Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

In the fourth volume of 'A Collection of Old English Plays,' various exemplary plays from the early modern English period are showcased, including works from prominent playwrights such as Thomas Dekker and George Chapman. These plays provide a window into the social, political, and cultural landscape of the time, exploring themes of morality, power, and societal norms. The language and style of the plays are characteristic of the Elizabethan and Jacobean eras, offering insights into the development of English drama. The inclusion of a variety of plays ensures a comprehensive look at the theatrical practices of the period. Through detailed textual analysis, readers can gain a deeper understanding of the plays and their significance in the literary canon. The collection is compiled by various scholars and editors who specialize in early modern English literature, ensuring a comprehensive and scholarly approach to the selection and presentation of the plays. The diverse range of contributors highlights the importance of these plays in the study of English literature and theater history. Their expertise and passion for the subject matter are evident in the thorough annotations and introductions provided for each play. I highly recommend 'A Collection of Old English Plays, Volume 4' to readers interested in early modern English drama, literary history, and cultural studies. This collection offers an invaluable opportunity to engage with classic works of English literature in their original form, providing a rich and rewarding reading experience.

This book argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions.

This book explores collaboration, theatre practice, and Shakespeare's canon by analysing the evidence of manuscripts used in early modern playhouses.

An original investigation into conjuring tricks and stage magic on the medieval stage.

Shakespeare is usually set apart from his contemporaries, in kind no less than quality. This book, the long-awaited final volume in the Oxford History of English Literature, sees Elizabethan drama as drawn together by a shared need to deal with contradictory pressures from heterogeneous audiences, censorious authorities, profit driven managers, and authors looking for classic status and social esteem. Hunter follows the compromises and contradictions of the Elizabethan repertory, examining how Shakespeare and his fellow dramatists were able to move easily from vulgar realism to poetic transcendence.