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In 'Turner's Golden Visions' by C. Lewis Hind, readers are treated to a comprehensive examination of J.M.W. Turner's exceptional works of art. With eloquent prose and detailed analysis, Hind delves into the mystical and poetic qualities of Turner's landscapes and seascapes, exploring the artist's use of light, color, and composition. The book provides a valuable insight into Turner's influence on the Romantic movement in art, as well as his innovative techniques that paved the way for modernist painting. Hind's writing style is both informative and engaging, making this book a must-read for art enthusiasts and scholars alike. Drawing on his extensive knowledge of art history, Hind offers a nuanced understanding of Turner's masterpieces, allowing readers to fully appreciate the artist's genius and lasting impact on the art world. 'Turner's Golden Visions' showcases Hind's passion for art and his deep admiration for Turner's visionary approach to painting, making it a compelling read for anyone interested in the intersection of art and literature.

This book examines the links between the unprecedented visual inventiveness of the Romantic period in Britain and eighteenth-century theories of the sublime. Edmund Burke’s Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757), in particular, is shown to have directly or indirectly challenged visual artists to explore not just new themes, but also new compositional strategies and visual media such as panoramas and book illustrations, by arguing that the sublime was beyond the reach of painting. More significantly, it began to call into question mimetic representational models, causing artists to reflect about the presentation of the unpresentable and drawing attention to the process of artistic production itself, rather than the finished artwork.