A fresh take on the history of art, using cultural timelines to reveal little-known connections and influences between artworks and artistic movements.

Addressed to students of the image—both art historians and students of visual studies—this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.

Art in Time is the first book to embed art movements within the larger context of politics and history. Global in scope and featuring an innovative present‐to‐past arrangement, the book’s accessible text looks back on the most significant art styles and movements, from the present day to antiquity. Pages of historical photographs, documents, newspaper headlines, and other ephemera evoke the times in which styles and movements arose. The book opens with The Information Age (Internet Art, Neo‐Expressionaism, Arte Povera) and closes with The Classical Age (Roman wall painting, Hellenistic Greek style), covering everything from Photorealism, Art Brut, Ukiyo‐e, and Byzantine style in between. An integrated timeline provides a linear thread throughout the book, while succinct, authoritative text illuminates key points.

An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.

[This book is] for American art survey courses. [It] provides a thorough ... chronology of American art, including painting, sculpture, architecture, decorative arts, photography, and folk art. [The author] presents art and artists within the context of their times, including insights into the intellectual, spiritual, and political environment. [He] charts the growth of a distinctly American art culture.-Back cover.

A more global, flexible way to teach art history

Through more than 450 masterpieces, the author unfolds the story of 800 years of Western painting from Giotto, the Renaissance and Impressionism, to Pop Art and the present day.

Celebrating the Barjeel Art Foundation's expansive collection, this book maps a genealogy of modern and contemporary Arab art and offers one of the most extensive presentations of modern Arab art. Based in Sharjah, United Arab Emirates, the Barjeel Art Foundation was established to contribute to the development of the evolving art scene in the Arab region by building a prominent, publicly accessible art collection in the UAE. Over time it has grown to become one of the most holistic collections of Arab art, fostering critical dialogue around art practices both in the region and internationally. Coinciding with a year long series of exhibitions at the Whitechapel Gallery, London, this unique overview features many rarely seen works by artists across the region from North Africa to the Gulf states as well as Western Asia. Spanning a period from the turn of the twentieth century to the present day, this publication tells a striking visual story of artists who challenged notions of tradition, territory, and geography. Featuring more than 60 artists and over 100 works of art, along with essays by leading scholars, curators and artists such as, Sultan Sooud Al-Qassemi, Kamal Boullata, Omar Kholeif, Rasha Salti, Nada Shabout, Gilane Tawadros and Ted McDonald-Toone.

Chesley Bonestell has been called the "Father of Space Art." His photorealistic paintings of the Moon and planets, and other worlds beyond, have awed us since they were first published, over half a century ago. Moreover, he showed, long before Gagarin or Glenn, what it would be like for humans to explore the vastness of space. As author Howard E. McCurdy has written in his book, Space and the American Imagination: "No artist had more impact on the emerging popular culture of space in America than Chesley Bonestell. . . . Through his visual images, he stimulated the interest of a generation of Americans and showed how space travel would be accomplished." Considering his great influence on both the public interest in space flight and the actual development of a national space program, it is therefore both surprising and unfortunate that, heretofore, there has not been available a bibliography documenting those places where Bonestell's art appeared in print. This book fills that void. Written in cooperation with the artist's widow and his estate managers, A Chesley Bonestell Space Art Chronology contains well over 700 entries and is the definitive reference guide to publications containing Bonestell's space art. In praise of it, the illustrator Vincent Di Fate says: "This entertaining and scholarly work is an invaluable and indispensable treasure for the vast legions of Bonestell's fans. [T]houghtful, engrossing and utterly thorough . . . [it] provides the cosmic ride of a lifetime."

"Diane Arbus: A Chronology is the closest thing possible to a contemporaneous diary by one of the most daring, influential, and controversial artists of the twentieth century. Drawn primarily from Arbus's correspondence with friends, family, and colleagues; personal notebooks; and other unpublished writings, this beautifully produced volume exposes the astonishing vision of an artist with the courage to see things as they are and the grace to permit them simply to be. The Chronology also includes exhaustively researched footnotes, and biographies of fifty-five personalities, family members, friends, and colleagues, including Marvin Israel, Lisette Model, Weegee and August Sander." -- Publisher's description.