The tragic loss of precious, ancient or old copies of writings from India`s religious heritage continues into the twenty-first century. A small team of photographers and researches spent a total of eighteen months in India, locating, identifying and photographing numerous hand-printed, papers and palm-leaf manuscripts as well as some printed editions from the Vaisnava traditions.

Includes text and translations of manuscripts found in the library.

This book explores the bizarre but fascinating world of infinity in different disciplines of knowledge; mathematics, science, philosophy and religion. It projects the views of eastern as well as western scholars. This world is not only mysterious but also treacherous and conceals many conundrums such as a multitude of infinities, the mystic's experience of the infinite, conception of God as absolute infinity. The author also discusses many paradoxes relating to space and time. It is interesting to discover that some eastern philosophies try to reconcile two opposite concepts of sunya (zero) and Ananta (the infinite). The author also ventures to address a difficult question: Does infinity exist as a physical reality?

The work presents the complete text of F.S. Growse's translation of the Hindi Rāmāyana, as entirely revised, corrected and reset by D. Ram Chandra Prasad. Whilst not a literal translation, it remains faithful to the spirit of the original Hindi epic.

Intended to be a treatise on life itself, this epic poem embraces religion and ethics, polity and government, philosophy and the pursuit of salvation. This collection of more than 4,000 verses is supplemented by a glossary, genealogical tables, and an index correlating the verses with the original Sanskrit text.

It is a work of unusual breadth and depth that will attract readers in religious studies, comparative literature, Sanskrit, Asian studies and humanities in general. The book is a thorough study of the great Indian hero, the Achilles of India, Arjuna, as portrayed in the epic poem Mahabharata, including its world-famous subsection, the Bhagavadgita. Different aspects of Arjuna's Character has been discussed.

The monkey-god Hanuman, one of contemporary Hinduism's most popular deities, has a long history in Indian art and literature. This study traces Hanuman's gradual evolution from his role as helper and messenger of Rama in the Valmiki Ramayana in the 3rd century B.C.E. to his more dominant function in Tulasi Dasa's Ramacaritamanasa, written circa 1575 C.E.The study begins with a concentrated overview of Hanuman's non-Aryan origins and later associations. It then illustrates and elucidated the growth of his character from Valmiki to Tulasi Dasa through several intermediary stages. The greater part of the book comprises a careful scene-by-scene comparative textual analysis of the Sanskrit and the Avadhi versions of the Rama legend which has been so immensely influential in Hindu culture. In the course of time, Hanuman changes from a perfect messenger to the ideal devotee who becomes an embodiment of his master in his complete surrender to Raghupati.