After the international success of his collection of World War II newspaper articles, German Autumn—a book that solidified his status as the most promising and exciting writer in Sweden—Stig Dagerman was sent to France with an assignment to produce more in this journalistic style. But he could not write the much-awaited follow-up. Instead, he holed up in a small French village and in the summer of 1948 created what would be his most personal, poignant, and shocking novel: A Burnt Child. Set in a working-class neighborhood in Stockholm, the story revolves around a young man named Bengt who falls into deep, private turmoil with the unexpected death of his mother. As he struggles to cope with her loss, his despair slowly transforms to rage when he discovers his father had a mistress. But as Bengt swears revenge on behalf of his mother’s memory, he also finds himself drawn into a fevered and conflicted relationship with this woman—a turn that causes him to question his previous faith in morality, virtue, and fidelity. Written in a taut and beautifully naturalistic tone, Dagerman illuminates the rich atmospheres of Bengt’s life, both internal and eternal: from his heartache and fury to the moody streets of Stockholm and the Hitchcockian shadows of tension and threat in the woods and waters of Sweden’s remote islands. A Burnt Child remains Dagerman’s most widely read novel, both in Sweden and worldwide, and is one of the crowning works of his short but celebrated career.

[A] searing memoir. . . . An enduring, indeed universal, story. Robert Taylor, The Boston Globe Summoned with her mother to Gestapo headquarters in 1943, fourteen-year-old Cordelia Edvardson was given a terrible choice: to acknowledge her secret Jewish heritage and suffer the consequences or to see her mother charged with treason. Burned Child Seeks the Fire is the true story of the love between this mother and daughter, and a piercing example of the tragedies wrought by Nazi Germany. "A lacerating, beautifully translated memoir." Publishers Weekly, starred review "Mesmerizing. . . . [Has] the concise unreality of a horrifying fairy tale." Thomas Frick, Los Angeles Times Book Review "Behind [Edvardson's] deceptively simple prose is a complex and tragic story." Judith Bolton-Fasman, Newsday "Cordelia Edvardson's defiant tone challenges us to eschew simplified encounters with the literature and experiences of Holocaust survivors." Paul H. Hamburg, Jewish Book World "To see the horrors of the Holocaust through a child's eye is to experience hell. Cordelia Edvardson's astonishing story captures, with a terrifying reality, a child's response to the myriad atrocities of the Nazis and their murderous regime. Burned Child Seeks the Fire is compelling, horrifying, poetic in its intensity." Deborah Peifer, Bay Area Reporter

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Restoring the Burnt Child is the second volume in William Kloefkorn’s four-part memoir, which will cover the four elements: water, fire, earth, and air. Negotiating the no man’s land between ages nine and thirteen, this memoir of a small-town boy’s life in 1940s Kansas continues the story Kloefkorn began in his much-loved volume This Death by Drowning. With characteristic humor and in prose as lyrical as his poetry, he describes the unsentimental education he received at the hands of the denizens of Urie’s Barber Shop and the Rexall Drugstore and at the knees of the true characters who made up his family. From the “firefly” stunt that nearly burns down his home to the distant firestorms of World War II, fire presents an endless range of subtle and surprising lessons for the boy, whose impressions Kloefkorn conveys with the immediacy, naiveté, and poignancy of youth—and reconsiders with the wisdom and distance of age. Restoring the Burnt Child powerfully brings to life the lost, unforgettable world of a boy, and of a poet, coming of age in midcentury middle America. Chosen as a 2008 One Book, One Nebraska selection, this Bison Books edition is updated with a set of discussion questions.

Conspiring men have, do, and will continue to take advantage of each other because of our humanity, and history shows the worst offenders are not those who claim to do us any harm, but those who claim they are trying to do us good. The solution is not to cancel our goodness. The cure is not to have less of any of these good things. The cure is to balance it with more knowledge and more truth. Whatever “truth” is given by our churches, governments, and the media, can be measured by passing it through the fire. If it survives, we can accept it. If it doesn't, we can choose not to be burned again. It doesn't deserve our humanity and can and ought to perish.