem responds to makeup homework completed in the summer of a childhood accident; other poems punctuate the collection with dark meditations on dissociation, discipline, defiance, and destiny; and the near-title poem, “Register of Eliminated Villages,” suggests illuminated texts, one a Qur’an in which the speaker’s name might be found, and the other a register of 397 villages destroyed in northern Iraq. Faizullah is an essential new poet whose work only grows more urgent, beautiful, and—even in its unsparing brutality—full of love.

"Time travel, UFOs, mysterious planets, stigmata, rock-throwing poltergeists, huge footprints, bizarre rains of fish and frogs-nearly a century after Charles Fort's Book of the Damned was originally published, the strange phenomenon presented in this book remains largely unexplained by modern science. Through painstaking research and a witty, sarcastic style, Fort captures the imagination while exposing the flaws of popular scientific explanations. Virtually all of his material was compiled and documented from reports published in reputable journals, newspapers and periodicals because he was an avid collector. Charles Fort was somewhat of a recluse who spent most of his spare time researching these strange events and collected these reports from publications sent to him from around the globe. This was the first of a series of books he created on unusual and unexplained events and to this day it remains the most popular. If you agree that truth is often stranger than fiction, then this book is for you"--Taken from Good Reads website.