A Dance to Freedom is a highly personal, inspiring tale of beating the odds to find the truth that can set you free. In addition to offering an inside look at the excesses, dangers and even tenderness within the world of adult entertainment, the book gives much-needed practical advice, based on the teachings of Alice Miller, on how anyone can break the invisible chains of the painful dramas of their past.

A conceptual framework for understanding the development of improvised dance in late 20th-century America

In this pivotal book, the captivating and kinetic images of noted photographer Eric Waters are paired with a collection of insightful essays by preeminent authors and cultural leaders to offer the first complete look at the Social, Aid and Pleasure Club (SAPC) parade culture in New Or-leans. Ranging from ideological approaches to the contributions of musicians, development of specific rituals by various clubs, and parade accessories such as elaborately decorated fans and sashes, Freedom’s Dance provides an unparalleled photographic and textual overview of the SAPC Second Line, tracking its origins in African traditions and subsequent development in black New Orleans culture. Karen Celestan’s vibrant narrative is supplemented with interviews of longtime culture-bearers such as Oliver “Squirk” Hunter, Lois Andrews (mother of Troy “Trombone Shorty” Andrews and James Andrews), Fred Johnson, Gregory Davis, and Lionel Batiste, while interdisciplinary essays by leading scholars detail the rituals, historic perspective, and purpose of the Second Line. Freedom’s Dance defines this unique pub-lic-private phenomenon and captures every aspect of the Second Line, from SAPC members’ rollicking introductions at their annual parade to a funeral procession on its way to the crypt. Visually dazzling and critically important, Freedom’s Dance serves as both a celebration and a deep exploration of this understudied but immediately recognizable aspect of the African American tradition in the Big Easy.

In a poor village in northern China, a small boy named Li Cunxin was given the chance of a lifetime. Selected by Chairman Mao's officials from among millions of children to become a dancer, Li's new life began as he left his family behind. At the Beijing Dance Academy, days were long and difficult. Li's hard work was rewarded when he was chosen yet again, this time to travel to America. From there his career took flight, and he danced in cities around the world—never forgetting his family, who urged him to follow his dreams.

"In the follow-up to ... A Stolen Life, [kidnapping survivor] Jaycee Dugard tells the story of her first experiences after years in captivity: the joys that accompanied her newfound freedom and the challenges of adjusting to life on her own"--Provided by publisher.

This is a how-to book for dance and movement teachers of people with intellectual disabilities. It offers ideas and stimuli for people working in the field of disability who may not have a strong dance background, as well as dance therapists who may be inexperienced in the field.

This anthology brings together the late Barry A. Crouch's most important articles on the African American experience in Texas during Reconstruction. Grouped topically, the essays explore what freedom meant to the newly emancipated, how white Texans reacted to the freed slaves, and how Freedmen's Bureau agents and African American politicians worked to improve the lot of ordinary African American Texans. The volume also contains Crouch's seminal review of Reconstruction historiography, "Unmanacling Texas Reconstruction: A Twenty-Year Perspective." The introductory pieces by Arnoldo De Leon and Larry Madaras recapitulate Barry Crouch's scholarly career and pay tribute to his stature in the field of Reconstruction history.

Argues that the Obama administration has used the economic crises to move away from free enterprise and offers a way back via sound public policy.

Li Cunxin tells his story, tracing his life from his early childhood among the Chinese peasantry and his being thrust into the world of ballet, through his winning a scholarship to America and his eventual defection to the West in 1981, knowing that he would never see his family again.

A Travel Memoir by Dhyanis Carniglia. Fleeing with a toddler from a dangerous marriage, Dhyanis travels across several continents on her quest to become a self-sustaining artist. During a time of cataclysmic shifting norms in San Francisco, she sets off with her daughter to live in Quebec, Mexico, The Sierras, Hawaii, England, Portugal, Greece, Morocco, and Egypt. She takes us on her engaging feminist journey, laced with elements of peril and driven by the appetites of youth. Her faith often challenged, Dhyanis follows her heart wherever in the world it leads. In her search for self-expression, Dhyanis becomes a professional belly dancer. With creativity and resilience she overcomes predicaments and self-doubt in her search for her true calling and true love. This book inspires readers to laugh, cry, and dance along with Dhyanis. Her extraordinary adventures may dare you to travel, create, and love.