In this newly-translated excerpt from his five-volume "Course", Kliuchevsky (1841-1911) provides a colourful description of Russian court life in the 18th century, a dramatic narrative of the coup d'etat that brought Catherine II to power, a portrait of the empress herself, and an analysis of her foreign conquests and her major internal initiatives. While Kliuchevsky is critical of Catherine, he draws upon her memoirs and other writings and the accounts of her contemporaries to achieve a well-rounded and deeply human analysis of her character and personality. It is an extraordinary act of historical re-creation of the sort that brought Kliuchevsky such renown in his own time, and it remains so lifelike that it fairly leaps off the page. Kliuchevsky's examination of Western influence in Catherine's reign leads him to questions that were of urgent significance for Russia's development in his own day, and have remained so ever since: how to use Western ideas and practices to improve and enrich Russian life, without turning them into idle fashions or political bludgeons, and where to find the social leadership capable of performing such a delicate task.

In this newly-translated excerpt from his five-volume "Course", Kliuchevsky (1841-1911) provides a colourful description of Russian court life in the 18th century, a dramatic narrative of the coup d'etat that brought Catherine II to power, a portrait of the empress herself, and an analysis of her foreign conquests and her major internal initiatives. While Kliuchevsky is critical of Catherine, he draws upon her memoirs and other writings and the accounts of her contemporaries to achieve a well-rounded and deeply human analysis of her character and personality. It is an extraordinary act of historical re-creation of the sort that brought Kliuchevsky such renown in his own time, and it remains so lifelike that it fairly leaps off the page. Kliuchevsky's examination of Western influence in Catherine's reign leads him to questions that were of urgent significance for Russia's development in his own day, and have remained so ever since: how to use Western ideas and practices to improve and enrich Russian life, without turning them into idle fashions or political bludgeons, and where to find the social leadership capable of performing such a delicate task.

Kliuchevsky's (1841-1911) five-volume synthesis of ten centuries of Russian history is considered one of the great works of 19th-century Russian literature, as influential in both national identity and language development as the contemporary five-volume novels. Here is a translation of lectures 73-81, bridging parts four and five, and covering the period of the 18th-century Empress. Glossaries provide full names and biographical sketches, and meanings of the translated terms. Paper edition (unseen), $22.95. Annotation copyrighted by Book News, Inc., Portland, OR

Empress Catherine II brought Europe to Russia, and Russia to Europe, during her long and eventful reign (1762—96). She fostered the culture of the Enlightenment and greatly expanded the immense empire created by Czar Ivan the Terrible, shifting the balance of power in Europe eastward. Famous for her will to power and for her dozen lovers, Catherine was also a prolific and gifted writer. Fluent in French, Russian, and German, Catherine published political theory, journalism, comedies, operas, and history, while writing thousands of letters as she corresponded with Voltaire and other public figures. The Memoirs of Catherine the Great provides an unparalleled window into eighteenth-century Russia and the mind of an absolute ruler. With insight, humor, and candor, Catherine presents her eyewitness account of history, from her whirlwind entry into the Russian court in 1744 at age fourteen as the intended bride of Empress Elizabeth I’s nephew, the eccentric drunkard and future Peter III, to her unhappy marriage; from her two children, several miscarriages, and her and Peter’s numerous affairs to the political maneuvering that enabled Catherine to seize the throne from him in 1762. Catherine’s eye for telling details makes for compelling reading as she describes the dramatic fall and rise of her political fortunes. This definitive new translation from the French is scrupulously faithful to her words and is the first for which translators have consulted original manuscripts written in Catherine’s own hand. It is an indispensable work for anyone interested in Catherine the Great, Russian history, or the eighteenth century.

Since glasnost began, Russia's most eminent historians have taken advantage of new archival access and the end of censorship and conformity to reassess and reinterpret their history. Through this process they are linking up with Russia's great historiographic tradition while producing work that is fresh and modern. In "The Emperors and Empresses of Russia", renowned Russian historians tell the story of the Romanovs as complex individual personalities and as key institutional actors in Russian history, from the empire builder Peter I to the last tsar, Nicholas II. These portraits are contributions to the writing of history, partaking neither of wooden ideologisation nor of naive romanticisation.

