Brown Eyed Handsome Man: The Life and Hard Times of Chuck Berry draws on dozens of interviews done by the author himself and voluminous public records to paint a complete picture of this complicated figure. This biography uncovers the real Berry and provides us with a stirring, unvarnished portrait of both the man and the artist. Berry has long been one of pop music's most enigmatic personalities. Growing up in a middle-class, black neighborhood in St. Louis, his first major hit song, "Maybellene," was an adaptation of a white country song, wedded to a black-influenced beat. Thereafter came a string of brilliant songs celebrating teenage life in the '50s, including "School Day," "Johnny B. Goode," and "Sweet Little Sixteen." Berry's career rise was meteoric; but his fall came equally quickly, when his relations with an underage girl led to his conviction. It was not his first (nor his last) run in with the law. He scored his biggest hit in the early '70s with the comical (and some would say decidedly lightweight) song "My Ding-a-Ling." The following decades brought hundreds of nights of tours, with little attention from the recording industry. Bruce Pegg offers the definitive, though not always pretty, portrait of one of the greatest stars of rock and roll, a story that will appeal to all fans of American popular music.

Kane Saucier has chosen to walk away from a family fortune to wear a badge. As Sheriff of Kerrville County, he lives near his brother Zane and his friends, the McCoys of Tebow Ranch. His life is good, but something is missing. The Sheriff is lonely until love walks through the door of his office one day in the form of Lilibet Ladner. She's not had an easy life, but from the moment they meet, the sparks fly. While everything is perfect in the bedroom, there is trouble in paradise - intrigue, danger and mystery turn their world upside down. Kane's faith never wavers; his Little-bit is worth fighting for. And even when her darkest hour comes, Lilibet refuses to give up on her dreams or her Brown Eyed Handsome Man. **Warning: This version of the book contains explicit content and details. For a less explicit version check out the Hell Yeah! Sweeter Versions also available on Amazon. Intended for Adult audiences 18+. Contains: graphical scenes and sexual content.

The Hell Yeah! Sweeter Version Series Continues with Brown Eyed Handsome Man (Hell Yeah! Sweeter Version: Book 4) Kane Saucier has chosen to walk away from a family fortune to wear a badge. As Sheriff of Kerrville County, he lives near his brother Zane and his friends, the McCoys of Tebow Ranch. His life is good, but something is missing. The Sheriff is lonely until love walks through the door of his office one day in the form of Lilibet Ladner. She's not had an easy life, but from the moment they meet, the sparks fly. While everything is perfect in the bedroom, there is trouble in paradise - intrigue, danger and mystery turn their world upside down. Kane's faith never wavers; his Little-bit is worth fighting for. And even when her darkest hour comes, Lilibet refuses to give up on her dreams or her Brown Eyed Handsome Man. *Content Warning: This version of the Hell Yeah! Series is LESS Explicit than the Erotic Version that is also available. If you'd like more explicit version look for the Hell Yeah! Series. Same Book but with the graphic sexual content.

Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.

Rock music has been the principal outlet of youth rebellion for more than half a century, and though rock rebels have been idolized and profiled extensively, their humor has not been at the center of attention. In Rebels Wit Attitude, music writer Iain Ellis throws a spotlight on the history of humor in rock music, and its use as a weapon of anti-establishment rebellion. The performers who are the subjects of Ellis’ study are not merely musicians or comedians—they are artists whose works exude defiance and resistance. Discussing the work of iconic figures as diverse as Chuck Berry, Bob Dylan, Lou Reed, the Beastie Boys, and Madonna, Ellis reveals how issues of politics, ethics, race, and gender, among others, have energized their expressions of rock (and) humor. Rebels Wit Attitude is an entertaining look at some of the greatest rebels in American rock culture and a fascinating history of humor and dissent.

The cowboy songs and dusty Texas car rides of his youth set Patrick B. Mullen on a lifelong journey into the sprawling Arcadia of American music. That music fused so-called civilized elements with native forms to produce everything from Zydeco to Conjunto to jazz to Woody Guthrie. The civilized/native idea, meanwhile, helped develop Mullen's critical perspective, guide his love of music, and steer his life's work. Part scholar's musings and part fan's memoir, Right to the Juke Joint follows Mullen from his early embrace of country and folk to the full flowering of an idiosyncratic, omnivorous interest in music. Personal memory merges with a lifetime of fieldwork in folklore and anthropology to provide readers with a deeply informed analysis of American roots music. Mullen opens up on the world of ideas and his own tireless fandom to explore how his cultural identity--and ours--relates to concepts like authenticity and "folkness." The result is a charming musical map drawn by a gifted storyteller whose boots have traveled a thousand tuneful roads.

