From the author of Ground to a Halt comes a special holiday Hemlock Falls Mystery. Hemlock Falls is one of the most picturesque villages in upstate New York, with the Hemlock Inn, owned by the amateur sleuths, the Quilliam sisters, as its center piece. The Quillliam sisters would love the show their little slice of paradise to the tourists that come to stay at their historic inn, however, the village isn’t as peaceful as the picturesque quaint would have you believe… For the Quilliam sisters, there’s nothing jolly about this Christmas. Meg and Quill are near-broke. At least there’s one bright start on the horizon: a big-time magazine and television show will feature the Inn. But soon the editor’s husband skis to his death. Now, if the Quilliams are to save the Inn from a lawsuit, they’ll need to prove this was no accident.

The often-tortured class weirdo has disappeared, leaving an enigmatic note on the school library computer. Is he a runaway, a suicide, or a murder victim?

“Alisa Kwitney has an understanding of human foibles and follies and a light, intelligent touch that marks her as an author to watch and enjoy.” —#1 New York Times bestselling author Neil Gaiman Frankenstein meets Marissa Meyer’s Cinder in this tightly paced historical thriller packed with secrets, betrayal and steamy romance. When Elizabeth Lavenza enrolled at Ingold as its first female medical student, she knew she wouldn’t have an easy time. From class demands to being an outsider among her male cohorts, she’ll have to go above and beyond to prove herself. So when she stumbles across what appears to be a faulty Bio-Mechanical—one of the mechanized cadavers created to service the school—she jumps at the chance to fix it and get ahead in the program. Only this Bio-Mechanical isn’t like the others. This one seems to have thoughts, feelings…and self-awareness. Soon Elizabeth realizes that it is Victor Frankenstein—a former student who died under mysterious circumstances. Suddenly Elizabeth finds herself entwined in his dark secrets, ones he might have been murdered to keep buried. “Fiendishly clever and gorgeously romantic. Alisa Kwitney spins an electrifying tale of beautiful monsters and mad scientists that will keep your nerves tingling and your heart racing long into the night.” —Carol Goodman, New York Times bestselling author of The Metropolitans “Fans of Marissa Meyer’s Lunar Chronicles will enjoy this.” —Kirkus “In this inventive Victorian-era steampunk tale…Kwitney blends elements of murder mystery, classic science fiction, and gothic romance, all cleverly framed around a Beauty and the Beast take on Frankenstein.” —Booklist “A dark, thrilling and ingenious riff on the Frankenstein legend.” —M.R. Carey, author of The Girl with All the Gifts “Strikingly written and impeccably conjured.” —Gwenda Bond, author of the Lois Lane series “It swept me right away.” —Delia Sherman, author of The Great Detective

Agatha DeLacey’s family isn’t rich or titled, so studying nursing at Ingold’s East End hospital in London is a rare opportunity for her. Despite the school’s focus on the innovative Bio-Mechanical program, Aggie cares more about the desperately poor human patients who flood the hospital, even if that means providing unauthorized treatment after-hours…and trusting a charming, endlessly resourceful thief. But the Artful Dodger is barely a step ahead of his underworld rivals, the menacing Bill Sykes and mercurial Oliver Twist, and Aggie’s association with him soon leads her into danger. When a brutal attack leaves her blind, she and the Dodger find themselves at the mercy of an experimental Bio-Mech surgery. Though the procedure restores Aggie’s sight, her new eyes come at an unnerving cost, and the changes in Dodger are even more alarming—instead of seeing Aggie as the girl he fancies, he now views her as a potential threat. As war between England and Germany brews on the horizon and a sinister medical conspiracy threatens to shatter the uneasy peace in Europe, Aggie and the Dodger must find a way to work together so they can protect their friends and expose the truth…even if it means risking their own survival.

In this clever reimagining of Charles Dickens’s life, he and fiancée Kate Hogarth must solve the murder of an old miser, just before Christmas . . . London, December 1835: Charles and Kate are out with friends and family for a chilly night of caroling and good cheer. But their blood truly runs cold when their singing is interrupted by a body plummeting from an upper window of a house. They soon learn the dead man, his neck strangely wrapped in chains, is Jacob Harley, the business partner of the resident of the house, an unpleasant codger who owns a counting house, one Emmanuel Screws. Ever the journalist, Charles dedicates himself to discovering who's behind the diabolical defenestration. But before he can investigate further, Harley's corpse is stolen. Following that, Charles is visited in his quarters by what appears to be Harley's ghost—or is it merely Charles’s overwrought imagination? He continues to suspect Emmanuel, the same penurious penny pincher who denied his father a loan years ago, but Kate insists the old man is too weak to heave a body out a window. Their mutual affection and admiration can accommodate a difference of opinion, but matters are complicated by the unexpected arrival of an infant orphan. Charles must find the child a home while solving a murder, to ensure that the next one in chains is the guilty party . . . Praise for the Dickens of a Crime Mysteries! “Mystery fans and history buffs alike should cheer.” —KirkusSTARRED Review “Sharp, incisive, and delightfully twisty. I’m sure I won't be the only reader exclaiming, ‘What the Dickens?!’” —Anna Lee Huber, bestselling author. “As easy to read as one of Mr. Dickens’ actual novels and as entertaining.” —New York Journal of Books “Fans of Anne Perry will love this one.” —Dianne Freeman, award–winning author

Special Delivery! Tom Bains brings packages to people as part of his job. After divorcing his cheating wife, he decides to make other women pay for her mistake. While making deliveries along his route in New York City, Bains starts killing attractive blondes that remind him of his ex-wife. Detective John Napoli is assigned to the case. He is also given a new partner, Detective Maria Martinez. As the murders continue, Napoli works the crimes while trying to live a normal life. Napoli enjoys spending time with his family, as well as with his best friend, Tom. Can Napoli stop the killer, or will Bains outsmart his friend and claim more victims?

From the beginning, both Robert Kirkman's comics and AMC's series of The Walking Dead have brought controversy in their presentations of race, gender and sexuality. Critics and fans have contended that the show's identity politics have veered toward the decidedly conservative, offering up traditional understandings of masculinity, femininity, heterosexuality, racial hierarchy and white supremacy. This collection of new essays explores the complicated nature of relationships among the story's survivors. In the end, characters demonstrate often-surprising shifts that consistently comment on identity politics. Whether agreeing or disagreeing with critics, these essays offer a rich view of how gender, race, class and sexuality intersect in complex new ways in the TV series and comics.

The concept of Purgatory in Middle English didactic writings is explored through examination of visions of the afterlife, sermons, homiletic treatises, and lyrics.

This edited collection brings together an introduction and 13 original scholarly essays on AMC's The Walking Dead. The essays in the first section address the pervasive bloodletting of the series: What are the consequences of the series' unremitting violence? Essays explore violence committed in self-defense, racist violence, mass lawlessness, the violence of law enforcement, the violence of mourning, and the violence of history. The essays in the second section explore an equally urgent question: What does it mean to be human? Several argue that notions of the human must acknowledge the centrality of the body--the fact that we share a "blind corporeality" with the zombie. Others address how the human is closely aligned with language and time, the disappearance of which are represented by the aphasic, timeless zombie. Underlying each essay are the game-changing words of The Walking Dead's protagonist Rick Grimes to the other survivors: "We're all infected." The violence of the zombie is also our violence; their blind drives are also ours. The human characters of The Walking Dead may try to define themselves against the zombies but in the end their bodies harbor the zombie virus: they are the walking dead. Instructors considering this book for use in a course may request an examination copy here.