IRELAND'S FORGOTTEN LEGACY In 1914-1918, two hundred thousand Irishmen from all religions and backgrounds went to war. At least thirty-five thousand never came home. Those that did were scarred for the rest of their lives. Many of these survivors found themselves abandoned and ostracised by their countrymen, their voices seldom heard. The book includes: - The first Victoria Cross - Leading the way at Gallipoli and the Somme - North and South fighting side by side at Messines Ridge - Ireland's flying aces - Brothers-in-arms – heart-rending stories of family sacrifice - The lucky escapes of some; the tragic end of others - The homecoming – why there was no hero's welcome Includes over 300 photographs and items of memorabelia from the lives of these brave men and their families. An important book that opened up the conversation in Ireland about our role in World War I. Updated, and with a new introduction.

IRELAND'S FORGOTTEN LEGACY In 1914-1918, two hundred thousand Irishmen from all religions and backgrounds went to war. At least thirty-five thousand never came home. An award-winning collection of veterans' stories as told by the families, with military records, surviving documents and letters.

IRELAND'S FORGOTTEN LEGACY In 1914-1918, two hundred thousand Irishmen from all religions and backgrounds went to war. At least thirty-five thousand never came home. An award-winning collection of veterans' stories as told by the families, with military records, surviving documents and letters.

Elmar Dinter addresses the question of why some men fight well in war and others do not. He examines the factors and draws conclusions involving recommendations for new methods of personnel selection and new tactics, training and military education.

Over 130,000 Irishmen and women served during the Second World War despite Ireland's neutrality. Seven thousand five hundred never returned. Illustrated with over 130 photographs and memorabilia, Dark Times, Decent Men gathers dramatic first-hand stories from Irishmen who went to war:

On 8 July 1921 a Truce between the IRA and British forces in Ireland was announced, to begin three days later. However, in those three days at least sixty people from both sides of the conflict were killed. In 'Truce', Pádraig Óg Ó Ruairc goes back to the facts to reveal what actually happened in those three bloody days, and why. •What sparked Belfast's 'Bloody Sunday' in 1921, the worst bout of sectarian violence in Northern Ireland's troubled history? • Why were four unarmed British soldiers kidnapped and killed by the IRA in Cork just hours before the ceasefire began? •Who murdered Margaret Keogh, a young Dublin rebel, in cold blood on her own doorstep? •Were the last spies shot by the IRA really working for British intelligence or just the victims of anti-Protestant bigotry? This book answers these questions for the first time and separates fact from fiction to find out what really happened in the final battles between the IRA and the British forces.

The First World War was the biggest conflict in Irish history. More men served and more men died than in all the wars before or since that the Irish fought in. Often forgotten at home and written out of Irish history, the Irish soldiers and their regiments found themselves more honoured in foreign fields. From the first shot monument in Mons to the plaque to the Royal Irish Lancers who liberated the town on Armistice Day 1918, Ronan McGreevy takes a tour of the Western Front. At a time when Ireland is revisiting its history and its place in the world, McGreevy looks at those places where the Irish made their mark and are remembered in the monuments, cemeteries and landscapes of France and Flanders.

Memory, Narrative and the Great War examines the varied and complex war writings of Patrick MacGill within a contemporary framework. David Taylor tracks how MacGill shifted from heroic wartime narratives in his autobiographical writings to the pessimistic, guiltridden characters in his postwar novel, Fear!, and play, Suspense. Using these texts to show how MacGill remembered and reremembered his wartime experiences, Taylor analyzes MacGill's writings with implications for a broader interpretation of Great War literature, highlighting wartime memory and narrative as an ever-changing kaleidoscope in which pieces of memory take on different—but equally valid—shapes with the passing of time.

This book focuses on how Irish remembrance of the First World War impacted the emerging Irish identity in the postcolonial Irish Free State. While all combatants of the “war to end all wars” commemorated the war, Irish memorial efforts were fraught with debate over Irish identity and politics that frequently resulted in violence against commemorators and World War I veterans. The book examines the Flanders poppy, the Victory and Armistice Day parades, the National War Memorial, church memorials, and private remembrances. Highlighting the links between war, memory, empire and decolonization, it ultimately argues that the Great War, its commemorations, and veterans retained political potency between 1914 and 1937 and were a powerful part of early Free State life.