"This is an extraordinary and ground-breaking book, a wonderfully creative mix of fact and theory, imagination and drama…The startling origin of the complex 'intention exception' to the hearsay evidence rule becomes canvas on which a grand and marvelously detailed tale is told. This is modern narrative at its best: a marriage of spectacular writing and hard, documented truth presented by a brilliant author who doubles as a gifted and fastidious legal scholar and historian." —Andrew Popper, American University One winter night in 1879, at a lonely Kansas campsite near Crooked Creek, a man was shot to death. The dead man’s traveling companion identified him as John Hillmon, a cowboy from Lawrence who had been attempting to carve out a life on the blustery prairie. The case might have been soon forgotten and the apparent widow, Sallie Hillmon, left to mourn—except for the $25,000 life insurance policies Hillmon had taken out shortly before his departure. The insurance companies refused to pay on the policies, claiming that the dead man was not John Hillmon, and Sallie was forced to take them to court in a case that would reach the Supreme Court twice. The companies’ case rested on a crucial piece of evidence: a faded love letter written by a disappeared cigarmaker, declaring his intent to travel westward with a “man named Hillmon.” In A Death at Crooked Creek, Marianne Wesson re-examines the long-neglected evidence in the case of the Kansas cowboy and his wife, recreating the court scenes that led to a significant Supreme Court ruling on the admissibility of hearsay evidence. Wesson employs modern forensic methods to examine the body of the dead man, attempting to determine his true identity and finally put this fascinating mystery to rest. This engaging and vividly imagined work combines the drama, intrigue, and emotion of excellent storytelling with cutting-edge forensic investigation techniques and legal theory. Wesson’s superbly imagined A Death at Crooked Creek will have general readers, history buffs, and legal scholars alike wondering whether history, and the Justices, may have misunderstood altogether the events at that bleak winter campsite. Marianne Wesson is Professor of Law and President’s Teaching Scholar, University of Colorado Law School. She is the author of best-selling and prize-winning legal novels including Render up the Body, A Suggestion of Death, and Chilling Effect. She lives in a Colorado mountain valley with her husband, llamas, dogs, and visiting wildlife.

This book mixes fact and theory to explore the startling origin of the 'intention exception' to the hearsay evidence rule.

Two Arkansas teenagers are run over by a train. The state medical examiner rules they smoked themselves into "a marijuana-induced stupor" before lying down, side by side on the tracks. He rules the deaths accidental. Case closed. Except that when the parents of one get the bodies exhumed, new autopsies point to murder. That launches the mom of one of the boys on a journey that will lead her into a dark world of drugs and political corruption. In 2001, after this book's release, a U.S. court of appeals wrote: "The record in this case reads like a John Grisham novel." Shockingly, this story is true.

