A Companion to Ramon Llull and Lullism offers a comprehensive survey of the work of the Majorcan lay theologian and philosopher Ramon Llull (1232-1316) and of its influence in late medieval, Renaissance, and early modern Europe, as well as in the Spanish colonies of the New World. Llull’s unique system of philosophy and theology, the “Great Universal Art,” was widely studied and admired from the fifteenth through the eighteenth centuries. His evangelizing ideals and methods inspired centuries of Christian missionaries. His many writings in Catalan, his native vernacular, remain major monuments in the literary history of Catalonia. Contributors are: Roberta Albrecht, José Aragüés Aldaz, Linda Báez Rubí, Josep Batalla, Pamela Beattie, Henry Berlin, John Dagenais, Mary Franklin-Brown, Alexander Ibarz, Annemarie C. Mayer, Rafael Ramis Barceló, Josep E. Rubio, and Gregory B. Stone.

A survey of the work of the Majorcan lay theologian and philosopher Ramon Llull (1232-1316), along with examples of its wide influence in late medieval, Renaissance, and early modern Europe and in colonial Spanish America.

John of Ruusbroec (1293-1381) is one of the most important mystical authors in the Christian tradition. This Companion provides a comprehensive overview of Ruusbroec studies, including a survey of the mystical tradition in the Low Countries before Ruusbroec, a discussion of his life and works, the manuscript tradition, the most significant mystical-theological and literary themes, Latin translations of his work, and the widespread resonance of his thought across Europe until 1800. Finally, it offers a summary of secondary research since the nineteenth century. To complement the range of scholarly articles, this Companion also includes the first English translation of a series of Middle Dutch texts that offer deeper insight into Ruusbroec, his thought, and his mystical and literary context. Contributors include: Jos Andriessen, John Arblaster, Guido De Baere, Rob Faesen, Bernard McGinn, Hilde Noë, Kees Schepers, Loet Swart, Rik Van Nieuwenhove, and Lieve Uyttenhove.

This book attempts to explain the functioning of the combinatorial, semi-mechanical demonstrative techniques of Ramon Llull's 'Art', how it began as an apologetic instrument, how it developed through two main stages, and how it ended trying to reformulate key aspects of medieval Aristotelian logic.

Winner of The Polish Institute of Arts and Sciences of America's 2018 Oskar Halecki Award and Winner of the Early Slavic Studies Association 2016 Book Prize The first fully developed history of the University of Cracow in this period in over a century, “A Pearl of Powerful Learning.” The University of Cracow in the Fifteenth Century places the school in the context of late medieval universities, traces the process of its foundation, analyzes its institutional growth, its setting in the Polish royal capital, its role in national life, and provides a social and geographical profile of students and faculty. The book includes extended treatment of the content of intellectual life and accomplishments of the school with reference to the works of its most important scholars in the medieval arts curriculum, medicine, law, and theology. The emergence of early Renaissance humanist interests at the university is also discussed. Winner of the Early Slavic Studies Association 2016 Book Prize for most outstanding recent scholarly monograph on pre-modern Slavdom. The work was described by the prize committee as: "A thoughtful, highly-informed, and nuanced history of the University of Cracow, an important institution in a pivotal period of Poland’s history. Knoll's treatment of such important issues as the role of the University in national life and the controversial and highly technical matter of the impact of Humanism are dealt with tactfully and thoughtfully. The book will become the definitive work on this topic, and will ensure that the material will rapidly be absorbed into general histories of education and of universities in the Renaissance." Winner of The Polish Institute of Arts and Sciences of America's 2018 Oskar Halecki Award. This award recognizes a book of particular value and significance dealing with the Polish experience and is named after the distinguished 20th century Polish medieval historian, Oskar Halecki, who was one of the founders of PIASA. Professor Knoll will be recognized for this award during the 77th Annual Meeting of PIASA in Gdansk, Poland in June 2019.

Giordano Bruno (/dʒɔːrˈdɑːnoʊ ˈbruːnoʊ/; Italian: [dʒorˈdaːno ˈbruːno]; Latin: Iordanus Brunus Nolanus; born Filippo Bruno, January or February 1548 - 17 February 1600) was an Italian philosopher, poet, cosmological theorist and esotericist. He is known for his cosmological theories, which conceptually extended to include the then-novel Copernican model. He proposed that the stars were distant suns surrounded by their own planets (exoplanets), and he raised the possibility that these planets might foster life of their own, a cosmological position known as cosmic pluralism. He also insisted that the universe is infinite and could have no center.

"Published on the occasion of the exhibition Salvador Dali: the late work, High Museum of Art, Atlanta, Georgia August 7, 2010-January 9, 2011"--Colophon.

This book presents a comprehensive critical survey of all the logical doctrines of the well-known, but little understood, Catalan philosopher and theologian, Ramon Llull (1232-1316). The first book-length treatment in English of Llull's philosophy to appear in over fifty years, the book defines his contribution to later scholastic culture and to explain exactly how his methods and procedures worked.

The aim of this book is to analyze the problem of the intensity of forms in the late Middle Ages and to show how this debate eventually gave rise to a new metaphysical project in the 14th century: the project of quantifying the different types of perfections existing in the universe – that is the project of “measuring being”. Cet ouvrage se propose d’analyser l’histoire du débat relatif à l’intensité des formes au Moyen Âge, et de retracer la manière dont il conduisit au XIVe siècle à l’émergence d’un projet métaphysique nouveau : celui de quantifier les perfections contenues dans l’univers et, ainsi, de “mesurer l’être”.