Previously published: London: J. Murray, 1890.

The Expression of the Emotions in Man and Animals by Charles Darwin: The Expression of the Emotions in Man and Animals is a scientific work by Charles Darwin that examines the expression of emotions in humans and animals. Published in 1872, the book explores the evolutionary origins and universality of facial expressions, providing insights into the communication of emotions across species and shedding light on the nature of human emotions. Key Aspects of the Book "The Expression of the Emotions in Man and Animals": Evolutionary Perspective: The book applies an evolutionary framework to the study of emotions, considering their adaptive value and tracing their origins across different species. Facial Expressions: Darwin's detailed analysis of facial expressions and their connection to specific emotions offers valuable insights into the universality and nonverbal communication of emotions. Psychology and Ethology: The Expression of the Emotions in Man and Animals bridges the fields of psychology and ethology, contributing to our understanding of emotions and their expression in both humans and animals. Charles Darwin (1809-1882) was an English naturalist, geologist, and biologist, best known for his theory of evolution and his book On the Origin of Species. The Expression of the Emotions in Man and Animals represents Darwin's exploration of the intersection between biology, psychology, and animal behavior, highlighting his multidisciplinary approach to scientific inquiry.

This volume provides the reader with clear, lively and balanced introductions to the most recent scholarship on Darwin and his intellectual legacies.

Definitive, concise, and very interesting... From William Shakespeare to Winston Churchill, the Very Interesting People series provides authoritative bite-sized biographies of Britain's most fascinating historical figures - people whose influence and importance have stood the test of time. Each book in the series is based upon the biographical entry from the world-famous Oxford Dictionary of National Biography.

The tracer's goals are to identify the source of a quotation, to find or to produce detailed citation based on a reliable edition of the work, to find an authoritative text of the passage being traced, and to do all this in the shortest time possible and with the least possible amount of effort.

Today there is a thriving 'emotions industry' to which philosophers, psychologists and neuroscientists are contributing. Yet until two centuries ago 'the emotions' did not exist. In this path-breaking study Thomas Dixon shows how, during the nineteenth century, the emotions came into being as a distinct psychological category, replacing existing categories such as appetites, passions, sentiments and affections. By examining medieval and eighteenth-century theological psychologies and placing Charles Darwin and William James within a broader and more complex nineteenth-century setting, Thomas Dixon argues that this domination by one single descriptive category is not healthy. Overinclusivity of 'the emotions' hampers attempts to argue with any subtlety about the enormous range of mental states and stances of which humans are capable. This book is an important contribution to the debate about emotion and rationality which has preoccupied western thinkers throughout the eighteenth and nineteenth centuries and has implications for contemporary debates.

"John Hughlings Jackson (1835-1911) was a preeminent British neurologist in the nineteenth and early twentieth centuries. He began to establish that standing in the 1860s, when he incorporated the evolutionary association psychology of Herbert Spencer into his early analyses of 'loss of speech' (aphasia). Jackson also benefitted from his early connection with the National Hospital, Queen Square, London, becoming its leading theorist. His nuanced theory of cerebral localization was derived from (1) his clinical observations of (what Charcot later called) Jacksonian epilepsy, in combination with (2) his innovation to think about neurophysiological events at the cellular level, as well as from (3) David Ferrier's primate localization data. The result was our modern conception of the seizure focus. The latter was crucial to the beginnings of modern 'brain surgery,' especially at the hands of Victor Horsley. Jackson's influence on the neurophysiology of Charles Sherrington is widely acknowledged but not well defined. In the larger Victorian culture, Jackson was a friend of George Henry Lewes, who was George Eliot's companion. Lewes attributed 'sensibility' to everything in the nervous system, thus maintaining a monist position on the mind-body relation, whereas Jackson maintained a form of psycho-physical parallelism that was actually dualist ('Concomitance'). Throughout his life Jackson had an interest in insanity, which he viewed from the point of view of Spencerian evolution and dissolution. The latter was an important component of Freud's psychoanalysis, which Freud took from Jackson. Late in his life Jackson defined the 'uncinate group of fits,' which was his definition of temporal lobe epilepsy"--

In Darwin's Fishes, Daniel Pauly presents an encyclopaedia of ichthyology, ecology and evolution, based upon everything that Charles Darwin ever wrote about fish. Entries are arranged alphabetically and can be about, for example, a particular fish taxon, an anatomical part, a chemical substance, a scientist, a place, or an evolutionary or ecological concept. The reader can start wherever they like and are then led by a series of cross-references on a fascinating voyage of interconnected entries, each indirectly or directly connected with original writings from Darwin himself. Along the way, the reader is offered interpretation of the historical material put in the context of both Darwin's time and that of contemporary biology and ecology. This book is intended for anyone interested in fishes, the work of Charles Darwin, evolutionary biology and ecology, and natural history in general.

Darwin's Camera tells the extraordinary story of how Charles Darwin changed the way pictures are seen and made. In his illustrated masterpiece, Expression of the Emotions in Man and Animals (1871), Darwin introduced the idea of using photographs to illustrate a scientific theory--his was the first photographically illustrated science book ever published. Using photographs to depict fleeting expressions of emotion--laughter, crying, anger, and so on--as they flit across a person's face, he managed to produce dramatic images at a time when photography was famously slow and awkward. The book describes how Darwin struggled to get the pictures he needed, scouring the galleries, bookshops, and photographic studios of London, looking for pictures to satisfy his demand for expressive imagery. He finally settled on one the giants of photographic history, the eccentric art photographer Oscar Rejlander, to make his pictures. It was a peculiar choice. Darwin was known for his meticulous science, while Rejlander was notorious for altering and manipulating photographs. Their remarkable collaboration is one of the astonishing revelations in Darwin's Camera. Darwin never studied art formally, but he was always interested in art and often drew on art knowledge as his work unfolded. He mingled with the artists on the voyage of HMS Beagle, he visited art museums to examine figures and animals in paintings, associated with artists, and read art history books. He befriended the celebrated animal painters Joseph Wolf and Briton Riviere, and accepted the Pre-Raphaelite sculptor Thomas Woolner as a trusted guide. He corresponded with legendary photographers Lewis Carroll, Julia Margaret Cameron, and G.-B. Duchenne de Boulogne, as well as many lesser lights. Darwin's Camera provides the first examination ever of these relationships and their effect on Darwin's work, and how Darwin, in turn, shaped the history of art.