Thor Ramsey (known as the Jon Stewart of the theological world) defends the essentials of the Christian faith in this volume of comedy for the thinking person. Armed with only a laptop and a rapier wit, he defends the inspiration of the Bible ("all Scripture is inspired by God"--in other words, when you tell someone off, quote the Bible), the doctrine of total depravity (calling someone out for their sins is a tricky business, especially if you don't know how to operate a bullhorn), and the supremacy of Christ (or why Thor's God is bigger than your god), along with a host of other essential doctrines of the Christian faith. Packed with funny stories and hard-hitting truths, this comprehensive collection of biblical insights and personal anecdotes will surprise readers, destroy their misconceptions, and leave them wanting more. For readers looking alternatives to the conversation of traditional faith, or those who have a taste for fearless (and hilarious) honesty, A Comedian's Guide to Theology will permanently change how we all look at Christianity--or at least offer a good-hearted shove out of the box (or back in the box, if that's where you need to be).

Thor Ramsey (hereafter known as the Jon Stewart of the theological world) defends the essentials of the Christian faith in this volume of comedy for the thinking person. Armed with only a laptop and a rapier wit, he defends the inspiration of the Bible ("all Scripture is inspired by God"—in other words, when you tell someone off, quote the Bible), the doctrine of total depravity (calling someone out for their sins is a tricky business, especially if you don't know how to operate a bullhorn), and the supremacy of Christ (or why Thor's God is bigger than your god), along with a host of other essential doctrines of the Christian faith. Packed with funny stories and hard-hitting truths, this comprehensive collection of biblical insights and personal anecdotes will surprise readers, destroy their misconceptions and leave them wanting more. For readers looking alternatives to the conversation of traditional faith, or those who have a taste for fearless (and hilarious) honesty, A Comedian's Guide to Theology will permanently change how we all look at Christianity—or at least offer a good-hearted shove out of the box (or back in the box, if that's where you need to be). "What a supreme pleasure to read a book that I find powerfully honest, theologically kapow dead-on, and incredibly and ACTUALLY funny funny funny funny! This book is so brilliantly funny and dead-on that if I weren't a very mature Christian I might be jealous." —Eric Metaxas, New York Times best-selling author of Amazing Grace: William Wilberforce and the Heroic Campaign to End Slavery, and former editor of The Yale Record.

This book traces the development of religious comedy and leverages that history to justify today’s uses of religious humor in all of its manifestations, including irreverent jokes. It argues that regulating humor is futile and counterproductive, illustrating this point with a host of comedic examples. Humor is a powerful rhetorical tool for those who advocate and for those who satirize religious ideals. The book presents a compelling argument about the centrality of humor to the story of Western Christianity’s cultural and artistic development since the Middle Ages, taking a multi-disciplinary approach that combines literary criticism, religious studies, philosophy, theology, and social science. After laying out the conceptual framework in Part 1, Part 2 analyzes key works of religious comedy across the ages from Dante to the present, and it samples the breadth of contemporary religious humor from Brad Stine to Robin Williams, and from Monty Python to South Park. Using critical, historical, and conceptual lenses, the book exposes and overturns past attempts by church authorities, scholars, and commentators to limit and control laughter based on religious, ideological, or moral criteria. This is a unique look into the role of humor and comedy around religion. It will, therefore, appeal to readers interested in multiple fields of inquiry, including religious studies, humor studies, the history of ideas, and comparative literature.

Jokes often touch on the biggest topics of our existence, but many Christians haven't taken humor seriously. This insightful yet delightful crash course from philosopher Steve Wilkens argues that viewing Scripture and theology through the lens of humor helps us understand the gospel and avoid the pitfalls of both naturalism and gnosticism, while facilitating a humble, honest, and appealing approach to faith.

CHOICE2000 Outstanding Academic Title Comedy, tragedy, and religion have been intertwined since ancient Greece, where comedy and tragedy arose as religious rituals. This groundbreaking book analyzes the worldviews of tragedy and comedy, and compares each with the world's major religions. Morreall contrasts the tragic and comic along twenty psychological and social dimensions and uses these to analyze both Eastern and Western traditions. Although no religion embodies a purely tragic or comic vision of life, some are mostly tragic and others mostly comic. In Eastern religions, Morreall finds no robust tragic vision but does find significant comic features, especially in Taoism and Zen Buddhism. In the Western monotheistic tradition, there are some comic features in the early Bible, but by the late Hebrew Bible, the tragic vision dominates. Two millennia have done little to reverse that tragic vision in Judaism. Christianity, on the other hand, has shown both tragic and comic features—Morreall writes of the Calvinist vision and the Franciscan vision—but in the contemporary era comic features have come to dominate. The author also explores Islam, and finds it has neither a comic nor a tragic vision. And, among new religions, those which emphasize the personal self come close to having an exclusively comic vision of life.

What's the Big Idea? is a smart aleck's commentary on the intersection between faith and science told through the lens of the author's own personal journey of belief. It uses both humor and heart to lay out overwhelming evidence for the existence of an Intelligent Designer. This book is aimed at our current short attention span society that is fluent in both cynicism and sarcasm. People who appreciate The Onion and The Babylon Bee will enjoy the satirical approach the author uses when he dissects both science and religion. Readers of The Case for Christ will be drawn to the well-researched information explaining why Christianity is a faith founded on reason and intellect while Christian parents of teens and millennials will appreciate a book they can share with their children that proves theirs is not a mindless faith. Throughout the book, the reader will be stunned by the awe-inspiring amount of precise fine tuning our world and universe demand as well as be amazed at how much information they've totally forgotten since high school.

