They say I’m a promising witch, but my magic is a disaster... I wish I could keep my sorcery skills from running wild. Braeden and I are on a mission to take down a pack of demons, when one of my spells misfires and destroys the town’s defense against the very monsters we were sent to protect them from. That’s when the fed-up guild banishes me to the Enchanted Academy. One last chance to salvage what’s left of my career as a witch by honing my craft. The coursework is challenging, but I can’t help but be distracted by a brainy mage and a mysterious shifter. Not to mention the bad boy who’s set his sights on me, or the fact that my relationship with my best friend is heating up. But beyond the gated grounds, a power-hungry wizard is drawing near, intent on stealing magic. As the passion between me and my men grows, so do my powers. Soon my friends and I will be the enemy’s prime target, and the five of us will have to unite to defeat the rising evil. A Class of Conjuring is the captivating first book in the Enchanted Academy paranormal romance reverse harem series. Fans of Avery Song and Eva Chase will love Evie Wilde’s engaging tale.

Winner of the 2017 James M. Blaut Award from the Cultural and Political Ecology Specialty Group of the Association of American Geographers Honorable Mention for the 2016 Book Prize from the Association for Political and Legal Anthropology Since the 1960s, when Brazil first encouraged large-scale Amazonian colonization, violence and confusion have often accompanied national policies concerning land reform, corporate colonization, indigenous land rights, environmental protection, and private homesteading. Conjuring Property shows how, in a region that many perceive to be stateless, colonists - from highly capitalized ranchers to landless workers - adopt anticipatory stances while they await future governance intervention regarding land tenure. For Amazonian colonists, property is a dynamic category that becomes salient in the making: it is conjured through papers, appeals to state officials, and the manipulation of landscapes and memories of occupation. This timely study will be of interest to development studies scholars and practitioners, conservation ecologists, geographers, and anthropologists.

This book provides a sophisticated new interdisciplinary interpretation of the formulation and evolution of African American religion and culture. Theophus Smith argues for the central importance of "conjure"--a magical means of transforming reality--in black spirituality and culture. Smith shows that the Bible, the sacred text of Western civilization, has in fact functioned as a magical formulary for African Americans. Going back to slave religion, and continuing in black folk practice and literature to the present day, the Bible has provided African Americans with ritual prescriptions for prophetically re-envisioning, and thereby transforming, their history and culture. In effect the Bible is a "conjure book" for prescribing cures and curses, and for invoking extraordinary and Divine powers to effect changes in the conditions of human existence--and to bring about justice and freedom. Biblical themes, symbols, and figures like Moses, the Exodus, the Promised Land, and the Suffering Servant, as deployed by African Americans, have crucially formed and reformed not only black culture, but American society as a whole. Smith examines not only the religious and political uses of conjure, but its influence on black aesthetics, in music, drama, folklore, and literature. The concept of conjure, he shows, is at the heart of an indigenous and still vital spirituality, with exciting implications for reformulating the next generation of black studies and black theology. Even more broadly, Smith proposes, "conjuring culture" can function as a new paradigm for understanding Western religious and cultural phenomena generally.

How have civil rights transformed racial politics in America? Connecting economic and social reforms to racial and class inequality, Conjuring Crisis counters the myth of steady race progress by analyzing how the federal government and local politicians have sometimes "reformed" politics in ways that have amplified racism in the post civil-rights era. In the 1990s at Fort Bragg and Fayetteville, North Carolina, the city's dominant political coalition of white civic and business leaders had lost control of the city council. Amid accusations of racism in the police department, two white council members joined black colleagues in support of the NAACP's demand for an investigation. George Baca's ethnographic research reveals how residents and politicians transformed an ordinary conflict into a "crisis" that raised the specter of chaos and disaster. He explores new territory by focusing on the broader intersection of militarization, urban politics, and civil rights.

Series Description:There's something magical happening in New York City... The Russos look like an average family: Mom and Dad run a Manhattan deli, while their kids, Alex, Justin, and Max, deal with school, friendships, and first dates. But things are not exactly as they seem because these kids are all wizards in training! To make things more complicated, only one of them will remain a wizard after the age of 18. Talk about sibling rivalry! Full of the magic, comedy, and fun that you've come to expect from Disney Channel, this series is sure to continue conjuring a smash hit. Wizards of Waverly Place #5: Top of the Class Justin and Alex have completely different experiences while attending Wizard School. Justin's disciplined wizardry gains him popularity, while Alex's mellow methods sink her to outcast level. But when an evil professor plans to use Alex to rob Justin of his powers, can Alex sum up the sorcery to save the day? Plus, Max persuades his dad Jerry to have their long-awaited outdoor campout; the trick is making it through the night!

Provides a new way of looking at literary responses to migration and modernization

List of members in v.1-19, 21, 24-

Winner of the NAACP Image Award for Fiction From Kiese Laymon, author of the critically acclaimed memoir Heavy, comes a “funny, astute, searching” (The Wall Street Journal) debut novel about Black teenagers that is a satirical exploration of celebrity, authorship, violence, religion, and coming of age in post-Katrina Mississippi. Written in a voice that’s alternately humorous, lacerating, and wise, Long Division features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared. Before leaving, City is given a strange book without an author called Long Division. He learns that one of the book’s main characters is also named City Coldson—but Long Division is set in 1985. This 1985-version of City, along with his friend and love interest, Shalaya Crump, discovers a way to travel into the future, and steals a laptop and cellphone from an orphaned teenage rapper called...Baize Shephard. They ultimately take these items with them all the way back to 1964, to help another time-traveler they meet to protect his family from the Ku Klux Klan. City’s two stories ultimately converge in the work shed behind his grandmother’s house, where he discovers the key to Baize’s disappearance. Brilliantly “skewering the disingenuous masquerade of institutional racism” (Publishers Weekly), this dreamlike “smart, funny, and sharp” (Jesmyn Ward), novel shows the work that young Black Americans must do, while living under the shadow of a history “that they only gropingly understand and must try to fill in for themselves” (The Wall Street Journal).

Conjuring Bearden, a richly illustrated exhibition catalog, explores the theme of the "conjur woman" in the work of artist Romare Bearden (1911-1988). Throughout his career, Bearden represented the female figure of the conjurer, or her Caribbean equivalent, the Obeah woman, in his art. Enthralled by her spirituality and power to transform, Bearden depicted the Obeah in his collage, photomontage, and watercolors. Although much has been written about Bearden, this is the first book to critically address his obsessive and creative relationship with this figure of the black vernacular. One of Bearden's most striking methods for introducing the figure of the conjur woman in his art was by distilling Cubist and Dadaist fracture through the deconstructive aesthetics of jazz compositions and African American folk collage and assemblage. With arresting color, Bearden's conjurers were neither eroticized nor made passive. Essays look at Bearden's thematic presentation of African American spirituality in relation to his experiments with form and technique. They trace his visual musings on African, Caribbean, and African American expressive mysticism and examine his magical reinvention of pictorial space and time. This catalog accompanies an exhibition of the same title at the Nasher Museum of Art at Duke University, which will be on display from March 4, 2006 through July 16, 2006. Together, they build on the findings of The Art of Romare Beaden, a major retrospective organized by the National Gallery of Art that toured nationwide.