Chuck Berry 1926-2017 presents 14 of chuck berry's greatest songs arranged for guitar tab and standard notation, with chord symbols, chord boxes and full lyrics. Additionally, a specially-commissioned foreword by renowned rock journalist Chris Charlesworth pays tribute to Chuck Berry in the wake of his death in 2017, aged 90. Now, with this collection, you too can pay the most fitting tribute of all to the ultimate rock 'n' roll legend: Bringing to life the music he gave to the world. “I want to thank him for the inspirational music he gave us. He lit up our teenage dreams of being musicians and performers. His lyrics shone above others and threw a strange light on the American dream. Chuck you were amazing and your music is engraved on us forever.” - Mick Jagger This digital edition also features a link to stream all the songs in this collection, allowing you to hear every song and every signature riff as you learn to play them. The tracks included are: - Around And Around - Brown Eyed Handsome Man - Carol - Come On - Johnny B. Goode - Little Queenie - Maybellene - Memphis Tennessee - Nadine (Is It You) - No Particular Place To Go - The Promised Land - Roll Over Beethoven - Sweet Little Rock And Roller - Sweet Little Sixteen

Now, with The Big Guitar Chord Songbook: The Fifties you can play eighty-five rock and pop classics from the hey-day of guitar music and the era that brought us Rock 'n' Roll. Each song is arranged in the original keys, complete with full lyrics, guitar chord boxes and a playing guide. The setlist includes : - All Shook Up [Elvis Presley] - At The Hop [Danny & The Juniors] - Blueberry Hill [Fats Domino] - Brown-Eyed Handsome Man [Chuck Berry] - Bye Bye Love [The Everly Brothers] - Chantilly Lace [The Big Bopper] - Folsom Prison Blues [Johnny Cash] - Hoots Mon [Lord Rockingham XI] - I’m Movin’ On [Hank Snow] - La Bamba [Ritchie Valens] - Lucille [Little Richard] - Memories Are Made Of This [Dean Martin] - Peggy Sue [Buddy Holly] - Personality [Lloyd Price] - Poison Ivy [The Coasters] - Rock Around The Clock [Bill Haley & His Comets] - Smoke Gets In Your Eyes [The Platters] - Smokestack Lightning [Howlin’ Wolf] - Tequila [The Champs] - Unchained Melody [Jimmy Young] - Walkin’ After Midnight [Patsy Cline] - Who Do You Love? [Bo Diddley] And many more!

This latest addition to the The Little Black Songbook library gathers together some of the greatest Rock ‘n’ Roll hits that have ever been recorded; songs that have defined and sculpted the history of popular music. Presented in chord songbook format, this collection features Guitar chords, diagrams and complete lyrics. Ideal for strumming and singing, this collection places some of the most popular and well-respected artists at your disposal, including The Rolling Stones, Chuck Berry, Fats Domino, The Beatles, Elvis Presley, The Beach Boys, Little Richard and many more! Perfect for any aspiring guitarist, these tunes are ideal for a group singalongs, a spot of busking or, using the Spotify playlist included within the book, simply to explore the rich history of the world's best rock ‘n’ roll music. Included within this little book are: - Ain't That A Shame [Fats Domino] - All Shook Up [Elvis Presley] - At The Hop [Danny & The Juniors] - Baby It's You [The Beatles] - Be-Bop-A-Lula [Gene Vincent & His Blue Caps] - Blue Suede Shoes [Carl Perkins] - Blueberry Hill [Fats Domino] - Brown Eyed Handsome Man [Chuck Berry] - Claudette [The Everly Brothers] - Come On [The Rolling Stones] - Everyday [Buddy Holly] - Great Balls Of Fire [Jerry Lee Lewis] - The Great Pretender [The Platters] - Honey Don't [Carl Perkins] - Hoots Mon [Lord Rockingham's XI] - Hound Dog [Elvis Presley] - Johnny B. Goode [Chuck Berry] - Let's Twist Again [Chubby Checker] - Long Tall Sally [Little Richard] - Lucille [Little Richard] - Oh, Pretty Woman [Roy Orbison] - Rave On [Buddy Holly] - Rock Around The Clock [Bill Haley & His Comets] - Roll Over Beethoven [Chuck Berry] - Runaround Sue [Dion] - Shout [Lulu & The Luvvers] - Surfin' U.S.A. [The Beach Boys] - That'll Be The Day [The Crickets] - Twenty Flight Rock [Eddie Cochran] - Whole Lotta Shakin' Goin' On [Jerry Lee Lewis] - Willie And The Hand Jive [The Johnny Otis Show] - Yakety Yak [The Coasters] - You Can't Judge A Book By The Cover [Bo Diddley] ... And many more!