How to Tell God From the Devil is the first book to depict the relationship among comedy, the Devil, and God. Drawing from Jewish and Christian theories, Eckardt describes comedy as a means to distinguish the divine from the diabolic. He presents a thorough critique of efforts throughout history to justify God in the presence of radical evil and suffering. How to Tell God From the Devil is a sequel to Eckardt's fascinating earlier study Sitting in the Earth and Laughing. Eckardt offers a theological vision of the comic, and shows its practical use in differentiating God from the Devil. The viewpoint presupposed is a special application of the incongruity theory of humor, which sees humor as an attempt to deal with inexplicable occurrences. Eckardt shows how humor can make faulty explanations tolerable for examining evil and suffering, particularly the notion that God can somehow be "excused" for the terrible evils extant in the world. Eckardt critiques dualistic views that make the Devil and God independent sovereign beings, and monistic views that try to reduce evil to non-being. Eckardt holds God to be ultimately responsible for evil, in such ways that the only final resolution of evil-if there is such-is a form of divine comedy. Eckardt employs a variety of historical, psychological, sociological, philosophical, and theological sources. He discusses and assesses such diverse figures as Martin Luther, Reinhold Niebuhr, Zen Buddhists, Conrad Hyers, Nancy A. Walker, Jon D. Levenson, and Harvey Cox. How to Tell God From The Devil is an exceptional work, and will be significant and enjoyable for sociologists, theologians, philosophers, and specialists concerned with the study of humor.

Jesus said, “The truth shall set you free,” which, by implication, must mean, “The false will imprison you.” From personal experiences in his ministry through comedy, Brad Stine has chosen eleven concepts to consider as a Christian, like: • All “true” Christians will be offended by the same things and • Sinners are worse people than I am. Are they really true, or do we just believe them to be credible—even though there’s no biblical support for them? More importantly, how does the belief in their veracity affect non-believers if we’re wrong? Brad has carefully considered these ideas, as well as lived many of them. Some of you reading this may disagree with some of his conclusions, but if this book causes you to reevaluate what your faith means to you and in what shape it can come to you, then it has done its job. Christians are different from each other in our theology, denominations, and social interactions, and you know what? That’s AS IT SHOULD BE! Christians who have taken the “If you don’t all behave exactly like me, then you’re not really a Christian” road have done the greatest disservice to furthering the Gospel! “Brad Stine is a treasure! He delivers hard-hitting truth while being insanely funny, as though George Carlin had been filled with the Holy Ghost! We need much more of his voice in our culture.” — Eric Metaxas, #1 New York Times Bestselling author of Bonhoeffer and host of the nationally-syndicated Eric Metaxas Show

Judy Carter, guru to aspiring comedy writers and stand-up comics, tells all about the biz of being funny and writing funny in this bright, entertaining, and totally practical guide on how to draw humor from your life and turn it into a career. Do you think you’re funny? Do you want to turn your sense of humor into a career? If the answer is yes, then Judy Carter’s The Comedy Bible is for you. The guru to aspiring stand-up comics provides the complete scoop on being—and writing—funny for money. If you’ve got a sense of humor, you can learn to make a career out of comedy, says Judy Carter. Whether it’s creating a killer stand-up act, writing a spec sitcom, or providing jokes for radio or one-liners for greeting cards, Carter provides step-by-step instructions in The Comedy Bible. She helps readers first determine which genre of comedy writing or performing suits them best and then directs them in developing, refining, and selling their work. Using the hands-on workbook format that was so effective in her bestselling first book, Stand-Up Comedy: The Book, Carter offers a series of day-by-day exercises that draw on her many years as a successful stand-up comic and the head of a nationally known comedy school. Also included are practical tips and advice from today’s top comedy professionals—from Bernie Brillstein to Christopher Titus to Richard Lewis. She presents the pros and cons of the various comedy fields—stand-up, script, speech and joke writing, one-person shows, humor essays—and shows how to tailor your material for each. She teaches how to find your “authentic” voice—the true source of comedy. And, perhaps most important, Carter explains how to take a finished product to the next level—making money—by pitching it to a buyer and negotiating a contract. Written in Carter’s unique, take-no-prisoners voice, The Comedy Bible is practical, inspirational, and funny.

The problem isn’t sex. God designed sex; and sex is good. Sex is a powerful union that brings men and women together. But when sex is distorted by sin, the misuse of our sexuality can alienate us from one another, causing immense harm and pain. Enter pornography—the most prevalent distortion of sexual sin in America. Pornography is not only a problem in terms of personal morality, but a social epidemic that is making the possibility of sexually-fulfilled marriages harder to achieve. It is rewiring our brains to think about sexuality in destructive ways. We have a very serious problem, and it’s not isolated to any one segment of culture. So, what now? Editors Russell Moore and Andrew T. Walker of the Ethics and Religious Liberty Commission (ERLC) assemble leading voices to frame the issue with a gospel-centered perspective. The Gospel for Life series gives every believer a biblically-saturated understanding of the most urgent issues facing our culture today, because the gospel is for all of life.