“A graphic account of the horrors, the brutality and sometimes wanton destruction of warfare, particularly of civil war.” —Charleston (SC) Post and Courier In the first reissue of these documents since 1865, A City Laid Waste captures in riveting detail the destruction of South Carolina’s capital city. William Gilmore Simms (1806-1870), a native South Carolinian and one of the nation’s foremost men of letters, was in Columbia and witnessed firsthand the city’s capture and destruction. A renowned novelist and poet, who was also an experienced journalist and historian, Simms deftly recorded the events of February 1865 in a series of eyewitness accounts published in the first ten issues of the Columbia Phoenix and reprinted here. His record of burned buildings constitutes the most authoritative information available on the extent of the damage. Simms historian David Aiken provides a historical and literary context for Simms’s reportage. In his introduction Aiken clarifies the significance of Simms’s articles and draws attention to factors most important for understanding the occupation’s impact on the city of Columbia. “A shrewd viewer of the war scene in Columbia, famed Southern writer William Gilmore Simms published stinging, courageous exposés of the doings of the Northern forces, even when threatened with arrest. The restoration of his candid firsthand accounts of the destruction wrought by Sherman’s forces against the South Carolina capitol and its inhabitants is a great service to all who study and appreciate Southern history and literature.” —James Everett Kibler, author of Our Fathers’ Fields

In a plague-ravaged medieval city, survival is a harsher fate than death. As corpses accumulate around her, Agnes, a young widow possessed of supernatural strength, must weigh her obligations to the dead and dying against her desire to protect what little remains. Laid Waste is a graphic novella about love and kindness among vermin in the putrid miasma at the end of the world. As with her evocative debut book, Black is the Color, Julia Gfrörer's delicate, gothic drawing style perfectly complements the period era of the book’s setting, bringing the lyricism and romanticism of her prose to the fore.

Sothern, a death penalty lawyer who with his wife, photographer Nikki Page, arrived in New Orleans four years ahead of Katrina, delivers a haunting, personal, and quintessentially American story.

The Sumerians, the pragmatic and gifted people who preceded the Semites in the land first known as Sumer and later as Babylonia, created what was probably the first high civilization in the history of man, spanning the fifth to the second millenniums B.C. This book is a compendium of what is known about them. The author outlines the history of the Sumerian civilization and describes their cities, religion, literature, education, scientific achievements, social structure, and psychology. Finally, he considers the legacy of Sumer to the ancient and modern world.

As the 'father' of the English literary canon, one of a very few writers to appear in every 'great books' syllabus, Chaucer is seen as an author whose works are fundamentally timeless: an author who, like Shakespeare, exemplifies the almost magical power of poetry to appeal to each generation of readers. Every age remakes its own Chaucer, developing new understandings of how his poetry intersects with contemporary ways of seeing the world, and the place of the subject who lives in it. This Handbook comprises a series of essays by established scholars and emerging voices that address Chaucer's poetry in the context of several disciplines, including late medieval philosophy and science, Mediterranean Studies, comparative literature, vernacular theology, and popular devotion. The volume paints the field in broad strokes and sections include Biography and Circumstances of Daily Life; Chaucer in the European Frame; Philosophy and Science in the Universities; Christian Doctrine and Religious Heterodoxy; and the Chaucerian Afterlife. Taken as a whole, The Oxford Handbook of Chaucer offers a snapshot of the current state of the field, and a bold suggestion of the trajectories along which Chaucer studies are likely to develop in the future.

In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, metaphysics, society, politics, anthropology and the subject. Sloterdijk explores a variety of topics, from the Greco-Roman invention of postcards to the rise of the capitalist art market, from the black boxes and white cubes of modernism to the growth of museums and memorial culture. In doing so, he extends his characteristic method of defamiliarization to transform the way we look at works of art and artistic movements. His bold and original approach leads us away from the well-trodden paths of conventional art history to develop a theory of aesthetics which rejects strict categorization, emphasizing instead the crucial importance of individual subjectivity as a counter to the latent dangers of collective culture. This sustained reflection, at once playful, serious and provocative, goes to the very heart of Sloterdijk’s enduring philosophical preoccupation with the aesthetic. It will be essential reading for students and scholars of philosophy and aesthetics and will appeal to anyone interested in culture and the arts more generally.