"In his introduction to A Colony of the World, Eugene McCarthy asserts that classical, historical colonialism is marked by distinctive political, military, economic, demographic and cultural characteristics. Politically and militarily, a colony is usually dependent to some degree upon the directions of its controlling country. Economically and culturally, colonial status is evident in loss of control over borders, religion and language." "Major investment in a colony is from outside, with control held by the investing powers. A colony is usually a supplier of raw materials and a purchaser of manufactured goods. Its economy and financial institutions operate within the monetary system of the mother country, controlling nations or institutions." "In A Colony of the World, Eugene McCarthy asserts that the United States is now in a colonial, or neocolonial, relationship to a combination of outside and inside forces which impose a colonial status on the country." "In 1948, Eugene McCarthy won a seat in the U.S. House of Representatives from Minnesota; from 1958 through 1970, he served two terms in the U.S. Senate. His opposition to the war in Vietnam incited him to challenge Lyndon Johnson for the Democratic presidential nomination in 1968, and he ran for president as an independent in 1976." "Since retiring from the Senate, McCarthy has taught university courses in politics, literature and history. His articles have appeared in major publications and he has written books on a variety of topics. His most recent book is Required Reading: A Decade of Political Wit and Wisdom."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

New York Times Bestseller New York Times Book Review Editors’ Choice "An essential and groundbreaking text in the effort to understand how American criminal justice went so badly awry." —Ta-Nehisi Coates, author of Between the World and Me In A Colony in a Nation, New York Times best-selling author and Emmy Award–winning news anchor Chris Hayes upends the national conversation on policing and democracy. Drawing on wide-ranging historical, social, and political analysis, as well as deeply personal experiences with law enforcement, Hayes contends that our country has fractured in two: the Colony and the Nation. In the Nation, the law is venerated. In the Colony, fear and order undermine civil rights. With great empathy, Hayes seeks to understand this systemic divide, examining its ties to racial inequality, the omnipresent threat of guns, and the dangerous and unfortunate results of choices made by fear.

Includes a couple of contemporary photos of Aborigines.

In the Oregon coastal hamlet of Deception Bay stands a mysterious lodge. Some call it the Colony; others whisper that it’s a cult. To the women who live there, it’s a refuge. But a killer knows their secrets—and will make sure they never feel safe again . . . WICKED GAME Twenty years after Becca Hudson’s friend, Jessie, vanished from St. Elizabeth’s high school, a body is unearthed on school grounds. Far from solving the mystery, the discovery unleashes a string of new, horrible accidents. Is it coincidence—or has Jessie's murderer returned to finish what was started years ago? WICKED LIES Laura Adderley didn't plan to get pregnant, though she'll do anything to protect her baby. But now a reporter is asking questions about the lodge. And while he figures out Laura's connection to the story, Laura can sense a psychopath bent on her destruction . . . SOMETHING WICKED Detective Savannah Dunbar just wants to wrap up paperwork before taking medical leave. But her department's investigation into a double homicide has suddenly become personal. There are disturbing rumors about the Colony, its matriarch, and its history. Yet Savannah knows they’re no match for the wicked truth . . . WICKED WAYS Elizabeth Gaines Ellis wants to believe she’s just an ordinary suburban wife and mother. Yet for months, she’s worried that she's the cause of a series of brutal deaths. No one takes her seriously—except the private investigator prying into her past. But others have secrets too, and a relentless urge to kill without remorse . . .

A True Book-The Thirteen Colonies Are you thrilled by true adventure stories? do you wonder how our founding fathers conquered the wilds of North America to create the United States? You'll experience it all in these books that tell the story of the brave men and women who escaped tyranny from across the ocean to forge a new world in 13 colonies that led to the birth of the United States of America.

The idea of universal rights is often understood as the product of Europe, but as Laurent Dubois demonstrates, it was profoundly shaped by the struggle over slavery and citizenship in the French Caribbean. Dubois examines this Caribbean revolution by focusing on Guadeloupe, where, in the early 1790s, insurgents on the island fought for equality and freedom and formed alliances with besieged Republicans. In 1794, slavery was abolished throughout the French Empire, ushering in a new colonial order in which all people, regardless of race, were entitled to the same rights. But French administrators on the island combined emancipation with new forms of coercion and racial exclusion, even as newly freed slaves struggled for a fuller freedom. In 1802, the experiment in emancipation was reversed and slavery was brutally reestablished, though rebels in Saint-Domingue avoided the same fate by defeating the French and creating an independent Haiti. The political culture of republicanism, Dubois argues, was transformed through this transcultural and transatlantic struggle for liberty and citizenship. The slaves-turned-citizens of the French Caribbean expanded the political possibilities of the Enlightenment by giving new and radical content to the idea of universal rights.

LONGLISTED FOR THE BOOKER PRIZE “Luminous.” —Jonathan Myerson, The Guardian “Vivid, thought-provoking.” —Malcolm Forbes, Star Tribune In 1979, as violence erupts all over Ireland, two outsiders travel to a small island off the west coast in search of their own answers, despite what it may cost the islanders. It is the summer of 1979. An English painter travels to a small island off the west coast of Ireland. Mr. Lloyd takes the last leg by currach, though boats with engines are available and he doesn’t much like the sea. He wants the authentic experience, to be changed by this place, to let its quiet and light fill him, give him room to create. He doesn’t know that a Frenchman follows close behind. Jean-Pierre Masson has visited the island for many years, studying the language of those who make it their home. He is fiercely protective of their isolation, deems it essential to exploring his theories of language preservation and identity. But the people who live on this rock—three miles long and half a mile wide—have their own views on what is being recorded, what is being taken, and what ought to be given in return. Over the summer, each of them—from great-grandmother Bean Uí Fhloinn, to widowed Mairéad, to fifteen-year-old James, who is determined to avoid the life of a fisherman—will wrestle with their values and desires. Meanwhile, all over Ireland, violence is erupting. And there is blame enough to go around. An expertly woven portrait of character and place, a stirring investigation into yearning to find one’s way, and an unflinchingly political critique of the long, seething cost of imperialism, Audrey Magee’s The Colony is a novel that transports, that celebrates beauty and connection, and that reckons with the inevitable ruptures of independence.

The surprising story of the wine industry’s role in the rise of French Algeria and the fall of empire. “We owe to wine a blessing far more precious than gold: the peopling of Algeria with Frenchmen,” stated agriculturist Pierre Berthault in the early 1930s. In the last decades of the nineteenth century, Europeans had displaced Algerians from the colony’s best agricultural land and planted grapevines. Soon enough, wine was the primary export of a region whose mostly Muslim inhabitants didn’t drink alcohol. Settlers made fortunes while drawing large numbers of Algerians into salaried work for the first time. But the success of Algerian wine resulted in friction with French producers, challenging the traditional view that imperial possessions should complement, not compete with, the metropole. By the middle of the twentieth century, amid the fight for independence, Algerians had come to see the rows of vines as an especially hated symbol of French domination. After the war, Algerians had to decide how far they would go to undo the transformations the colonists had wrought—including the world’s fourth-biggest wine industry. Owen White examines Algeria’s experiment with nationalized wine production in worker-run vineyards, the pressures that resulted in the failure of that experiment, and the eventual uprooting of most of the country’s vines. With a special focus on individual experiences of empire, from the wealthiest Europeans to the poorest laborers in the fields, The Blood of the Colony shows the central role of wine in the economic life of French Algeria and in its settler culture. White makes clear that the industry left a long-term mark on the development of the nation.