Russia's long-standing claims to Crimea date back to the eighteenth-century reign of Catherine II. Historian Kelly O'Neill has written the first archive-based, multi-dimensional study of the initial "quiet conquest" of a region that has once again moved to the forefront of international affairs. O'Neill traces the impact of Russian rule on the diverse population of the former khanate, which included Muslim, Christian, and Jewish residents. She discusses the arduous process of establishing the empire's social, administrative, and cultural institutions in a region that had been governed according to a dramatically different logic for centuries. With careful attention to how officials and subjects thought about the spaces they inhabited, O'Neill's work reveals the lasting influence of Crimea and its people on the Russian imperial system, and sheds new light on the precarious contemporary relationship between Russia and the famous Black Sea peninsula.

A leading international authority discusses all aspects of Russian history, from the struggle by the state to control society to the transformation of the nation into a multi-ethnic empire, Russia's relations with the West and the post-Soviet era. Original.

Perfect for readers of Hilary Mantel, Alison Weir, and Philippa Gregory, Empress of the Night is Eva Stachniak’s engrossing new novel, told in the voice of Catherine the Great as the Romanov monarch reflects on her ascension to the throne, her rule over the world’s greatest power, and the sacrifices that made her the most feared and commanding woman of her time. A critically acclaimed historical drama and instant #1 international bestseller, The Winter Palace brilliantly reimagined the rise of Catherine the Great through the watchful eyes of her clever servant Varvara. Now, in Eva Stachniak’s enthralling new novel, Catherine takes center stage as she relives her astonishing ascension to the throne, her rule over an empire, and the sacrifices that made her the most feared and commanding woman of her time. As the book opens, the charismatic monarch is in her final hours. From the fevered depths of her mind, Catherine recalls the fateful trajectory of her turbulent life: her precarious apprenticeship as Russia’s Grand Duchess, the usurpers who seek to deprive her of a crown, the friends who beg more of her than she was willing to give, and her struggle to know whom to trust and whom to deceive to ensure her survival. “We quarrel about power, not about love,” Catherine would write to the great love of her life, Grigory Potemkin, but her days were balanced on the razor’s edge of choosing her head over her heart. Power, she learns, is about resolve, strategy, and direction; love must sometimes be secondary as she marshals all her strengths to steer her volatile country into a new century and beyond—to grow the Romanov empire, to amass a vast fortune, and to control a scheming court in order to become one of history’s greatest rulers. Gorgeously written with vivid detail and lyrical prose, Empress of the Night is an intensely intimate novel of a woman in charge of her fortunes, who must navigate the sorrows, triumphs, and hopes of both her soul and a nation. Praise for Empress of the Night “[Eva] Stachniak’s absorbing novel opens readers’ hearts to an extraordinary and misunderstood woman. . . . Wonderfully, lyrically written, Stachniak’s story vibrates with passion, drama and intrigue. This is a feast for fans.”—RT Book Reviews “Stachniak’s insight into the opulent lives of Russia’s rulers continues in this reflective second novel. . . . Historical fiction fans will appreciate this personal account of a formidable and, indeed, infamous ruler.”—Library Journal “The book takes on a dreamlike quality. . . . Ambitious . . . moving . . . structurally complex and psychologically intense . . . vivid descriptions.”—Quill & Quire “Stachniak brings to life one of the most fascinating—and controversial—female rulers of all time.”—DuJour “Empress of the Night casts light on Catherine’s life with unflinching honesty and intimacy. This fun novel of lovers, intrigue, and malicious and manipulative nobility keeps readers enthralled with every page.”—Virtuoso Life

Set against the backdrop of imperial Russia, this tale of forbidden romance is the stuff of a great historical novel. It presents the account of the love between Count Nicholas Sheremetev, Russia's richest aristocrat, and Praskovia Kovalyova, his serf and the greatest opera diva of her time.