A bilingual edition of the most famous of Henri Michaux's poetry collections, now in a new translation from the French. The figure of Plume preoccupied the great Belgian poet Henri Michaux throughout his career. Plume, meaning feather or pen, is a character who drifts from one thing to another, losing shape, taking new forms, at perpetual risk from reality. He is a personification of the imagination as subject to innumerable pratfalls and disgraces, and yet indestructible for all that. In this new bilingual edition, with translations by Richard Sieburth, the entire Plume cycle appears for the first time in English in the form in which Michaux originally published it.

From Yiddish-speaking Russian-Lithuanian feather handlers in South Africa to London manufacturers and wholesalers, from New York's Lower East Side to entrepreneurial farms in the American West, this text explores the details of a remarkably vibrant yet ephemeral culture.

The poems in Plume are nuclear-age songs of innocence and experience set in the "empty" desert West. Award-winning poet Kathleen Flenniken grew up in Richland, Washington, at the height of the Cold War, next door to the Hanford Nuclear Reservation, where "every father I knew disappeared to fuel the bomb," and worked at Hanford herself as a civil engineer and hydrologist. By the late 1980s, declassified documents revealed decades of environmental contamination and deception at the plutonium production facility, contradicting a lifetime of official assurances to workers and their families that their community was and always had been safe. At the same time, her childhood friend Carolyn's own father was dying of radiation-induced illness: "blood cells began to err one moment efficient the next / a few gone wrong stunned by exposure to radiation / as [he] milled uranium into slugs or swabbed down / train cars or reported to B Reactor for a quick run-in / run-out." Plume, written twenty years later, traces this American betrayal and explores the human capacity to hold truth at bay when it threatens one's fundamental identity. Flenniken observes her own resistance to facts: "one box contains my childhood / the other contains his death / if one is true / how can the other be true?" The book's personal story and its historical one converge with enriching interplay and wide technical variety, introducing characters that range from Carolyn and her father to Italian physicist Enrico Fermi and Manhattan Project health physicist Herbert Parker. As a child of "Atomic City," Kathleen Flenniken brings to this tragedy the knowing perspective of an insider coupled with the art of a precise, unflinching, gifted poet. Watch the book trailer: https://www.youtube.com/watch?v=3iSaR9mfeeM

Perkins, a former chief economist at a Boston strategic-consulting firm, confesses he was an "economic hit man" for 10 years, helping U.S. intelligence agencies and multinationals cajole and blackmail foreign leaders into serving U.S. foreign policy and awarding lucrative contracts to American business.

A wild journey to the East narrated by a writer who is “without equal in the literature of our time” (Jorge Luis Borges) Henri Michaux (1899–1984), the great French poet and painter, set out as a young man to see the Far East. Traveling from India to the Himalayas, and on to China and Japan, Michaux voices his vivid impressions, cutting opinions, and curious insights: he has no trouble speaking his mind. Part fanciful travelogue and part exploration of culture, A Barbarian in Asia is presented here in its original translation by Sylvia Beach, the famous American-born bookseller in Paris.

Presents haiku poetry about nature and the seasons.

"This book is an exploration. By means of words, signs, drawings. Mescaline, the subject explored." In Miserable Miracle, the great French poet and artist Henri Michaux, a confirmed teetotaler, tells of his life-transforming first encounters with a powerful hallucinogenic drug. At once lacerating and weirdly funny, challenging and Chaplinesque, his book is a breathtaking vision of interior space and a piece of stunning writing wrested from the grip of the unspeakable. Includes forty pages of black-and-white drawings.

A new translation of the only novel by lauded Romanian literary critic Matei Călinescu An NYRB Classics Original Ugly, unkempt, a haunter of low dives who begs for a living and lives on the street, Zacharias Lichter exists for all that in a state of unlikely rapture. After being engulfed by a divine flame as a teenager, Zacharias has devoted his days to doing nothing at all—apart, that is, from composing the odd poem he immediately throws away and consorting with a handful of stray friends: Poldy, for example, the catatonic alcoholic whom Zacharias considers a brilliant philosopher, or another more vigorous barfly whose prolific output of pornographic verses has won him the nickname of the Poet. Zacharias is a kind of holy fool, but one whose foolery calls in question both social convention and conventional wisdom. He is as much skeptic as ecstatic, affirming above all the truth of perplexity. This of course is what makes him a permanent outrage to the powers that be, be they reactionary or revolutionary, and to all other self-appointed champions of morality who are blind to their own absurdity. The only thing that scares Zacharias is that all-purpose servant of conformity, the psychiatrist. This Romanian classic, originally published under the brutally dictatorial Ceauşescu regime, whose censors initially let it pass because they couldn’t make head or tail of it, is as delicious and telling an assault on the modern world order as ever.

Like everything else in this wrenching, dazzling volume, memory is mediated by wit and skepticism. These are poems of great beauty and authentic pain, as well as a wincing humor. The world in these poems comes at the reader as a mesmerizing swarm of images, which sting as much as they please. Their cumulative effect is a kind of sorrowful wonder. This is a book you will not forget. Daniel Lawless is the founder and editor of Plume: A Journal of Contemporary Poetry, the Plume anthologies and co-founder of the poetry press, Plume Editions. He now resides in St. Petersburg, Florida.

When young Johnny discovers a zombie in his beloved treehouse, his entire world is turned upside down. Who can he turn to for help?