Inspired by Walden and by the nature writings of Henry David Thoreau, John Burroughs, and John Muir, and influenced by the poetry of William Wordsworth, William Cullen Bryant, and other Romantic poets, Bernard Charles Barnick sought to write about nature with feeling and with imagination. In a book designed to make one feel at home in nature, Mr. Barnick shares many of his own observations of birds and other wildlife dating back to his childhood, proceeding through his numerous outdoor excursions in the Wyoming Valley of Northeastern Pennsylvania, and including many of his travels throughout the state. He has combined his love of birds with a love of nature, astronomy, literature, and history to form a uniquely poetic or Romantic view of "Penn's Woods"—a state that is rich both in natural history and in human history.

Two powerfully contradictory images dominate historical memory when we think of Native Americans and colonists in early Pennsylvania. To one side is William Penn&’s legendary treaty with the Lenape at Shackamaxon in 1682, enshrined in Edward Hicks&’s allegories of the &"Peaceable Kingdom.&" To the other is the Paxton Boys&’ cold-blooded slaughter of twenty Conestoga men, women, and children in 1763. How relations between Pennsylvanians and their Native neighbors deteriorated, in only 80 years, from the idealism of Shackamaxon to the bloodthirstiness of Conestoga is the central theme of Friends and Enemies in Penn&’s Woods. William Pencak and Daniel Richter have assembled some of the most talented young historians working in the field today. Their approaches and subject matter vary greatly, but all concentrate less on the mundane details of how Euro- and Indian Pennsylvanians negotiated and fought than on how people constructed and reconstructed their cultures in dialogue with others. Taken together, the essays trace the collapse of whatever potential may have existed for a Pennsylvania shared by Indians and Europeans. What remained was a racialized definition that left no room for Native people, except in reassuring memories of the justice of the Founder. Pennsylvania came to be a landscape utterly dominated by Euro-Americans, who managed to turn the region&’s history not only into a story solely about themselves but a morality tale about their best (William Penn) and worst (Paxton Boys) sides. The construction of Pennsylvania on Native ground was also the construction of a racial order for the new nation. Friends and Enemies in Penn&’s Woods will find a broad audience among scholars of early American history, Native American history, and race relations.

For centuries, the Arthurian legends have fascinated and inspired countless writers, artists, and readers, many of whom first became acquainted with the story as youngsters. From the numerous retellings of Malory and versions of Tennyson for young people to the host of illustrated volumes to which the Arthurian Revival gave rise. From the Arthurian youth groups for boys (and eventually for girls) run by schools and churches to the school operas, theater pieces, and other entertainment for younger audiences; and from the Arthurian juvenile fiction sequences and series to the films and television shows featuring Arthurian characters, children have learned about the world of King Arthur and his Knights of the Round Table.

Northeast Pennsylvania's Wyoming Valley was truly a dark and bloody ground, the site of murders, massacres, and pitched battles. The valley's turbulent history was the product of a bitter contest over property and power known as the Wyoming controversy. This dispute, which raged between the mid-eighteenth and early-nineteenth centuries, intersected with conflicts between whites and native peoples over land, a jurisdictional contest between Pennsylvania and Connecticut, violent contention over property among settlers and land speculators, and the social tumult of the American Revolution. In its later stages, the controversy pitted Pennsylvania and its settlers and speculators against "Wild Yankees"—frontier insurgents from New England who contested the state's authority and soil rights. In Wild Yankees, Paul B. Moyer argues that a struggle for personal independence waged by thousands of ordinary settlers lay at the root of conflict in northeast Pennsylvania and across the revolutionary-era frontier. The concept and pursuit of independence was not limited to actual war or high politics; it also resonated with ordinary people, such as the Wild Yankees, who pursued their own struggles for autonomy. This battle for independence drew settlers into contention with native peoples, wealthy speculators, governments, and each other over land, the shape of America's postindependence social order, and the meaning of the Revolution. With vivid descriptions of the various levels of this conflict, Moyer shows that the Wyoming controversy illuminates settlement, the daily lives of settlers, and agrarian unrest along the early American frontier.