This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

The second of eight books of the correspondence of George Santayana.

In these powerful and stylishly written essays, Maria Manuel Lisboa dissects the work of Paula Rego, the Portuguese-born artist considered one of the greatest artists of modern times. Focusing primarily on Rego's work since the 1980s, Lisboa explores the complex relationships between violence and nurturing, power and impotence, politics and the family that run through Rego's art. Taking a historicist approach to the evolution of the artist's work, Lisboa embeds the works within Rego's personal history as well as Portugal's (and indeed other nations') stories, and reveals the interrelationship between political significance and the raw emotion that lies at the heart of Rego's uncompromising iconographic style. Fundamental to Lisboa's analysis is an understanding that apparent opposites - male and female, sacred and profane, aggression and submissiveness - often co-exist in Rego's work in a way that is both disturbing and destabilising. This collection of essays brings together both unpublished and previously published work to make a significant contribution to scholarship about Paula Rego. It will also be of interest to scholars and students of contemporary painting, Portuguese and British feminist art, and the political and ideological aspects of the visual arts.

Crime and the fear of crime are issues high in public concern and on political agendas in most developed countries. This book takes these issues and relates them to the contribution that urban planners and participative planning processes can make in response to these problems. Its focus is thus on the extent to which crime opportunities can be prevented or reduced through the design, planning and management of the built environment. The perspective of the book is transatlantic and comparative, not only because ideas and inspiration in this and many other fields increasingly move between countries but also because there is a great deal of relevant theoretical material and practice in both the USA and the UK which has not previously been pulled together in this systemic manner.

Acknowledgments -- Introduction -- The universal West: Europe beyond its Christian and white race identity (1840-1882) -- The great rupture: Ottoman imagination of a European model -- Ottoman westernism and the European international society -- A non-Christian Europe? -- The West in early Japanese reformist thought -- The modern genesis of pan-Islamic and pan-Asian ideas -- Conclusion -- The two faces of the West: imperialism versus enlightenment (1882-1905) -- The Muslim world as an inferior Semitic race: Ernest Renan and his Muslim critics -- Yellow versus white peril? pan-Asian critiques and conceptions of world order -- Crescent versus cross? pan-Islamic reflections on the "clash of civilizations" thesis -- Conclusion -- The global moment of the Russo-Japanese war: the awakening of the East/equality with the West (1905-1912) -- An alternative to the West? Asian observations on the Japanese model -- Defining an anti-Western internationalism: pan-Islamic and pan-Asian visions of solidarity -- Japanese pan-Asianism after the Russo-Japanese war -- Conclusion -- The impact of WWI on pan-Islamic and pan-Asianist visions of world order -- Pan-Islamism and the Ottoman state -- The realist pan-Islamism of Celal Nuri and İsmail Naci Pelister -- Pan-Islamic mobilization during WWI -- The transformation of pan-Asianism during WWI: Ôkawa Shûmei, Indian nationalists, and Asiaphile European romantics -- Asia as a site of national liberation -- Asia as the hope of humanity -- Conclusion -- The triumph of nationalism? the ebbing of pan-Islamic and pan-Asian visions of world order during the 1920s -- The Wilsonian moment and pan-Islamism -- The Wilsonian moment and pan-Asianism -- Pan-Islamic and pan-Asianist perceptions of socialist internationalism -- "Clash of civilizations" in the age of nationalism -- The weakness of pan-Islamic and pan-Asianist political projects during the 1920s -- Conclusion -- The revival of a pan-Asianist vision of world order in Japan (1931-1945) -- Explaining Japan's official "return to Asia"--Withdrawal from the League of Nations as a turning point -- Asianist journals and organizations -- Asianist ideology of the 1930s -- Wartime Asian internationalism and its postwar legacy -- Conclusion -- Conclusion -- Notes -- Bibliography -- Index.

The construction of history as a social common denominator is a powerful achievement of the nineteenth-century novel, a form dedicated to experimenting with democratic social practice as it conflicts with economic and feudal visions of social order. Through revisionary readings of familiar nineteenth-century texts The English Novel in History 1840-1895 takes a multidisciplinary approach to literary history. It highlights how narrative shifts from one construction of time to another and reformulates fundamental ideas of identity, nature and society. Elizabeth Ermarth discusses the range of novels alongside other cultural material, including painting, science, religious, political and economic theory. She explores the problems of how a society, as defined in democratic terms, can accommodate political, gender and class differences without resorting to hierarchy; and how narrowly conceived economic agendas compete with social cohesion. Students, advanced undergraduates, postgraduates and specialists will find this text invaluable.