Delving into Brazil's baroque past, Peter Robb writes about its history of slavery and the richly multicultural but disturbed society that was left in its wake when the practice was abolished in the late nineteenth century. Even today, Brazil is a nation of almost unimaginable distance between its wealthy and its poor, a place of extraordinary levels of crime and violence. It is also one of the most beautiful and seductive places on earth. Using the art, food and the books of its great nineteenth-century writer, Machado de Assis, Robb takes us on a journey into a world like Conrad's Nostromo. A world so absurdly dramatic, like the current president Lula's fight for power, that it could have come from one of the country's immensely popular TV soap operas, a world where resolution is often only provided by death. Like all the best travel writing, A Death in Brazil immerses you deep into the heart of a fascinating country.

When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness and death that centres on the lives of the women and children of a hillside "favela". Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage. It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing - and controversial - is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.

This award-winning social history of death and funeral rites during the early decades of Brazil's independence from Portugal focuses on the Cemiterada movement in Salvador, capital of the province of Bahia. The book opens with a lively account of the popular riot that ensued when, in 1836, the government condemned the traditional burial of bodies inside Catholic church buildings and granted a private company a monopoly over burials. This episode is used by Reis to examine the customs of death and burial in Bahian society, explore the economic and religious conflicts behind the move for funerary reforms and the maintenance of traditional rituals of dying, and understand how people dealt with new concerns sparked by modernization and science. Viewing culture within its social context, he illuminates the commonalities and differences that shaped death and its rituals for rich and poor, men and women, slaves and masters, adults and children, foreigners and Brazilians. This translation makes the book, originally published in Brazil in 1993, available in English for the first time.

As the Amazon burns, Fábio Zuker shares stories of resistance, self-determination, and kinship with the land. In 2007, a seven-ton minke whale was found stranded on the banks of the Tapajós River, hundreds of miles into the Amazon rainforest. For days, environmentalists, journalists, and locals followed the lost whale, hoping to guide her back to the ocean, but ultimately proved unable to save her. Ten years later, journalist Fábio Zuker travels to the state of Pará, to the town known as “the place where the whale appeared,” which developers are now eyeing for mining, timber, and soybean cultivation. In these essays, Zuker shares intimate stories of life in the rainforest and its surrounding cities during an age of raging wildfires, mass migration, populist politics, and increasing deforestation. As a group of Venezuelan migrants wait at a bus station in Manaus, looking for a place more stable than home, an elder in Alter do Chão becomes the first Indigenous person in Brazil to die from COVID-19 after years of fighting for the rights and recognition of the Borari people. The subjects Zuker interviews are often torn between ties with their ancestral territories and the push for capitalist gain; The Life and Death of a Minke Whale in the Amazon captures the friction between their worlds and the resilience of movements for autonomy, self-definition, and respect for the land that nourishes us.

The End centers on five friends in Rio de Janeiro who, nearing the end of their lives, are left with memories—of parties, marriages, divorces, fixations, inhibitions, bad decisions—and the physical indignities of aging. Alvaro lives alone and spends his time going from doctor to doctor and bemoaning the evils of his ex-wife. Silvio is a junkie who can’t give up the excesses of sex and drugs even in his old age. Ribeiro is an athletic beach bum enjoying a prolonged sex life thanks to Viagra. Neto is the square member of the group, a faithful husband until his last days. And Ciro is the Don Juan envied by all—but the first to die, struck down by cancer. For all of them, successful careers, personal revelations, and Zen serenity are out of the question, blocked by a seemingly insurmountable wall of frustrations. Orbiting around them are a priest questioning his vocation and a cast of complicated women, neglected and embattled by these self-involved men. Edgy and wise, this tragicomic debut delves into taboo subjects—death, infidelity, impotence, the difficulties of marriage—with unsentimental honesty, and brings Rio and these characters to life in full color.

"The book offers an interdisciplinary qualitative study of the history of policing in Brazil and its colonial underpinnings, providing theoretical accounts of the relationship between biopolitics, space, and race, and post-colonial/decolonial work on the state, violence, and the production of disposable political subjects. Focused empirically on contemporary (1985-2015) police killings and disappearances in favelas, particularly in Rio de Janeiro, the books argues that the invisibility of this phenomenon is the product of a colonial mindset - one that has persisted throughout Brazil's experience of both dictatorship and re-democratisation and is traceable to the legacies of the Portuguese empire and the plantation system implemented. Analysing the development of the police as a colonial mechanism of social control, Villenave shows how the "war on drugs" reproduces this same colonial logic and renders some, overwhelmingly black, lives disposable and thus vulnerable to unchecked police brutality and death. It will be of interest to students and scholars of international politics and also contributes to critical security studies, postcolonial and de-colonial thought, global politics, the politics of Latin America and political geography"--

A Nazi hunter uncovers a fugitive SS doctor’s terrifying plot to create a Fourth Reich in The Boys from Brazil, a riveting techno-thriller from the incomparable master of suspense, Ira Levin. Veteran Nazi hunter Yakov Liebermann finds himself entangled in a web of unimaginable horror when he is tipped off to a sinister conspiracy hatching in the depths of South America: a plan to establish a new, globe-spanning Fourth Reich. Why has Dr. Josef Mengele—Auschwitz’s fiendish “Angel of Death”—tasked a team of former SS men with the slaughter of ninety-four harmless, aging men across the globe? What hidden link binds these men together? What significance could they possibly hold for their pursuers? With the clock ticking, and the future of humanity hanging in the balance, can the ailing Liebermann take on a seemingly unstoppable enemy and alter the course of history? Adapted into the film starring Gregory Peck and Laurence Olivier, The Boys from Brazil is a gripping, thought-provoking thriller that explores the depths of human malevolence, and the eternal struggle between good and evil.

The powerful true-life story of one of the world's most prolific professional killers Julio Santana grew up in a poor fishing family in Brazil. At the age of 17 he committed his first murder in exchange for food for his family. Santana went on to become a killer for hire on an almost unimaginable scale, murdering more than 490 people. Yet, despite his appalling crimes, he was far from a monster. Santana was a loyal son, a family man and a devout Christian who was tormented by his conscience with every killing shot. Klester Cavalcanti, an acclaimed investigative journalist, became fascinated with the story of a normal man who happened to be one of the world's most prolific murderers. Over the course of seven years, Cavalcanti interviewed Santana by phone, and used his skills as a journalist to trace the path of his life and infamous career. The result is an extraordinary and chilling insight into a killer.

Robert Levine tells the story of Carolina Maria de Jesus (1914-1977), Brazilian, Black, illegitimate, extremely poor, and Brazil's best-selling author upon the publication of her journals.