Full of emotion and suspense, Crooked River is an inventive and atmospheric story about family and friendship, good and evil, secrets and lies, grief and forgiveness Where should I start? With Mom's funeral? Or a week earlier on the Fourth of July, the day she died? Or should I skip all that stuff and get straight to the part where Ollie and I just wanted to go swimming and pretend our lives were ordinary again, but when we got down to the river we found another dead woman instead? Still grieving over the sudden death of their mother, fifteen-year-old Sam McAlister and her ten-year-old sister, Ollie, move from the comforts of Eugene to rural Oregon to live in a meadow in a teepee under the stars with Bear, their reclusive beekeeper father. But soon after they arrive in Terrebone, a young woman is found dead floating in Crooked River and the police arrest their eccentric father for the murder. He is not evil. I am not good. We are the same: broken and put back together again. Sam knows that Bear is not a killer, even though the evidence points to his guilt—including information that she and Ollie have uncovered. Filled with remorse and refusing to accept that her father could have hurt anyone, Sam embarks on a desperate hunt to save him and keep her damaged family together. They had mysteriously lost Bear once before and Sam is terrified they will lose him again. Only this time they won't ever get him back. She needs Ollie to help her, but Ollie has not spoken a word since their mother's death. I see things no one else does. I see them there and wish I didn't. I want to tell and I can't. Ollie, too, knows that Bear is innocent. The Shimmering have told her so. One followed her home from her mom's funeral and continues to hover, a spectrum of colors—pink and rose red, sky blue and honey gold. Now another, coiled and hissing, is following Sam. Both spirits warn Ollie: the real killer is out there, waiting. Somehow, she must warn her sister. But Ollie worries that if she tries to speak—even to write—the Shimmering will slip inside her, take control, and never leave. Sam and Ollie must find the truth quickly—a search that will lead them to unexpected secrets and terrible lies—because the danger is closer to them than either girl knows. Told in Sam's and Ollie's vibrant voices, Crooked River is a family story, a coming-of-age story, a ghost story, and a psychological mystery as haunting as the best Southern gothic fiction that will touch your heart and grip you until the final page.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR In this poignant and deeply sensual new contemporary romance—perfect for readers of Susan Elizabeth Phillips and Rachel Gibson—Molly O’Keefe proves that lost loves don’t have to stay lost forever. Dallas TV morning show host Madelyn Cornish is poised, perfect, and unflappable, from her glossy smile to her sleek professionalism. No one knows that her iron will guards a shattered heart and memories of a man she’s determined to lock out. Until that man shows up at a morning meeting like a bad dream: Billy Wilkins, sexy hockey superstar in a tailspin—still skating, still fighting, and still her ex-husband. Now the producers want this poster child for bad behavior to undergo an on-air makeover, and Billy, who has nothing to lose, agrees to the project. It’s his only chance to get near Maddy again, and to fight for the right things this time around. He believes in the fire in Maddy’s whiskey eyes and the passion that ignites the air between them. This bad-boy heartbreaker wants a last shot to be redeemed by the only thing that matters: Maddy’s love. “Irresistible and satisfying . . . addictive and sexy romance at its best.”—New York Times bestselling author Susan Mallery “Molly O’Keefe is a unique, not-to-be-missed voice in romantic fiction.”—New York Times bestselling author Susan Andersen

Chloe Humphrey, 24, is a fish out of water as the computer whiz living in Ohio's Amish Country. She's stretched even further when a local accident turns to murder, and she's in a position to solve the case.

Acclaimed new author Amanda Flower continues her series of cozy and comedic Amish mysteries ("Bring on the next one!" -USA Today) as romance, murder, and a sudden disappearance take their places at Christmastime in Appleseed Creek.

From award-winning author Molly O’Keefe comes a wonderfully written contemporary romance about second chances at life and at love. Victoria Baker, the penniless widow of a disgraced financier, is ready to stand up, be counted, and make a new life for herself and her beloved son in Texas. She’s taking over Crooked Creek ranch, her birthright, and turning it into something special. All that stands in her way is Eli Turnbull, a rugged, too-handsome cowboy who wants the land just as badly. If Victoria wants a fight, Eli will give her one. He’s devoted his life to Crooked Creek, and he’s not about to let some pampered city girl—even one as brave and beautiful as Victoria—turn it into some silly spa. But Victoria’s and Eli’s burning anger and frustration only fuel heat of another kind: uncontrollable passion. And soon they each realize that the person standing in their way is the one they can never do without.

Today is Christmas Eve. Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved. Marnie and her little sister, Nelly, are on their own now. Only they know what happened to their parents, Izzy and Gene, and they aren't telling. While life in Glasgow's Maryhill housing estate isn't grand, the girls do have each other. Besides, it's only a year until Marnie will be considered an adult and can legally take care of them both. As the New Year comes and goes, Lennie, the old man next door, realizes that his young neighbors are alone and need his help. Or does he need theirs? Lennie takes them in—feeds them, clothes them, protects them—and something like a family forms. But soon enough, the sisters' friends, their teachers, and the authorities start asking tougher questions. As one lie leads to another, dark secrets about the girls' family surface, creating complications that threaten to tear them apart. Written with fierce sympathy and beautiful precision, told in alternating voices, The Death of Bees is an enchanting, grimly comic tale of three lost souls who, unable to answer for themselves, can answer only for one another.

"Blood Meridian" finds "A Farewell to Arms" in this short and beautiful novel set in 1890s Utah.