An eclectic and fascinating collection of horror stories, including tales of hauntings, devil worship, witchcraft and ancient evil. Featuring such classic authors as J. Sheridan le Fanu, Bram Stoker, Charles Dickens, Evelyn Nesbit and many more.

Ann Radcliffe was an early pioneer of the Gothic novel, and 'The Haunted Chamber' is one of her best-known tales. A chilling and subtle ghost story, it is an excellent example of Radcliffe's genre-defining style. Many of the earliest ghost stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Few believed Professor Coldwell could communicate with spirits. But in Scotland's oldest university town something has passed from darkness into light. Now, the young are being haunted by night terrors and those who are visited disappear. This is certainly not a place for outsiders, especially at night. So what chance do a rootless musician and burned-out explorer have of surviving their entanglement with an ageless supernatural evil and the ruthless cult that worships it? A chilling occult thriller from award-winning author Adam Nevill, Banquet for the Damned is both a homage to the great age of British ghost stories and a pacey modern tale of Devil worship and witchcraft.

The masters of speculative fiction share how-to instruction on writing stories about the weird, the fantastic, the unknown and the imagined, in 27 succinct chapters.

The essential handbook integrating fear and horror into D&D play, this guide provides everything Dungeon Masters need to run a horror-oriented campaign or integrate elements of creepiness and tension into their existing campaigns.

For the first time ever, in a single volume, a comprehensive guide to horror and the supernatural in all the arts ... More than 50 essays and 600 entries covering authors, composers, visual artists, directors, actors, and movies that are connected in some way to horror tales or the supernatural. Also defines terms used with the supernatural.

When, in 1940, Saul Prior receives a letter from Lady Caroline Degabaston to catalogue the library of Thool Abbey in Hertfordshire, he jumps at the chance. But he soon finds himself in a realm that seems cut off from the real world. In the cryptic fastnesses of the abbey, Prior is beset by bizarre dreams and seems incapable of leaving the place. Lady Caroline proves to be a baleful and mysterious presence, and Prior is mired in a landscape that mingles Gothic terror and surrealism. The actual books that Prior is tasked with cataloguing are themselves a farrago of occultism, psychological aberration, and cosmic horror. And when other presences manifest themselves in and around the castle, Prior knows that he has stumbled into an adventure that is unlikely to end short of death or madness. Mark Samuels has knitted together many of the themes that appear in his previous work into a grand synthesis of dread and awe. Impeccably written, with careful attention to historical detail and the portrayal of the strange characters he puts on stage, Witch-Cult Abbey is a triumph of supernatural terror.

SO SPAKE THE MAGISTRATE, “EVANORE WRAXALL, WHO SO OF THINE OWN FREE WILL HAST EMBRACED SATAN AND HIS IMPS, AND HATH WITH GLEE FORNICATED WITH DIVELLS IN NO HUMANE SHAPE...” Welcome to Haver-Towne. The sedate colonial resort is the perfect place where Stew Fanshawe can get away from it all for a while. But instead finding tranquility and self-reflection, Stew finds something much more unique: a town that was once steeped in a quagmire of witchcraft, satanic debauchery, and centuries-old occult science. Indeed, Haver-Towne has a most colorful history: “...AND DIDST ON MANY A TYME PERPETRATE DEVILTRY, BLACK MAGICK, INFERNALL PROPHESIE, AND MURTHER MOST UNHOLY...” A warlock who sires children with his own daughter, children to be used for something far worse than sacrifice. A witch whose carnal abandon and sheer diabolism stagger even the most demented imaginations. And a 300-year-old mansion in whose walls are embalmed the infernal secret of...Witch-Water. “...AND HATH DIS-ENTRENCHED YE DEAD FROM THEIR GRAVES AND WATCH’D MAIDENS BE RAPED AND HATH SLAUGHTER’D BABES IN THEIR CRIBS, AND REVELLED IN CRIMES UNSPEAKABLE UNTO SCRIPTURE...” “What the hell is witch-water?” Fanshawe asks himself that first day he’d heard the macabre word, but when he finds out, he’ll wish he never had. His curiosity unlocks one morbid secret after another, and reveals a history of erotopathic witches, depraved covens, sick-in-the-head sexuality, and the most grotesque method of execution ever devised. “...I HEREBY CONDEMN THEE. AND MAY THY DEATH BE AS ABOMINABLE AS THINE HEART.” Join Edward Lee in his over-the-top modern-day tribute to classic horror scribe M.R. James, a novel of immemorial curses, demonic lust, and absolutely unmitigated evil.

What do medieval Icelanders mean when they say "troll"? What did they see when they saw a troll? What did the troll signify to them? And why did they see them? The principal subject of this book is the Norse idea of the troll, which the author uses to engage with the larger topic of paranormal experiences in the medieval North. The texts under study are from 13th-, 14th-, and 15th-century Iceland. The focus of the book is on the ways in which paranormal experiences are related and defined in these texts and how those definitions have framed and continue to frame scholarly interpretations of the paranormal. The book is partitioned into numerous brief chapters, each with its own theme. In each case the author is not least concerned with how the paranormal functions within medieval society and in the minds of the individuals who encounter and experience it and go on to narrate these experiences through intermediaries. The author connects the paranormal encounter closely with fears and these fears are intertwined with various aspects of the human experience including gender, family ties, and death. The Troll Inside You hovers over the boundaries of scholarship and literature. Its aim is to prick and provoke but above all to challenge its audience to reconsider some of their preconceived ideas about the medieval past.

This fascinating volume delves into the history of witchcraft and demonology. Witchcraft and Black Magic gives an extensive history of what Montague Summers deems to be Satanic practises. First published in 1946, this handbook gathers vivid detail from a wealth of sources and references that enhance its overview of black magic. Montague Summers’ research explores numerous court records, personal accounts, and classic works of literature, as well as taking evidence from the Bible. A devout Catholic, Summers writes about witchcraft in great detail, examining historic events, such as the Salem witch trials, with a close eye. The chapters in this chilling volume include: - What is Witchcraft? How Does One Become a Witch? - The Familiar, in Human Shape and Animal - Witchcraft at Cambridge and Oxford - The Origins of Witchcraft - The Library of Witches - The Magus (1801) of Francis Barrett - Sympathetic Magic Complete with an introduction to the folklore and history of witchcraft, Read & Co. Books has republished this classic guide to black magic in a brand new edition. A must-read for conspiracy theorists and those with an interest in the historical background of witchcraft.