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Oft-ignored in the study of Canadian history or dismissed as a vestige of colonial status, the governor general's office provides essential historical insight into Canada's constitutional evolution. In the nineteenth century, as today, individual governors general exercised considerable scope in interpreting their approach to the office. The era 1847-1878 witnessed profound changes in Canada's relationship with Britain, and in this new book, Barbara J. Messamore explores the nature of these changes through an examination of the role of the governor general. Guided by outmoded instructions and constitutional conventions that were not yet firmly established, the governors general of the time - Lord Elgin, Sir Edmund Head, Lord Monck, Lord Lisgar, and Lord Dufferin - all wrestled with the implications of colonial self government. The imprecision of the viceregal role made the character of the appointee especially important and biographical details are thus essential to an understanding of how the new experiment of colonial self-government was put into practice. Messamore's book marries constitutional history and biography, providing illumination on some of the key figures of nineteenth-century Canadian politics.

The satires and cartoons of Grip magazine, especially the drawing of John Bengough, provide a revealing glimpse into Canadian political and social life in the early years of confederation.

Julian Ralph's 'The Stories of Canada's Frontier' is a captivating collection of tales that vividly depict the rugged and untamed landscapes of Canada's frontier. Through his compelling narratives, Ralph transports readers back to a time when pioneers and explorers faced the challenges of forging a new life in the wilderness. The book is written in a descriptive and immersive literary style that truly brings the historical setting to life, making it a valuable resource for those interested in Canadian history and frontier life. Ralph's attention to detail and rich character development make each story a fascinating glimpse into the past, shedding light on the struggles and triumphs of early settlers in Canada. The author's thorough research and firsthand experiences traveling through the region lend authenticity and depth to his storytelling, making 'The Stories of Canada's Frontier' a must-read for history buffs and adventure enthusiasts alike.

Made-in-Canada-Humour is an interdisciplinary survey and analysis of Canadian humour and humorists in the nineteenth and twentieth centuries. The book focuses on a variety of genres. It includes celebrated Canadian writers and poets with ironic and satiric perspectives; oral storytellers of tall tales in the country and the city; newspaper print humorists; representative national and regional cartoonists; and comedians of stage, radio and television. The humour gives voice to Canadian values and experiences, and consequently, techniques and styles of humour particular to the country. While a persistent comic theme has been joking at the expense of the United States, both countries have influenced one another’s humour. Canada’s unique humorous tradition also reflects its emergence from a colonial country to a postcolonial and postmodern nation with contemporary humour that addresses gender and racial issues.

Contemporary research in periodical literature has demonstrated conclusively that the nineteenth century in Britain was the age of the periodical. It also has shown that, in Victorian society, the circulation of periodicals and newspapers was both larger and more influential than that of books. The six essays in this volume investigate the extent to which this was equally true of Britain's colonies during the period up to 1900. In chapters devoted to periodical publishing in Australia, Canada, India, New Zealand, Southern Africa, and the 'outposts' of the Empire (Ceylon, Cyprus, Hong Kong, Malaya and Singapore, Malta, and the West Indies), the contributors also consider the function and importance of periodicals in colonial life. They identify and describe all locally produced publications that appeared at weekly or longer intervals and that contained, for example, local news, poetry, fiction, criticism, commentary on the arts, news from home, shipping information and commodities reports. Each chapter presents an evaluation of the quantity and quality of guides available to periodical literature in each region, from basic bibliographies of periodicals, directories, and finding aids, to microfilm records and databases on the Internet. Periodicals of Queen Victoria's Empire is an initial step towards understanding and analyzing what its editors regard as the 'unseen power' of the periodical press in the British Empire of the nineteenth century.